The Wife Who Knew Too Much

From Michele Campbell, the bestselling author of It's Always the Husband comes a new blockbuster thriller in The Wife Who Knew Too Much. Meet the first Mrs. Ford Beautiful. Accomplished. Wealthy beyond imagination. Married to a much younger man. And now, she’s dead. Meet the second Mrs. Ford. Waitress. Small-town girl. Married to a man she never forgot, From a summer romance ten years before. And now, she’s wealthy beyond imagination. Who is Connor Ford? Two women loved him. And knew him as only wives can know. Set amongst the glittering mansions of the Hamptons, The Wife Who Knew Too Much is a decadent summer thriller about the lives of those who will do anything for love and money. Who is the victim? Who is the villain? And who will be next to die?

Tabitha Girard had her heart broken years ago by Connor Ford. He was preppy and handsome. She was a pool girl at his country club. Their affair should have been a summer fling. But it meant everything to Tabitha. Years later, Connor comes back into Tabitha's life--older, richer, and desperately unhappy. He married for money, a wealthy, neurotic, controlling woman whom he never loved. He has always loved Tabitha. When Connor's wife Nina takes her own life, he's free. He can finally be with Tabitha. Nina's home, Windswept, can be theirs. It seems to be a perfect ending to a fairy tale romance that began so many years ago. But then, Tabitha finds a diary. "I'm writing this to raise an alarm in the event of my untimely death," it begins. "If I die unexpectedly, it was foul play, and Connor was behind it. Connor--and her." Who is Connor Ford? Why did he marry Nina? Is Tabitha his true love, or a convenient affair? As the police investigate Nina's death, is she a convenient suspect? As Tabitha is drawn deeper into the dark glamour of a life she is ill-prepared for, it becomes clear to her that what a wife knows can kill her.

He said it was forever. HE LIED. ‘Twisty’ Crime Monthly ‘Taut, unpredictable ... The perfect escape’ Newsweek ‘Page-turner’ Publisher's Weekly A decadent summer thriller about marriages tainted by ambition, wealth, and desire from the Sunday Times bestselling author.

The life story of the epidemiologist who discovered the harmful effects of fetal X rays and other radiation exposure

First published in 1988, The Women Who Knew Too Much remains a classic work in film theory and criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic Master of Suspense. This new edition features a new chapter which considers the last 15 years of Hitchcock criticism as it relates to the ideas in this landmark book.

In 1930s California, glamour and seduction spawn a multitude of sins in this New York Times bestseller from the author of Tightrope. At the exclusive Burning Cove Hotel on the coast of California, rookie reporter Irene Glasson finds herself staring down at a beautiful actress at the bottom of a pool.... The dead woman had something Irene wanted: a red-hot secret about an up-and-coming leading man—a scoop that may have gotten her killed. As Irene searches for the truth about the drowning, she’s drawn to a master of deception. Once a world-famous magician whose career was mysteriously cut short, Oliver Ward is now the owner of the Burning Cove Hotel. He can’t let scandal threaten his livelihood, even if it means trusting Irene, a woman who seems to have appeared in Los Angeles out of nowhere four months ago. With Oliver’s help, Irene soon learns that the glamorous paradise of Burning Cove hides dark and dangerous secrets. And that the past—always just out of sight—could drag them both under....

Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect on how feminist and queer approaches to Hitchcock studies may be brought into dialogue. A teaching guide and discussion questions by Ned Schantz help instructors and students to delve into this seminal work of feminist film theory.

Was journalist Dorothy Kilgallen murdered for writing a tell-all book about the JFK assassination? Or was her death from an overdose of barbiturates combined with alcohol, as reported? Shaw believes Kilgallen's death has always been suspect, and unfolds a list of suspects ranging from Frank Sinatra to a Mafia don, while speculating on the possibilities of reopening the case.