The Winter Palace And The People

St. Petersburg's Winter Palace was once the supreme architectural symbol of Russia's autocratic government. Over the course of the nineteenth and early twentieth centuries, it became the architectural symbol of St. Petersburg itself. The story of the palace illuminates the changing relationship between monarchs and their capital city during the last century and a half of Russian monarchy. In The Winter Palace and the People, Susan McCaffray examines interactions among those who helped to stage the ceremonial drama of monarchy, those who consumed the spectacle, and the monarchs themselves. In the face of a changing social landscape in their rapidly growing nineteenth-century capital, Russian monarchs reoriented their display of imperial and national representation away from courtiers and toward the urban public. When attacked at mid-century, monarchs retreated from the palace. As they receded, the public claimed the square and the artistic treasures in the Imperial Hermitage before claiming the palace itself. By 1917, the Winter Palace had come to be the essential stage for representing not just monarchy, but the civic life of the empire-nation. What was cataclysmic for the monarchy presented to those who staffed the palace and Hermitage not a disaster, but a new mission, as a public space created jointly by monarch and city passed from the one to the other. This insightful study will appeal to scholars of Russia and general readers interested in Russian history.

St. Petersburg's Winter Palace was once the supreme architectural symbol of Russia's autocratic government. Over the course of the nineteenth and early twentieth centuries, it became the architectural symbol of St. Petersburg itself. The story of the palace illuminates the changing relationship between monarchs and their capital city during the last century and a half of Russian monarchy. In The Winter Palace and the People, Susan McCaffray examines interactions among those who helped to stage the ceremonial drama of monarchy, those who consumed the spectacle, and the monarchs themselves. In the face of a changing social landscape in their rapidly growing nineteenth-century capital, Russian monarchs reoriented their display of imperial and national representation away from courtiers and toward the urban public. When attacked at mid-century, monarchs retreated from the palace. As they receded, the public claimed the square and the artistic treasures in the Imperial Hermitage before claiming the palace itself. By 1917, the Winter Palace had come to be the essential stage for representing not just monarchy, but the civic life of the empire-nation. What was cataclysmic for the monarchy presented to those who staffed the palace and Hermitage not a disaster, but a new mission, as a public space created jointly by monarch and city passed from the one to the other. This insightful study will appeal to scholars of Russia and general readers interested in Russian history.

Behind every great ruler lies a betrayal. Eva Stachniak's novel sweeps readers into the passionate, intimate, and treacherous world of Catherine the Great, revealing Russia's greatest matriarch from her earliest days in court, where the most valuable currency was the secrets of nobility and the most dangerous weapon to wield was ambition. Two young women, caught in the landscape of shifting allegiances, navigate the treacherous waters of palace intrigue. Barbara is a servant who will become one of Russia's most cunning royal spies. Sophia is a pretty, naive German duchess who will become Catherine the Great. For readers of superb historical fiction, Eva Stachniak captures in glorious detail the opulence of royalty and the perilous loyalties of the Russian court.

Tsar Nicholas I commissioned 128 delightful watercolors depicting views and interiors of the private and state apartments of the Winter Palace, the main imperial residence of Saint Petersburg. These watercolors together make up one of the jewels of the collections of the Hermitage Museum. Of immense documentary value, they are also - with their crystalline clarity and their irresistible elegance - dazzling examples of the graphic art of the nineteenth century. Immortalizing as they do the splendor of the first palace of the Russian sovereigns, they are of immeasurably greater interest than other works of decorative art of this type. In a technical tour de force, these artists contrived to depict space in such a way that their paintings present a broader perspective than could normally be taken in by the naked eye.

Winner of the 2000 Amazon.com/Books in Canada First Novel Prize Necessary Lies tells the story of the discovery of secrets and lies that stitch together empires and individual lives. What are the lies we tell ourselves and others that get us through our lives? In the summer of 1981 Anna is suddenly offered the opportunity to study English at McGill University in Montreal. She jumps at the chance, leaving behind her job, her husband, and her country – Poland. She meets William, a music professor, and falls in love. Back home, martial law is declared. After almost ten years of marriage, William dies suddenly of a heart attack, and Anna is left to pick up the pieces. In the midst of grieving, she discovers more pieces than expected: for the length of their lives together, William carried on a long-distance affair with a woman journalist in Germany. In search of truth, Anna returns to a dramatically changed Europe, where Communism has fallen, the Berlin Wall has been torn down, and where, once again, history will have to be rewritten. Probing the depths of betrayal and forgiveness, she confronts her own past and the motives that drove her away from Poland; she sees herself through the eyes of her mother, her ex-husband, and most importantly, William's German lover, Ursula.

Exactly 175 years ago, on the Senate Square in St. Petersburg, a failed uprising ignited a process that would, one red October, finally sweep the autocracy away. The Shadow of the Winter Palace recounts an extraordinary century of Russian history, a politically tempestuous time that was also a Golden Age of intellectual and artistic achievement—the century of Dostoyevsky and Tolstoy, of Rimsky-Korsakov and Tchaikovsky. A master stylist and a distinguished historian, Edward Crankshaw limns dazzling portraits of the czars, the revolutionaries, and a host of other unforgettable characters—and provides a riveting, sweeping history "jam-packed with information about the past and implications for the present"(Atlantic Monthly).

Can a woman ever really know herself if she doesn't know her mother? From the author of the smash-hit bestseller Firefly Lane and True Colors comes Kristin Hannah's powerful, heartbreaking novel that illuminates the intricate mother-daughter bond and explores the enduring links between the present and the past. Meredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night. On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time—and all the way to the end. Thus begins an unexpected journey into the truth of Anya's life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother's life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are.

An impassioned firsthand account of the Russian Revolution An American journalist and revolutionary writer, John Reed became a close friend of Lenin and was an eyewitness to the 1917 revolution in Russia. Ten Days That Shook the World is Reeds extraordinary record of that event. 'It flashed upon me suddenly: they were going to shoot me!' This electrifying eyewitness account of the Russian Revolution, written by an American journalist in St Petersburg as the Bolsheviks seized power in 1917, is an unsurpassed record of history in the making. John Reed (1887-1920) American journalist and poet-adventurer whose colorful life as a revolutionary writer ended in Russia but made him the hero of a generation of radical intellectuals. Reed became a close friend of V.I. Lenin and was an eyewitness to the 1917 October revolution. He recorded this historical event in his best-known book TEN DAYS THAT SHOOK THE WORLD (1920). Reed is buried with other Bolshevik heroes beside the Kremlin wall.