The Wood Beyond The World Illustrated

The Wood Beyond the World is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature.[1] It was first published in hardcover by Morris's Kelmscott Press, in 1894.

When his wife cheats on him, Golden Walter leaves his mundane life to start a new one at sea. Horrific news forces him to turn around, however, but before he can reach home, a storm carries his ship to a faraway country. A country inhabited by people he has seen before. In a vison. With novels like ‘The Wood Beyond the World’ (1894) William Morris has gone down in history as the forerunner for much of the modern-day fantasy genre. C.S. Lewis, who wrote ‘The Chronicles of Narnia’, cited Morris as one of his favourite authors, and J.R.R. Tolkien was influenced by Morris’ fantasies in writing ‘The Lord of the Rings’ trilogy. William Morris (1834-1896) was a British writer, textile designer and Socialist. His earliest works were historical fiction, but today he is known for being the forerunner of modern-day fantasy. He took a keen interest in Iceland and translated a series of Icelandic sagas to English together with the Icelandic scholar Eiríkur Magnússon.

The Wood Beyond the World is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature. It was first published in hardcover by Morris's Kelmscott Press, in 1894.

The Wood Beyond the World is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature. It was first published in hardcover by Morris's Kelmscott Press, in 1894. The book's importance in the history of fantasy literature was recognized by its republication by Ballantine Books as the third volume of the Ballantine Adult Fantasy series in July, 1969. The Ballantine edition includes an introduction by Lin Carter.The Wood Beyond the World is a fantasy novel by William Morris, mixing an imaginary world with elements of the supernatural. It tells the tale of Golden Walter, whose wife betrays him for another man. He leaves home on a trading voyage to avoid the necessity of a feud with her family but his efforts are fruitless, as word comes to him en route that his wife's clan has killed his father.

The Wood Beyond the World is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present day fantasy literature. It was first published in hardcover by Morris's Kelmscott Press, in 1894. The book's importance in the history of fantasy literature was recognized by its republication by Ballantine Books as the third volume of the Ballantine Adult Fantasy series in July, 1969. The Ballantine edition includes an introduction by Lin Carter.

The Wood Beyond the World is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature.

The Wood Beyond the World is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature.It was first published in hardcover by Morris's Kelmscott Press, in 1894.When the wife of Golden Walter betrays him for another man, he leaves home on a trading voyage to avoid the necessity of a feud with her family. However, his efforts are fruitless, as word comes to him en route that his wife's clan has killed his father. As a storm then carries him to a faraway country, the effect of this news is merely to sunder his last ties to his homeland. Walter comes to the castle of an enchantress, from which he rescues a captive maiden in a harrowing adventure (or rather, she rescues him). They flee through a region inhabited by mini-giants, and eventually reach the city of Stark-wall, whose custom, when the throne is vacant, is to take the next foreigner to arrive as ruler. The late king having died, Walter and his new love are hailed as the new monarchs. The two are married and presumably live happily ever after.