The Word On The Streets

From the hard-boiled detective stories of Dashiell Hammett to the novels of Claude McKay, The Word on the Streets examines a group of writers whose experimentation with the vernacular argues for a rethinking of American modernism—one that cuts across traditional boundaries of class, race, and ethnicity. The dawn of the modernist era witnessed a transformation of popular writing that demonstrated an experimental practice rooted in the language of the streets. Emerging alongside more recognized strands of literary modernism, the vernacular modernism these writers exhibited lays bare the aesthetic experiments inherent in American working-class and ethnic language, forging an alternative pathway for American modernist practice. Brooks Hefner shows how writers across a variety of popular genres—from Gertrude Stein and William Faulkner to humorist Anita Loos and ethnic memoirist Anzia Yezierska—employed street slang to mount their own critique of genteel realism and its classist emphasis on dialect hierarchies, the result of which was a form of American experimental writing that resonated powerfully across the American cultural landscape of the 1910s and 1920s.

For those who have never read the Bible, and for those who've read it "too much" comes a fresh, urban paraphrased version, straight from the streets of the United Kingdom.

**WINNER OF THE 2020 DANGER PRIZE** From the acclaimed author of THE SUITCASE BABY and THE SUICIDE BRIDE, the fascinating story of a series of horrific murders that began in 1930s Sydney - and a killer who remained at large for over two decades. In December 1932, as the Depression tightened its grip, the body of a woman was found in Queens Park, Sydney. It was a popular park. There were houses in plain view. Yet this woman had been violently murdered without anyone noticing. Other equally brutal and shocking murders of women in public places were to follow. Australia's first serial killer was at large. Police failed to notice the similarities between the victims until the death of one young woman - an aspiring Olympic swimmer - made the whole city take notice. On scant evidence, the unassuming Eric Craig was arrested. But the killings didn't stop... A compelling story of a city crippled by fear and what happens when victims are blamed and suspects are presumed guilty, The Killing Streets investigates how a murderer could remain free to kill again. **Includes a BONUS extract from Tanya Bretherton's compelling new book THE HUSBAND POISONER**

The Manual on Uniform Traffic Control Devices, or MUTCD, defines the standards used by road managers nationwide to install and maintain traffic control devices on all streets and highways. The Manual is important as it provides national traffic control standards for all public roads, and includes traffic signals, signs, roadway stencils, pedestrian crossings, and bicycle and pedestrian treatments. The Highway Design Handbook for Older Drivers and Pedestrians, being updated this year, is provided leading research information which may, as verified and tested, become standards in the MUTCD in future years. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica}

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

Chicago has long served as a symbol of urban pathology in the public imagination. The city’s staggering levels of violence and entrenched gang culture occupy a central place in the national discourse, yet remain poorly understood and are often stereotyped. Views from the Streets explains the dramatic transformation of black street gangs on Chicago’s South Side during the early twenty-first century, shedding new light on why gang violence persists and what might be done to address it. Drawing on years of community work and in-depth interviews with gang members, Roberto R. Aspholm describes in vivid detail the internal rebellions that shattered the city’s infamous corporate-style African American street gangs. He explores how, in the wake of these uprisings, young gang members have radically refashioned gang culture and organization on Chicago’s South Side, rejecting traditional hierarchies and ideologies and instead embracing a fierce ethos of personal autonomy that has made contemporary gang violence increasingly spontaneous and unregulated. In calling attention to the historical context of these issues and to the elements of resistance embedded in Chicago’s contemporary gang culture, Aspholm challenges conventional views of gang members as inherently pathological. He critically analyzes highly touted “universal” violence prevention strategies, depicting street-level realities to illuminate why they have ultimately failed to reduce levels of bloodshed. An unprecedented analysis of the nature and meaning of gang violence, Views from the Streets proposes an alternative framework for addressing the seemingly intractable issues of inequality, despair, and violence in Chicago.

Bourbon? Calliope? St. Claude? Craps Street??! New Orleans history, legend, and myth are humorously and colorfully told through its street names, in a famous book all the locals grew up with — and tourists will enjoy — by cartoonist and humorist John Churchill Chase. The new ebook edition takes Chase's second and best edition and makes it more usable to the digital reader, adding a fully-linked index, active Contents, linked notes and cross-references, all the cartoons from the original, and more. It is searchable and properly formatted for e-readers, pads, and smartphones, and features all the drawings and map sketches of the original Second Edition, even including (unlike other versions) the cover inset drawings and the original dustjacket. A quality digital republication from Quid Pro Books and its Quaint Press imprint, this ebook still makes locals and visitors laugh while learning the sometimes embarrassing truths behind the people, neighborhoods, avenues, and "neutral grounds" of the hodgepodge that became New Orleans. "Once upon a time," Chase writes, "while minding my own business drawing historical cartoons, I became intrigued with the realistic manner in which the street names of New Orleans told my city's lusty history...." He closes his preface thanking his wife, "who says that she does so believe that I was at the library all the times I said I was, and not at the Sazerac Bar. I also wish to thank the bartenders of the Sazerac Bar." This classic work is funny yet very informative. And in its new digital format with special features from Quid Pro Books, it serves as a great guide to the city's pathways to the present.

The book studies the social production of motion in a capitalist urban context. In the city of capital, motion refers to a fetish. The bourgeois order posits motion as a metaphor for energy, positivity, and progress – a norm – and obstruction (motion's dialectical opposite) as delinquency. The book uncovers the social tectonics of spatial mobilization and thus demystifies motion. Who and what set spaces on the move? How did various classes of city dwellers activate, experience, and negotiate it? Streets in Motion develops an approach to urban history by theorizing and historicizing the 'street' as an apparatus of city-making and subject formation. It works at two registers – a local history of Calcutta in colonial and post-colonial periods, and a theorizing of the logistical and political-cultural centrality of the street within this rubric. It is argued that the street is politics in as much as politics is the production of space.