The Walking Dead 143

A Union.

"THE END OF ALL THINGS," Part 11 This is the one where Mark Grayson learns he has a son he didn't know about. But the good news is...that son is AWESOME! Holy crap! One more issue after this until the end. We're as sad as you are.

A Gathering.

Offers a selection of essays using the popular graphic novel and television program, providing a humorous look at the study of philosophy and philosophical topics.

Tegneserie. Efter at have ligget i koma er betjent Rick Grimes vågnet til en totalt forandret verden, stort set kun befolket af menneskeædende zombier. Hans første tanker gælder hans familie

In 2010, The Walking Dead premiered on AMC and has since become the most watched scripted program in the history of basic cable. Based on the graphic novel series by Robert Kirkman, The Walking Dead provides a stark, metaphoric preview of what the end of civilization might look like: the collapse of infrastructure and central government, savage tribal anarchy, and purposeless hordes of the wandering wounded. While the representation of zombies has been a staple of the horror genre for more than half a century, the unprecedented popularity of The Walking Dead reflects an increased identification with uncertain times. In The Walking Dead Live! Essays on the Television Show, Philip L. Simpson and Marcus Mallard have compiled essays that examine the show as a cultural text. Contributors to this volume consider how the show engages with our own social practices—from theology and leadership to gender, race, and politics—as well as how the show reflects matters of masculinity, memory, and survivor’s guilt. As a product of anxious times, The Walking Dead gives the audience an idea of what the future may hold and what popular interest in the zombie genre means. Providing insight into the broader significance of the zombie apocalypse story, The Walking Dead Live! will be of interest to scholars of sociology, cultural history, and television, as well as to fans of the show.

Stories of world-ending catastrophe have featured prominently in film and television. Zombie apocalypses, climate disasters, alien invasions, global pandemics and dystopian world orders fill our screens--typically with a singular figure or tenacious group tasked with saving or salvaging the world. Why are stories of End Times crisis so popular with audiences? And why is the hero so often a white man who overcomes personal struggles and major obstacles to lead humanity toward a restored future? This book examines the familiar trope of the hero and the recasting of contemporary anxieties in films like The Walking Dead, Snowpiercer and Mad Max: Fury Road. Some have familiar roots in Western cultural traditions yet many question popular assumptions about heroes and heroism to tell new and fascinating stories about race, gender and society and the power of individuals to change the world.

The author describes his memoir: "It's based on wartime letters. Upon arriving at the United States Marine Corps Boot Camp one of the first things my drill instructors told me to do was to write at least two letters home a week. I did what they told me. My father, a World War II combat veteran, kept my letters, all 146 of them (and the 250 images I sent home). I continued to write all through my combat tour in Vietnam and my hospital stay in Japan recovering from wounds. I have selected and edited the most meaningful correspondence and added a narrative thread so I could tell the full story of my military experience as a high school kid from rural Ohio transformed into a Marine. The letters describe my further transformation into a war fighting Marine grunt in combat and finally will take you through my metamorphosis into a war-altered ex-Marine but a Marine still."