The Waiting Room

"Ever since her husband's death collided with the birth of her daughter, postpartum depression has taken hold of Veronica Shelton. She can't sleep, can't work, and can't bear to touch her beautiful baby girl. Her emotional state is whispering lies in Veronica's ear: You're a bad mother. Your baby would be better off without you. But not everything can be reasoned away by Veronica's despair--can it?"--Dust jacket flap.

The Waiting Room captures the sights, sounds, accents and animosities of a country overflowing with stories. Dina is a family doctor living in the melting-pot city of Haifa, Israel. Born in Australia in a Jewish enclave of Melbourne to Holocaust survivors, Dina left behind a childhood marred by misery and the tragedies of the past to build a new life for herself in the Promised Land. After starting a family of her own, she finds her life falling apart beneath the demands of her eccentric patients, a marriage starting to fray, the ever-present threat of terrorist attack and the ghost of her mother, haunting her with memories that Dina would prefer to leave on the other side of the world. Leah Kaminsky plumbs the depths of her characters’ memories, both the sweet and the heart-wrenching, reaching back in a single climactic day through six decades and across three continents to uncover a truth that could save Dina’s sanity – and her life.

Poetry. Take a seat in WAITING ROOM, the first full-length collection of poetry from award-winning writer Jennifer Zilm. Featuring a m lange of styles and forms (including sonnets, erasures, unsent emails, footnotes, session notes, CVs, tweets, and other disparate source materials), Zilm's engaging and observant writing invites readers to investigate the curious boundaries of various therapeutic terrains--from an exploration of the esoteric world of graduate school, where the subject is religion, to a mash-up of Dante's vision of purgatory and Vancouver's Downtown Eastside (DTES), to the improbable written intersections of van Gogh's doctors and Sylvia Plath's therapist-subverting, sharing, and repurposing the all-too-familiar vocabularies of psychiatry, dentistry, the Bible, and academia in a humorous investigation into what it means to wait, to be a patient and to be patient, to be a student and to be a teacher, to be a healer and to be healed. "From dental work to theological discourse, WAITING ROOM enthralled me. Zilm's 'salient' lines leap or spring with poignancy. She deeply attends to the urgency and meaning of the poem on every level and it's rare. Brava "--Betsy Warland "Zilm's first collection of poetry is a layered experience; intelligent, stimulating, structurally precise, shot through with a slightly sardonic (but not embittered) sense of humour. Ranging from the language of the Dead Sea Scrolls to the language of Psychiatry (its own kind of religion), Zilm pushes text and textuality, exploring art, life, theory and mortality. What a virtuoso performance."--Hiromi Goto "Jennifer Zilm's WAITING ROOM is incantatory and incandescent. Like Brian Wilson's assertion of the song as a pocket symphony, Zilm's poetic lyrics are pocket epics. It is our collective ambivalence toward the transcendent that is her subject, whether the hope we hold onto comes in the form of luminous study or fluorescent pathology. These are the poems of our times and you will rise into the aether within them."--Wayde Compton "Jennifer Zilm has written a book as adept with form as it is rooted in conceit. Zilm impresses both intellectually and aesthetically, crafting work that refuses relegation to a single category. This poet espouses quirk, but only as path to devastating affect. An occasional sonnet glitters in a playful prose poem matrix; true biblical scholarship becomes a moving reflection upon identity, love, and beauty; oh, and Vincent van Gogh goes mad. Disorder haunts WAITING ROOM, a cunningly ordered sequence that will be one of the most unique titles published in 2016."--Shane Neilson

Swinging from South Africa to England: one woman's hunt for her birth mother in an all-too-believable near future in which an antibiotic crisis has decimated the population. A prescient, thrilling debut. 'Combines the excitement of a medical thriller à la Michael Crichton with sensitive characterisation and social insight in a timely debut novel all the more remarkable for being conceived and written before the current pandemic' Guardian 'STUNNING and terrifying ... The Waiting Rooms wrenches your heart in every way possible, but written with such humanity and emotion' Miranda Dickinson 'Chillingly close to reality, this gripping thriller brims with authenticity ... a captivating, accomplished and timely debut from an author to watch' Adam Hamdy ________________ Decades of spiralling drug resistance have unleashed a global antibiotic crisis. Ordinary infections are untreatable, and a scratch from a pet can kill. A sacrifice is required to keep the majority safe: no one over seventy is allowed new antibiotics. The elderly are sent to hospitals nicknamed 'The Waiting Rooms' ... hospitals where no one ever gets well. Twenty years after the crisis takes hold, Kate begins a search for her birth mother, armed only with her name and her age. As Kate unearths disturbing facts about her mother's past, she puts her family in danger and risks losing everything. Because Kate is not the only secret that her mother is hiding. Someone else is looking for her, too. Sweeping from an all-too-real modern Britain to a pre-crisis South Africa, The Waiting Rooms is epic in scope, richly populated with unforgettable characters, and a tense, haunting vision of a future that is only a few mutations away. ________________ 'Engrossing and eye-opening, with heart-stopping plot twists ... a stunning medical thriller set in a terrifying possible future' Foreword Reviews 'A touching, gut-wrenching story of family mystery and tragedy ... a thriller that punches on two fronts – heart AND mind' The Sun 'Gripping and disturbing ... the medical research is convincing, the scenarios plausible, and the story is emotionally engaging. This is an incredible debut!' Gill Paul 'If the themes are dark and topical, the writing is exquisite. Breath held, I got to the finale with my heart in my mouth. Eve Smith weaves a complex and clever tale, merging countries and timelines; the result is a superb and satisfying novel' Louise Beech 'Margaret Atwood is one of my all-time writing heroes and The Handmaid's Tale is probably the best book I've ever read. Eve Smith and The Waiting Rooms really do challenge that long-held crown...' Random Things through My Letterbox 'Thoroughly engaging ... an eye-opening read' Crime Fiction Lover 'A novel of our times' Trip Fiction 'Haunting, honest and horrifying in its reality ... An epic and thrilling read' Book Literati 'Stunning dystopian debut. A prescient and alarming tale that seems just a whisper from reality' Suzy Apsley ' The Waiting Rooms will certainly distract us from the real world for a few hours and this is the immeasurable value of fiction. It gives hope that, as in Eve Smith's fictitious world, the possibility of a happy ending still exists' Die Burger ' The Waiting Rooms is a seriously impressive debut, a novel that is intuitive and chilling, one that will resonate with all in this current climate' Swirl & Thread

With wry humor and sharp insight, Waiting Room examines medical ethics and compassion in critical situations.

The Reader was co-sponsored and co-conceived by CavanKerry and LaurelBooks partner, The Arnold P.Gold Foundation for Humanism in Medicine. Publisher Joan Cusack Handler and Gold Foundation President and CEO Sandra Gold observed that patients, while waiting to learn about their physical health, typically are provided only pop culture magazines--perhaps entertaining but without the solace and comfort that literature provides. The Waiting Room Reader was designed to address that need by bringing fine and accessible writing to "keep the patients company." Here are uplifting and inspiring poems that focus on life's gifts - everyday pleasures: love and family, food and home, work and play, dreams and the earth. This collection, originally offered only to hospitals and physicians' waiting rooms, was received with great success and is now available to a wider audience.

Los Angeles-based artist Silke Otto-Knapp has developed a painting practice characterized by its rigorous process and attentiveness to the medium's possibilities. Using layers of black watercolor pigment, she builds up delicate surfaces, producing subtle variations in density and a powerful sense of atmosphere. Otto-Knapp's exhibition at the Renaissance Society, In the waiting room, presented a new group of large-scale free-standing paintings in that evokes a multidimensional stage set. Some depict silhouetted bodies while others introduce scenic elements reminiscent of painted backdrops. Offering a close look at the exhibition, this volume includes an array of illustrations, a conversation between curator Solveig Øvstebø and the artist, and four newly commissioned essays by Carol Armstrong, Darby English, Rachel Hann, and Catriona MacLeod, grounded in art history and performance studies.