The Wind Child

Packed with a colourful Slavic cast of tempestuous gods and frightening monsters, The Wind Child is above all a story about friendship, and how far you would go and what you would sacrifice to avoid saying goodbye to someone you love. No human has ever returned from Navia, the Slavic afterlife. But twelve-year-old Mara is not entirely human. She is the granddaughter of Stribog, the god of winter winds and she’s determined to bring her beloved father back from the dead. Though powerless, Mara and her best friend Torniv, the bear-shifter, set out on an epic journey to defy the gods and rescue her father. On their epic journey they will bargain with forest lords, free goddesses from enchantments, sail the stormy seas in a ship made of gold and dodge the cooking pot of the villainous Baba Latingorka. Little do the intrepid duo know of the terrible forces they have set in motion, for the world is full of darkness and Mara will have to rely on her wits to survive. Packed with a colourful Slavic cast of tempestuous gods and frightening monsters, The Wind Child is above all a story about friendship, and how far you would go and what you would sacrifice to avoid saying goodbye to someone you love. No human has ever returned from Navia, the Slavic afterlife. But twelve-year-old Mara is not entirely human. She is the granddaughter of Stribog, the god of winter winds and she’s determined to bring her beloved father back from the dead. Though powerless, Mara and her best friend Torniv, the bear-shifter, set out on an epic journey to defy the gods and rescue her father. On their epic journey they will bargain with forest lords, free goddesses from enchantments, sail the stormy seas in a ship made of gold and dodge the cooking pot of the villainous Baba Latingorka. Little do the intrepid duo know of the terrible forces they have set in motion, for the world is full of darkness and Mara will have to rely on her wits to survive.

Unaware of her unusual parentage, Resshie grows up restless and longing to know the secrets of the wind and she uses her extraordinary ability as a weaver to help her achieve her dream.

A classic nature tale with art nouveau illustrations, now in a mini edition.

The forces of the God of Light and the Goddess of Darkness have waged a ruthless war across the land of Toyoashihara for generations. But for 15-year-old Saya, the war is far away and unimportant--until the day she discovers that she is the reincarnation of the Water Maiden and a princess of the Children of the Dark. Raised to love the Light and detest the Dark, Saya must come to terms with her heritage even as she tumbles into the very heart of the conflict that is destroying her country. The armies of the Light and Dark both seek to claim her, for she is the only mortal who can awaken the legendary Dragon Sword, the fearsome weapon destined to bring an end to the war. Can Saya make the dreadful choice between the Light and Dark, or is she doomed--like all the Water Maidens who came before her...? -- VIZ Media

Noah knew he was different. He could see things that others couldn't, like the patterns in the dust that floated down on sunbeams. Noah is different. He sees, hears, feels, and thinks in ways that other people don't always understand, and he asks a lot of questions along the way. Noah loves science, especially the weather. His books usually provide him with the answers he needs, until one day, there's one question they don't answer—and that is where Noah's windy adventure begins. Filled with rich, sweeping illustrations, this picture book celebrates the inquisitive nature of all children, including those on the autism spectrum, who cannot stop asking a question until an answer has been unearthed. The book contains a page of information for parents, caregivers, and educators about the importance of helping children feel good about their differences and know that being different is okay. Michelle Worthington was born in Brisbane, Queensland, and has lived there all her life. She is much-published author in Australia. Joseph Cowman lives and paints in the hills and valleys of suburban Idaho. He is a long-standing member of the Society of Children's Books Writers and Illustrators. He is the illustrator of six other Redleaf Lane books, including most recently, The Amazing Erik and Rita and the Firefighters.

A blind child questions all he encounters--a dog, wolf, elephant, mountain, bird, stream, and tree--about the color of the wind. Each responds differently, with a shape, color, smell, texture, or idea. Each page displays a visual and tactile palette of cutouts, textures, colors. It is a sensory experience that makes the invisible experiential, ending with the wind as the pages fly. A graduate of the Academy of Fine Arts in Brussels, Anne Herbauts expresses an original world in each of her books. Awake to the richness of the world, endlessly curious, and rigorous in her work, Anne has written and illustrated over twenty books.

A rhymed tale describing the antics of a capricious wind. The wind blew, and blew, and blew! It blew so hard, it took everything with it: Mr. White’s umbrella, Priscilla’s balloon, the twins’ scarves, even the wig on the judge’s head. But just when the wind was about to carry everything out to sea, it changed its mind! With rhyming verse and colorful illustrations, Pat Hutchins takes us on a merry chase that is well worth the effort.

On a scorching, dusty road in south-central Illinois in the late 1930's, Doc finds Cully, eleven, running from his father's death in the fields. He takes Cully in, as he had taken in other stray creatures, and teaches him the life of a rural veterinarian. Thus the boy gains an understanding that death, a commonplace in nature's cycle, reaches animals and people, young and old, by accident or intent. One day a letter from Connecticut, three-months delayed, arrives for the boy Cully from the mother who had abandoned him two years earlier. The letter, an old out-of-tune piano, a curling photograph, and some names buried deep in his vanished youth draw Doc with Cully eastward on the National Road, Cully toward his future and Doc toward his forgotten youth. With quiet, poetic force, the journal-told story emerges like the gradual focusing of an old stereopticon, the two pictures blending to reveal an unsuspected three-dimensional depth as the lost boy searches for his mother and Doc tries to piece together a repressed and catastrophic past. Cully and Doc's odyssey of discovery is steeped in knowledge of and love for the land across which they journey. It is a true American myth, yet it reverberates with echoes of the Arthurian legend, of Henry Hudson, of the orphan trains, of traumatic conflagrations, and of the dying rooms where waifs' bodies are sold for cash. The dramatic and surprising ending is at once a tearful defeat and a smile-producing victory.