The Voice Of The Ghetto

The powerful writings and art of Jews living in the Warsaw Ghetto Hidden in metal containers and buried underground during World War II, these works from the Warsaw Ghetto record the Holocaust from the perspective of its first interpreters, the victims themselves. Gathered clandestinely by an underground ghetto collective called Oyneg Shabes, the collection of reportage, diaries, prose, artwork, poems, jokes, and sermons captures the heroism, tragedy, humor, and social dynamics of the ghetto. Miraculously surviving the devastation of war, this extraordinary archive encompasses a vast range of voices—young and old, men and women, the pious and the secular, optimists and pessimists—and chronicles different perspectives on the topics of the day while also preserving rapidly endangered cultural traditions. Described by David G. Roskies as “a civilization responding to its own destruction,” these texts tell the story of the Warsaw Ghetto in real time, against time, and for all time.

"You can't truly understand the country you're living in without reading Williamson." —Rich Lowry, National Review "His observations on American culture, history, and politics capture the moment we're in—and where we are going." —Dana Perino, Fox News An Appalachian economy that uses cases of Pepsi as money. Life in a homeless camp in Austin. A young woman whose résumé reads, “Topless Chick, Uncredited.” Remorselessly unsentimental, Kevin D. Williamson is a chronicler of American underclass dysfunction unlike any other. From the hollows of Eastern Kentucky to the porn business in Las Vegas, from the casinos of Atlantic City to the heroin rehabs of New Orleans, he depicts an often brutal reality that does not fit nicely into any political narrative or comfort any partisan. Coming from the world he writes about, Williamson understands it in a way that most commentators on American politics and culture simply can’t. In these sometimes savage and often hilarious essays, he takes readers on a wild tour of the wreckage of the American republic—the “white minstrel show” of right-wing grievance politics, progressive politicians addicted to gambling revenue, the culture of passive victimhood, and the reality of permanent poverty. Unsparing yet never unsympathetic, Big White Ghetto provides essential insight into an enormous but forgotten segment of American society.

In his English language debut, Santiago H. Amigorena writes to fight the silence that “has stifled [him] since [he] was born”, weaving together fiction, biography, and memoir to distill a stirring novel of loss and unshakeable love. A critical sensation in France, The Ghetto Within is its author’s personal attempt to confront his grandfather’s silence. Passed down, from generation to generation, the silence of Amigorena’s grandfather became his own. A gripping study of inheritance,The Ghetto Within re-imagines the life of this Jewish grandfather, a Polish exile in Argentina, whose guilt provokes an enduring silence to span generations. 1928. Vicente Rosenberg is one of countless European émigrés making a new life for themselves in Argentina. It is here, along the bustling avenues of Buenos Aires, that he will meet and marry Rosita, whose ties to his native Poland are more ancestral than extant. They will have three children and pursue a quiet, comfortable domestic life. Vicente will start a profitable business and, on occasion, look back. Still, despite success, he will ache for his mother, Gustawa, who stayed behind in Warsaw with his siblings. For years, she writes him several times a month. Yet, as rumors mount from abroad, Vicente is given pause. The war in Europe feels so remote. Over time, his mother's letters become increasingly sporadic and Vicente, through delayed missives and late transmissions, begins to construct the reality of a tragedy that has already occurred. And one day, the letters stop altogether. Racked with guilt and anxiety over the fate of his mother and family, he lapses into a deep despair and longstanding silence. With his new novel, Amigorena employs language to reclaim his "voice" from the oblivion of familial trauma. An effort to understand the ways in which his grandfather’s silence continues to affect the generations that followed,The Ghetto Within is a powerful new addition to Holocaust canon, a stunning introduction of an essential new voice to English readers. Translated from the French by Frank Wynne.

"The translation of Breaking the Silence allows us, finally, to listen directly to the voices of Muslim women in France. Fadela Amara's book is at once autobiography, an analysis of the degradation of male-female relations in France's working-class suburbs, and an engrossing chronicle of a political movement. Helen Chenut's deft translation and comprehensive introduction shows us complex universe inhabited by young women of North African descent in contemporary France."—Susanna Barrows, author of Drinking: Behavior and Belief in Modern History "This book delivers a timely and evocative corrective to stereotypes of Muslim women. Amara discusses with sensitivity the complex gender position of Muslim women in a Western European country in which the conflict between liberal republican ideals and cultural norms has had particularly violent consequences for women. Chenut's fine translation brings Amara's words to life and her excellent introduction places the Muslim women's movement in the context of the racial and cultural tensions that plague France's banlieues today."—Laura Levine Frader, co-editor, Gender and Class in Modern Europe

The award-winning creators of National Public Radio's "Ghetto Life 101" and "Remorse: The 14 Stories of Eric Morse" combine talents with a young photographer to show what life is like in one of the country's darkest places: Chicago's Ida B. Wells housing project. Photos.

In recent years, as government agencies have encouraged faith-based organizations to help ensure social welfare, many black churches have received grants to provide services to their neighborhoods’ poorest residents. This collaboration, activist churches explain, is a way of enacting their faith and helping their neighborhoods. But as Michael Leo Owens demonstrates in God and Government in the Ghetto, this alliance also serves as a means for black clergy to reaffirm their political leadership and reposition moral authority in black civil society. Drawing on both survey data and fieldwork in New York City, Owens reveals that African American churches can use these newly forged connections with public agencies to influence policy and government responsiveness in a way that reaches beyond traditional electoral or protest politics. The churches and neighborhoods, Owens argues, can see a real benefit from that influence—but it may come at the expense of less involvement at the grassroots. Anyone with a stake in the changing strategies employed by churches as they fight for social justice will find God and Government in the Ghetto compelling reading.

Many black men--from Bill Cosby to Michael Eric Dyson--have spoken out about African American society. But where are the voices of the women, especially the young, funny, witty, sarcastic ones? Jam Donaldson offers food for thought, encouraging people to improve their lives as well as the culture overall. Weaving her own warring viewpoints into the discussion, Donaldson provides not only comic relief but a window into the complex, contradictory perspectives existing within every member of the black community.