The War Against Cliche

Like John Updike, Martin Amis is the preeminent novelist-critic of his generation. Always entertaining, with a razor-sharp wit and inimitable judgment, he expounds on a dazzling range of topics from chess, nuclear weapons, masculinity, screen censorship, to Andy Warhol, Hillary Rodham Clinton and Margaret Thatcher. The very best of his essays and reviews from the past twenty-five years are brought together in this substantial and wide-ranging collection, including pieces on Cervantes, Milton, Donne, Coleridge, Jane Austen, Dickens, Kafka, Philip Larkin, Joyce, Evelyn Waugh, Malcolm Lowry, Nabokov, William Burroughs, Anthony Burgess, Saul Bellow, Philip Roth, Shiva and V.S. Naipaul, Kurt Vonnegut, Iris Murdoch, Norman Mailer, Gore Vidal, Don DeLillo, Elmore Leonard, Michael Crichton,V.S. Pritchett and John Updike.

The definitive collection of essays and reportage written during the past thirty years from one of most provocative and widely read writers--with new commentary by the author. For more than thirty years, Martin Amis has turned his keen intellect and unrivaled prose loose on an astonishing range of topics--politics, sports, celebrity, America, and, of course, literature. Now, at last, these incomparable essays have been gathered together. Here is Amis at the 2011 GOP Iowa Caucus, where, squeezed between "windbreakers and woolly hats," he pores over The Ron Paul Family Cookbook and laments the absence of "our Banquo," Herman Cain. He writes about finally confronting the effects of aging on his athletic prowess. He revisits, time and time again, the worlds of Bellow and Nabokov, his "twin peaks," masters who have obsessed and inspired him. Brilliant, incisive, and savagely funny, The Rub of Time is a vital addition to any Amis fan's bookshelf, and the perfect primer for readers discovering his fierce and tremendous talents for the first time.

The bestselling author of Liberal Fascism dismantles the progressive myths that are passed-off as wisdom in our schools, media and politics. According to Jonah Goldberg, if the greatest trick the Devil ever pulled was convincing the world he didn’t exist, the greatest trick liberals ever pulled was convincing themselves that they’re not ideological. Today, “objective” journalists, academics and “moderate” politicians peddle some of the most radical arguments by hiding them in homespun aphorisms. Barack Obama casts himself as a disciple of reason and sticks to one refrain above all others: he’s a pragmatist, opposed to the ideology and dogma of the right, solely concerned with “what works.” And today’s liberals follow his lead, spouting countless clichés such as: One man’s terrorist is another man’s freedom fighter: Sure, if the other man is an idiot. Was Martin Luther King Jr. a terrorist? Was Bin Laden a freedom fighter? Violence never solves anything: Really? It solved our problems with the British empire and ended slavery. Better ten guilty men go free than one innocent man suffer: So you won’t mind if those ten guilty men move next door to you? Diversity is strength: Cool.The NBA should have a quota for midgets and one-legged point guards! We need complete separation of church and state: In other words all expressions of faith should be barred from politics …except when they support liberal programs. With humor and passion, Goldberg dismantles these and many other Trojan Horses that liberals use to cheat in the war of ideas. He shows that the grand Progressive tradition of denying an ideological agenda while pursuing it vigorously under the false-flag of reasonableness is alive and well. And he reveals how this dangerous game may lead us further down the path of self-destruction.

The legendary Deep Thoughts and New Yorker humorist Jack Handey is back with his very first novel-a hilarious, absurd, far-flung adventure tale. THE STENCH OF HONOLOLU Are you a fan of books in which famous tourist destinations are repurposed as unlivable hellholes for no particular reason? Read on! Jack Handey's exotic tale is full of laugh-out-loud twists and unforgettable characters whose names escape me right now. A reliably unreliable narrator and his friend, who is some other guy, need to get out of town. They have a taste for adventure, so they pay a visit to a relic of bygone days-a travel agent-and discover an old treasure map. She might have been a witch, by the way. Our heroes soon embark on a quest for the Golden Monkey, which takes them into the mysterious and stinky foreign land of Honolulu. There, they meet untold dangers, confront strange natives, kill and eat Turtle People, kill some other things and people, eat another thing, and discover the ruins of ancient civilizations. As our narrator says, "The ruins were impressive. But like so many civilizations, they forgot the rule that might have saved them: Don't let vines grow all over you."

Martin Amis's dazzling autobiographical novel of a unique literary life seen through the lens of friendships, family, sex and love, is wise, warm, heartbreaking and funny: the heart-to-heart testimony of an incomparable writer. This is the portrait of an extraordinary life lived by a great writer. Martin Amis leads us through boisterous romantic entanglements and literary friendships, the encompassing ties of family to generously revealing details about how to write (from the master of prose style), and finally to the intimate sorrow of a death closely felt. Inside Story had its birth in a death--that of the author's closest friend, the beloved thinker and writer Christopher Hitchens. From their early days as young magazine staffers in London, reviewing romantic conquests and the latest literary gossip (not to mention ideas, books and where to lunch), Hitchens was Martin's wingman and adviser, especially in the matter of the alluringly amoral, unforgettable Phoebe Phelps--an obsession Martin must somehow put behind him if he is ever to find love, marriage, a plausible run at happiness. We meet the literary giants who influenced him--his father Kingsley Amis, his hero Saul Bellow, the weirdly self-finessing poet Philip Larkin, and significant literary women, from Iris Murdoch to Elizabeth Jane Howard. Moving among these greats to set his own path, Martin's quest is a tender, witty exploration of the hardest questions: how to live, how to be a husband and father, how to grieve, and how to die? In his search for answers, he surveys the horrors of the twentieth century, and the still-unfolding impact of 9/11 on the twenty-first, and considers what all this has taught him about how to be a writer. The result is a love letter to life and to the people in his life, which is simultaneously a wonder of literary invention--wise, meditative, heartbreaking, funny, and as engaging as a novel--that achieves a new level of confidentiality with readers.

At the end of the day, when it comes to getting your head around clichés, everybody seems to be singing from the same hymn sheet. Clichés have become such a familiar part of the English language and people's everyday speech that many are now trite, meaningless and often quite irritating. This book looks at clichés in their many forms - once useful but overworked catch phrases ('move the goal posts'), worn-out sayings ('all hands on deck'), pointless phrases used to conceal a weak argument ('to be perfectly honest'), technical terms used out of context ('collateral damage'), and many others. It shows where they came from and, with examples from people who ought to know better, why they should be avoided. Entertaining and informative, this collection of clichés really is the best thing since sliced bread . . .

A tantalizing collection of classic essays from one of the most gifted writers of his generation. • "The brainy, sarcastic, tender intelligence at the center of these pieces can make you laugh out loud: they can also move you to tears." —People Martin Amis brings the same megawatt wit, wickedly acute perception, and ebullient wordplay that characterize his novels. He encompasses the full range of contemporary politics and culture (high and low) while also traveling to China for soccer with Elton John and to London's darts-crazy pubs in search of the perfect throw. Throughout, he offers razor-sharp takes on such subjects as: American politics: "If history is a nightmare from which we are trying to awake, then the Reagan era can be seen as an eight-year blackout. Numb, pale, unhealthily dreamless: eight years of Do Not Disturb." Chess: "Nowhere in sport, perhaps in human activity, is the gap between the tryer and the expert so astronomical.... My chances of a chess brilliancy are the 'chances' of a lab chimp and a type writer producing King Lear." "His fascination with the observable world is utterly promiscuous: he will address a cathedral and a toilet seat with the same peeled-eyeball intensity." —John Updike

A stunning collection of essays and memoir from twice Booker Prize winner and international bestseller Hilary Mantel, author of The Mirror and the Light