The Wiles Of Women The Wiles Of Men

One of the world's oldest recorded folktales tells the story of a handsome young man and the older woman in whose house he resides. Overcome by her feelings for him, the woman attempts to seduce him. When he turns her down she is enraged, and to her husband she accuses the young man of attacking her. The husband, seemingly convinced of his wife's innocence, has the young man punished. But it is precisely that punishment that leads to the hero's vindication and eventual rise to power and prominence. In the West we know this tale--classified in folklore as the Potiphar's Wife motif--from its vivid narration in the Hebrew Bible. But as Shalom Goldman demonstrates in this book, the Bible's is only one telling of a story that appears in the scriptures and folklore of many peoples and cultures, in many different eras, including ancient Egypt, classical Greece, and ancient Mesopotamia, as well as post-Biblical Jewish literature, the Qur'an, and Inuit culture. Goldman compares and contrasts the treatment of this motif especially in the literature and lore of the ancient Near East, Biblical Israel, and early Islam, at the same time touching on gender issues--the status of women in Middle Eastern societies and the varying constructions of male-female relationships--and the vexed question of "originality" in the narratives of the monotheistic traditions.

A medieval collection of stories, translated from Arabic into Spanish in 1253.

The "wiles of women" are a timeless literary theme, treated from ancient Egyptian narratives to 21st-century TV series. The theme reaches its greatest flowering in the Islamic world, beginning with the Qur'an and inspiring entire literary traditions in Arabic, Persian, and Turkish. The Wiles of Women as a Literary Genre is the first study devoted to the Turkish branch of the tradition. The book consists of three parts: (a) a narrative analysis that helps to define the stories as a literary genre, (b) a cultural analysis exploring the worldview beneath the stories, and (c) transliterations and English translations of 17 previously unavailable stories in Ottoman and Azeri Turkish. The genre is colorful and heterogeneous, with different stories viewing the wiles of women as evil and dangerous, as frivolous and amusing, or as thoughtful and instructive. Still, women are depicted by all stories as intrinsically and incorrigibly guileful. The same does not hold for men, who are granted moral agency and the capacity to learn from their mistakes. The outcome is a world that serves as a testing ground for men, with women as obstacles or at best mediators between men and a virtuous life. But in spite of this rigid frame, many stories employ humor and ambiguity-for instance by casting men in guileful roles-to grant a more nuanced view of social and gender relations.

"Here, finally, is some writing with a genuine purchase on things of worth. The collection of pithy short stories, filled with a sad wonder, tells of contemporary Egyptians . . . timorously rebelling against the conformism of life along the Nile." —Observer ". . . Bakr emerges as a fine observer of her country's times, with a vision which remains, for all its engagement, quirky and distinctively personal." — Times Literary Supplement Set among the poor of contemporary Cairo, these thirteen stories and one short novella tell of women struggling to provide themselves with the basic necessities of life. They explore the limits of self-awareness, the pressures to conform, and some of the strange paths to escape that women resort to in a conservative society shot through with social and sexual prejudice and preconceptions.

Several of the ways and cultures that the Bible privileges or denounces slip by unnoticed. When those--the privileged and the denounced--are not examined, they fade into and hide in the blind spots of the Bible. This collection of essays engages some of the subjects who face dispersion (physical displacement that sparks ideological bias) and othering (ideologies that manifest in social distancing and political displacement). These include, among others, the builders of Babel, Samaritans, Melchizedek, Jezebel, Judith, Gomer, Ruth, slaves, and mothers. In addition to considering the drive to privilege or denounce, the contributors also attend to subjects ignored because the Bible's blind spots are not examined. These include planet Earth, indigenous Australians, Palestinians, Dalits, minjungs, battered women, sexual-abuse victims, religious minorities, mothering men, gays, and foreigners. This collection encourages interchanges and exchanges between dispersion and othering, and between the Bible and context. It flows in the currents of postcolonial and gendered studies, and closes with a script that stages a biblical character at the intersection of the Bible's blind spots and modern readers' passions and commitments.

Explores how modern folklore, through its preservation of ballads and folktales, supplements our understanding of the oral tradition and enhances our knowledge of early literature.

Whether they're beginners or seasoned shooters, women need to know some subtle (and not so subtle) differences to excel in—and enjoy—the shotgun sports. Ladies are not built like men. They don’t think like men. Women don’t react, move, or process life like men. And they don’t shoot like men. Firearms writer and shooter Laurie Bogart Wiles now offers a comprehensive guide to shotgunning targeted at the female shooter and covering target shooting, trap, skeet, five stand, FITASC, and wingshooting. Shotgun Sports for Women includes: Gun safety and gun respect The mental game and motivation Basic groundwork and practicing Gun fit for women’s body types Traveling with firearms Shooting clubs for women And much more! Women can pick up tips on improving their stance or learn the basics in Shooter's Bible Guide to Shotgun Sports for Women. Also included are a detailed directory of shooting schools and instructors, youth programs, suggested reading, gunmakers, manufacturers of shooting attire and accessories, and an extensive glossary. Armed with the extensive knowledge and experience of Laurie Bogart Wiles, this handy guidebook is a great way for women to learn about shotgunning from a fellow woman.

This Handbook provides a comprehensive overview of Turkish literature within both a local and global context. Across eight thematic sections a collection of subject experts use close readings of literature materials to provide a critical survey of the main issues and topics within the literature. The chapters provide analysis on a wide range of genres and text types, including novels, poetry, religious texts, and drama, with works studied ranging from the fourteenth century right up to the present day. Using such a historic scope allows the volume to be read across cultures and time, while simultaneously contextualizing and investigating how modern Turkish literature interacts with world literature, and finds its place within it. Collectively, the authors challenge the national literary historiography by replacing the Ottoman Turkish literature in the Anatolian civilizations with its plurality of cultures. They also seek to overcome the institutional and theoretical shortcomings within current study of such works, suggesting new approaches and methods for the study of Turkish literature. The Routledge Handbook on Turkish Literature marks a new departure in the reading and studying of Turkish literature. It will be a vital resource for those studying literature, Middle East studies, Turkish and Ottoman history, social sciences, and political science.