The West And The Word

Western expansion in North America has mainly been described as either a linear sequence energized by nineteenth-century nation-building processes at a moving frontier, or as the practice of settler colonialism and its exploitation of resources and displacement of nonwhite peoples. This book suggests that shifting the focus from this binary pattern towards spatial imaginations and spatialization processes—a new theoretical framework developed at SFB 1199—provides novel insights into the placemaking dynamics of the American West. It brings to light a discursive diversity that often contradicts unidirectional interpretive patterns. It becomes clear that while some discourses solidified into spatial metanarratives like the character-shaping clash of civilizations at the frontier or manifest destiny, alternative spatial imaginations exist juxtaposed to or obfuscated by canonical interpretations. Making use of a variety of sources (including works of literature, poetry, newspapers, paintings, and speeches) to access spatialization processes on several sociocultural scales, the book presents a careful exploration of the parameters that inform(ed) the creation, affirmation, and subversion of spatial imagination of the American West throughout the nineteenth century from the perspective of American Studies.

Sharpen students' critical-thinking and research skills with this word research. Parents, students, and teachers will love this history-based puzzle with corresponding research questions. They're a great way to practice higher-order thinking skills.

Amid the rising technicalities of modernism, the heart of humanity has been ripped apart, and while religionism is tearing throughout the heart of modernity, everything is hinting at danger to come. Caught amid their dramatic collide, we moderns have been left in a de facto despair. And while the glory each claimed seems a key factor for more tragedies, they are almost overshadowed by the merging supremacy of money lifemammonism. They are all letting us down and parts us moderns from our trustworthy dream of truth, beauty, and justice. Further, it is impossible to read far in the underlying factors and related elements of the coming crises, and all of them are worrisome, either of reorganization of tender nature, of reprogramming of living cells, and of current technotronic engineering of time via digitized machines without finding that they will certainly shake the good grounds of faith and beliefs everywhere. De-risking the inevitable and while working around such a failure, we moderns have to humanly build on our own strength.

This book considers the ways in which Muslims view the way they are being viewed, not viewed, or incorrectly viewed, by the West. The book underscores a certain “will-to-visibility” whereby Muslims/ Arabs wish just to be “seen” and to be marked as fellow human beings. The author relates the failure to achieve this visibility to a state of desperation that inextricably and symmetrically ties visibility to violence. When Syrian and Palestinian refugees recently started refusing to be photographed, they clearly ushered the eventual but inevitable collapse of the image and its final futility. The photograph has been completely emptied of its last remaining possibility of signification. The book attempts to engage with questions about the ways in which images are perceived within cross cultural contexts. Why and how do people from different cultural backgrounds view the same image in opposing ways; why do cartoon, photographs, and videos become both the cause and target of bloody political violence – as witnessed recently by the deadly attacks against Charlie Hebdo in France and in the swift military response by the US, Jordan, France, and others to videotaped violence by ISIS.

Performing Magic on the Western Stage examines magic as a performing art and as a meaningful social practice, linking magic to cultural arenas such as religion, finance, gender, and nationality and profiling magicians from Robert-Houdin to Pen& Teller.

Spengler's work describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity, and his controversial ideas spark debate over the meaning of historiography.

This book contains the full text, in Traditional Chinese, of the first three books in our Journey to the West series for people learning to read Chinese. The three stories told here - The Rise of the Monkey King, Trouble in Heaven, and The Immortal Peaches - are unchanged from our original versions except for minor editing and reformatting. These three stories all focus on the adventures of Sun Wukong, The Handsome Monkey King, one of the most famous characters in Chinese literature and culture. His legendary bravery, foolish mistakes, sharp-tongued commentary and yearning for immortality and spiritual knowledge have inspired hundreds of books, television shows, graphic novels, video games and films. These books are based on the original epic 2,000 page novel written in the 16th century by Wu Cheng'en. It is probably the most famous and best-loved novel in China and is considered one of the four great classical novels of Chinese literature. These stories are written, as much as possible, using the 600 word vocabulary of HSK3. They are presented in Traditional Chinese characters and pinyin, and include an English version and complete glossary. Free audio versions of all books in this series are available on YouTube's Imagin8 Press channel, and on our website, www.imagin8press.com.