The Wind And The Trees

A gentle meditation on the cycle of life, told by two trees One day, a tiny pine seedling strikes up a conversation with a nearby tree. As the seedling grows larger, the older pine shares what it has learned about the strong wind that blows through the forest. Wind stretches trees and dries them out, but it also scatters seeds, spreads messages across the forest, and helps trees grow strong as it pushes against their trunks. As time passes, the wind takes its toll on the older tree. It loses needles and starts to droop as the young tree grows fuller and stronger. When a fierce storm rolls in, the heavy winds take down the older tree, leaving the younger one all alone. Or so it thinks. Soon after, a new seedling blown in by the wind lands on the spot where the old tree fell, and the cycle begins again. This moving picture book poignantly honors intergenerational relationships and the exchange of wisdom, while also opening up conversations about loss and environmental stewardship.

Cinephilia and History, or The Wind in the Trees is in part a history of cinephilia, in part an attempt to recapture the spirit of cinephilia for the discipline of film studies, and in part an experiment in cinephilic writing. Cinephiles have regularly fetishized contingent, marginal details in the motion picture image: the gesture of a hand, the wind in the trees. Christian Keathley demonstrates that the spectatorial tendency that produces such cinematic encounters -- a viewing practice marked by a drift in visual attention away from the primary visual elements on display -- in fact has clear links to the origins of film as defined by André Bazin, Roland Barthes, and others. Keathley explores the implications of this ontology and proposes the "cinephiliac anecdote" as a new type of criticism, a method of historical writing that both imitates and extends the experience of these fugitive moments.

Covers wind behaviour, mechanical physiological responses of trees and forest management.

"Trees without wind takes place in a remote Shanxi village during the Cultural Revolution. A rare affliction has left the residents physically stunted, and the deformed villagers, echoing the manipulated masses of China, become pawns in the Party's factional infighting."--Book cover.

National bestseller A thrilling odyssey through an unforgiving landscape, from "Canada's greatest living explorer." In the spring of 2017, Adam Shoalts, bestselling author and adventurer, set off on an unprecedented solo journey across North America's greatest wilderness. A place where, in our increasingly interconnected, digital world, it's still possible to wander for months without crossing a single road, or even see another human being. Between his starting point in Eagle Plains, Yukon Territory, to his destination in Baker Lake, Nunavut, lies a maze of obstacles: shifting ice floes, swollen rivers, fog-bound lakes, and gale-force storms. And Shoalts must time his departure by the breakup of the spring ice, then sprint across nearly 4,000 kilometers of rugged, wild terrain to arrive before winter closes in. He travels alone up raging rivers that only the most expert white-water canoeists dare travel even downstream. He must portage across fields of jagged rocks that stretch to the horizon, and navigate labyrinths of swamps, tormented by clouds of mosquitoes every step of the way. And the race against the calendar means that he cannot afford the luxuries of rest, or of making mistakes. Shoalts must trek tirelessly, well into the endless Arctic summer nights, at times not even pausing to eat. But his reward is the adventure of a lifetime. Heart-stopping, wonder-filled, and attentive to the majesty of the natural world, Beyond the Trees captures the ache for adventure that afflicts us all.

A young artist forges a path of self-discovery in an enriching novel about forgiving the past and embracing second chances, from the bestselling author of An Unfinished Story. Maine, 1969. After losing her parents in a car accident, aspiring artist Annalisa Mancuso lives with her grandmother and their large Italian family in the stifling factory town of Payton Mills. Inspired by her mother, whose own artistic dreams disappeared in a damaged marriage, Annalisa is dedicated only to painting. Closed off to love, and driven as much by her innate talent as she is the disillusionment of her past, Annalisa just wants to come into her own. The first step is leaving Payton Mills and everything it represents. The next, the inspiring opportunities in the city of Portland and a thriving New England art scene where Annalisa hopes to find her voice. But she meets Thomas, an Ivy League student whose attentions--and troubled family--upend her pursuits in ways she never imagined possible. As their relationship deepens, Annalisa must balance her dreams against an unexpected love. Until the unraveling of an unforgivable lie. For Annalisa, opening herself up to life and to love is a risk. It might also be the chance she needs to finally become the person and the artist she's meant to be.