The Whale And The Supercomputer

In The Whale and the Supercomputer, scientists and natives wrestle with our changing climate in the land where it has hit first--and hardest A traditional Eskimo whale-hunting party races to shore near Barrow, Alaska--their comrades trapped on a floe drifting out to sea--as ice that should be solid this time of year gives way. Elsewhere, a team of scientists transverses the tundra, sleeping in tents, surviving on frozen chocolate, and measuring the snow every ten kilometers in a quest to understand the effects of albedo, the snow's reflective ability to cool the earth beneath it. Climate change isn't an abstraction in the far North. It is a reality that has already dramatically altered daily life, especially that of the native peoples who still live largely off the land and sea. Because nature shows her footprints so plainly here, the region is also a lure for scientists intent on comprehending the complexities of climate change. In this gripping account, Charles Wohlforth follows the two groups as they navigate a radically shifting landscape. The scientists attempt to decipher its smallest elements and to derive from them a set of abstract laws and models. The natives draw on uncannily accurate traditional knowledge, borne of long experience living close to the land. Even as they see the same things-a Native elder watches weather coming through too fast to predict; a climatologist notes an increased frequency of cyclonic systems-the two cultures struggle to reconcile their vastly different ways of comprehending the environment. With grace, clarity, and a sense of adventure, Wohlforth--a lifelong Alaskan--illuminates both ways of seeing a world in flux, and in the process, helps us to navigate a way forward as climate change reaches us all.

How do artists and writers engage with environmental knowledge in the face of overwhelming information about catastrophe? What kinds of knowledge do the arts produce when addressing climate change, extinction, and other environmental emergencies? What happens to scientific data when it becomes art? In Infowhelm, Heather Houser explores the ways contemporary art manages environmental knowledge in an age of climate crisis and information overload. Houser argues that the infowhelm—a state of abundant yet contested scientific information—is an unexpectedly resonant resource for environmental artists seeking to go beyond communicating stories about crises. Infowhelm analyzes how artists transform the techniques of the sciences into aesthetic material, repurposing data on everything from butterfly migration to oil spills and experimenting with data collection, classification, and remote sensing. Houser traces how artists ranging from novelist Barbara Kingsolver to digital memorialist Maya Lin rework knowledge traditions native to the sciences, entangling data with embodiment, quantification with speculation, precision with ambiguity, and observation with feeling. Their works provide new ways of understanding environmental change while also questioning traditional distinctions between types of knowledge. Bridging the environmental humanities, digital media studies, and science and technology studies, this timely book reveals the importance of artistic medium and form to understanding environmental issues and challenges our assumptions about how people arrive at and respond to environmental knowledge.

As greenhouse gas emissions and temperatures at the poles continue to rise, so do damages from extreme weather events affecting countless lives. Meanwhile, ambitious international efforts to cut emissions (Kyoto, Copenhagen) have proved to be politically ineffective or infeasible. There is hope, however, in adaptive governance—an approach that has succeeded in some local communities and can be undertaken by others around the globe. This book provides a political and historical analysis of climate change policy; shows how adaptive governance has worked on the ground in Barrow, Alaska, and other local communities; and makes the case for adaptive governance as a complementary approach in the climate change regime.

This rich portrait of Arctic science, informed by ethnographic fieldwork and Inuit perspective, speaks to the interplay of science and international politics. It looks at episodes of exploration, colonial control, exchanges with indigenous populations, and the process of knowledge gathering on the Arctic s natural and living resources. Andrew Stuhl s compelling narrative weaves together distinct episodes into a backstory for what some have wrongly called the unprecedented transformations in the circumpolar basin today. "Unfreezing the Arctic" is among the first books to undertake a sustained examination of scientific activity in the Arctic across the long twentieth century, and it will be warmly welcomed by anyone interested in the commingled political, economic, and social histories of transboundary regions the world over."

The Iñupiat people of Alaska's North Slope must learn to adjust to a changing climate that threatens to disrupt their ancient culture.