The Wild Girls

It?s 1972. Twelve-year-old Joan is sure that she is going to be miserable when her family moves. Then she meets a most unusual girl. Sarah prefers to be called ?Fox,? and lives with her author dad in a rundown house in the middle of the woods. The two girls start writing their own stories together, and when one wins first place in a student contest, they find themselves recruited for a summer writing class taught by the equally unusual Verla Volante. The Wild Girls brilliantly explores friendship, the power of story, and how coming of age means finding your own answers.

FOUR FRIENDS. A LUXURY RETREAT. IT’S GOING TO BE MURDER. ‘An exhilarating, read-in-one-sitting ride’ Louise Candlish ‘A deadly cocktail of lies, secrets, obsession’ T.M. Logan 'A heart-stopping rollercoaster of a read’ B A Paris ‘This is great. Kept me gripped!’ Jane Fallon ‘Hold your breath!’ Jane Corry

Curtis Sittenfeld’s Prep meets Donna Tartt’s The Secret History, this daringly imagined, atmospheric, and original debut is part coming-of-age story and part supernatural tale about teenage girls learning their own strength. Daringly imagined, atmospheric, and original, Wild Girls is an exhilarating debut—part coming-of-age story and part supernatural tale about girls learning their own strength. Kate Riordan fears two things as she grows up in the small Appalachian town of Swan River: that she’ll be a frustrated townie forever or that she’ll turn into one of the mysterious and terrifying wild girls, killers who start fires and menace the community. Struggling to better her chances of escaping, Kate attends the posh Swan River Academy and finds herself divided between her hometown—and its dark history—and the realm of privilege and achievement at the Academy. Explosive friendships with Mason, a boy from the wrong side of town, and Willow, a wealthy and popular queen bee from school, are slowly pulling her apart. Kate must decide who she is and where she belongs before she wakes up with cinders at her fingertips. Mary Stewart Atwell has written a novel that is at once funny and wise and stunningly inventive. Her wild girls are strange and fascinating creatures—a brilliant twist on the anger teenage girls can feel at their powerlessness—and a promise of the great things to come from this young writer.

As the "hands-on" sex columnist for Details magazine, Radakovich has done it all--at least once. Whether she's answering personal ads, "roadtesting" condoms, sampling aphrodisiacs, or hiring male escorts, Anka's exploits don't just titillate, they also serve as wry commentary on the state of sexual relationships in the nervous '90s.

Who knew her secret? And what happened that night? ‘A cracking page-turner from Phoebe Morgan’ Cara Hunter ‘Fast-moving. Addictive. And all too possible’ Jane Corry ‘I loved it, those twists!’ B A Paris

Inundated by popular culture, many women have lost their bearings and no longer trust the internal compass that intuitively affirms those things that are good, true, and noble about womanhood. As Jesus’ favorite and most powerful teaching tactic was the parable, it is appropriate that Mary Kassian walks the reader through the compelling tale of the wild versus wise woman found in Proverbs 7. By using 20 points of contrast, she helps readers discern wild from wise, saucy from biblically savvy, and more. Girls Gone Wise in a World Gone Wild will captivate, convict, and challenge women to become decreasingly worldly and increasingly godly, and it will equip them with truth for that journey. Includes questions for personal reflection at the end of each chapter

After Paheli escapes a terrible fate, a magical boy gives her access to the Between, allowing her to collect other women of color, hurt by men, and lead them when the boy is in peril.

A compelling history of extraordinary children - brought up by animals, growing up alone in the wilderness, or locked for long years in solitary confinement. Wild or feral children have fascinated us down the centuries, and continue to do so today. Michael Newton deftly investigates such infamous cases as Peter the Wild Boy, who gripped the attention of Swift and Defoe; Memmie Le Blanc, the savage Girl of Champagne, a primitive outsider adrift on the streets of Enlightenment; Kaspar Hauser, a romantic orphan confined in a dungeon from infancy for sixteen years; Kamala and Amala, two girls brought up by wolves in the imperial India of the 1920s; and more recently, Genie, the girl locked up in a single room in Los Angeles throughout her whole childhood. He looks too at a boy bought up among monkeys in Uganda; and in Moscow, the boy found living with a pack of wild dogs. Savage Girls and Wild Boys looks at the lives of these children and of the adults who 'rescued' them, looked after them, educated or abused them. How can we explain the mixture of disgust and envy such children can provoke? And what can they teach us about our notions of education and civilisation?