The Vowel Family

The members of the Vowel family have a hard time talking until their children, Alan, Ellen, Iris, Otto, and Ursula, are born, and when one of them gets lost one day, it takes their Aunt Cyndy to fix the problem.

The members of the Vowel family have a hard time talking until their children, Alan, Ellen, Iris, Otto, and Ursula, are born, and when one of them gets lost one day, it takes their Aunt Cyndy to fix the problem.

Sing along with Dr. Jean and Dr. Holly to learn about vowels and the sounds they make.

Delgamuukw. Sixties Scoop. Bill C-31. Blood quantum. Appropriation. Two-Spirit. Tsilhqot’in. Status. TRC. RCAP. FNPOA. Pass and permit. Numbered Treaties. Terra nullius. The Great Peace… Are you familiar with the terms listed above? In Indigenous Writes, Chelsea Vowel, legal scholar, teacher, and intellectual, opens an important dialogue about these (and more) concepts and the wider social beliefs associated with the relationship between Indigenous peoples and Canada. In 31 essays, Chelsea explores the Indigenous experience from the time of contact to the present, through five categories—Terminology of Relationships; Culture and Identity; Myth-Busting; State Violence; and Land, Learning, Law, and Treaties. She answers the questions that many people have on these topics to spark further conversations at home, in the classroom, and in the larger community. Indigenous Writes is one title in The Debwe Series.

Encourage reading fluency with activities that emphasize word families. Each unit is composed of three parts: Part 1 introduces students to word families; Part 2 challenges their knowledge of word families through independent work; and Part 3 reviews the lessons to ensure students are able to read, write, and identify the word families.

Samuel L. Seal explains how the vowels interact to produce their short or long sounds.

Humans instinctively form words by weaving patterns of meaningless speech elements. Moreover, we do so in specific, regular ways. We contrast dogs and gods, favour blogs to lbogs. We begin forming sound-patterns at birth and, like songbirds, we do so spontaneously, even in the absence of an adult model. We even impose these phonological patterns on invented cultural technologies such as reading and writing. But why are humans compelled to generate phonological patterns? And why do different phonological systems - signed and spoken - share aspects of their design? Drawing on findings from a broad range of disciplines including linguistics, experimental psychology, neuroscience and comparative animal studies, Iris Berent explores these questions and proposes a new hypothesis about the architecture of the phonological mind.