The Work Of Mourning

Jacques Derrida is, in the words of the New York Times, "perhaps the world's most famous philosopher—if not the only famous philosopher." He often provokes controversy as soon as his name is mentioned. But he also inspires the respect that comes from an illustrious career, and, among many who were his colleagues and peers, he inspired friendship. The Work of Mourning is a collection that honors those friendships in the wake of passing. Gathered here are texts—letters of condolence, memorial essays, eulogies, funeral orations—written after the deaths of well-known figures: Roland Barthes, Paul de Man, Michel Foucault, Louis Althusser, Edmond Jabès, Louis Marin, Sarah Kofman, Gilles Deleuze, Emmanuel Levinas, Jean-François Lyotard, Max Loreau, Jean-Marie Benoist, Joseph Riddel, and Michel Servière. With his words, Derrida bears witness to the singularity of a friendship and to the absolute uniqueness of each relationship. In each case, he is acutely aware of the questions of tact, taste, and ethical responsibility involved in speaking of the dead—the risks of using the occasion for one's own purposes, political calculation, personal vendetta, and the expiation of guilt. More than a collection of memorial addresses, this volume sheds light not only on Derrida's relation to some of the most prominent French thinkers of the past quarter century but also on some of the most important themes of Derrida's entire oeuvre-mourning, the "gift of death," time, memory, and friendship itself. "In his rapt attention to his subjects' work and their influence upon him, the book also offers a hesitant and tangential retelling of Derrida's own life in French philosophical history. There are illuminating and playful anecdotes—how Lyotard led Derrida to begin using a word-processor; how Paul de Man talked knowledgeably of jazz with Derrida's son. Anyone who still thinks that Derrida is a facetious punster will find such resentful prejudice unable to survive a reading of this beautiful work."—Steven Poole, Guardian "Strikingly simpa meditations on friendship, on shared vocations and avocations and on philosophy and history."—Publishers Weekly

A cross-cultural analysis of the work of Coetzee, Harris and Morrison, demonstrating that the fundamental task of postcolonial narrative is the work of mourning.

Prodigiously influential, Jacques Derrida gave rise to a comprehensive rethinking of the basic concepts and categories of Western philosophy in the latter part of the twentieth century, with writings central to our understanding of language, meaning, identity, ethics and values. In 1993, a conference was organized around the question, 'Whither Marxism?’, and Derrida was invited to open the proceedings. His plenary address, 'Specters of Marx', delivered in two parts, forms the basis of this book. Hotly debated when it was first published, a rapidly changing world and world politics have scarcely dented the relevance of this book.

At the time of his death in 2004, Jacques Derrida was arguably the most influential and the most controversial thinker in contemporary philosophy. But how does one respond to the death of Jacques Derrida? How does one mourn for Derrida, who spent thirty years warning of the dangers of mourning, while insisting that mourning is both unavoidable and impossible? In this original and engaging response to Derrida's death, Sean Gaston re-examines his own relationship with this great thinker and traces his own mourning, while examining the very nature of mourning in Derrida's work. Written in the immediate aftermath of Derrida's death, this insightful and touching account offers a fresh analysis of a vital element of Derrida's thought and a genuine reflection on the implications of Derrida's death for how we will now address his work.

We are facing unprecedented environmental challenges, including global climate change, large-scale industrial development, rapidly increasing species extinction, ocean acidification, and deforestation – challenges that require new vocabularies and new ways to express grief and sorrow over the disappearance, degradation, and loss of nature. Seeking to redress the silence around ecologically based anxiety in academic and public domains, and to extend the concepts of sadness, anger, and loss, Mourning Nature creates a lexicon for the recognition and expression of emotions related to environmental degradation. Exploring the ways in which grief is experienced in numerous contexts, this groundbreaking collection draws on classical, philosophical, artistic, and poetic elements to explain environmental melancholia. Understanding that it is not just how we mourn but what we mourn that defines us, the authors introduce new perspectives on conservation, sustainability, and our relationships with nature. An ecological elegy for a time of climatic and environmental upheaval, Mourning Nature challenges readers to turn devastating events into an opportunity for positive change. Contributors include Glenn Albrecht (Murdoch University, retired); Jessica Marion Barr (Trent University); Sebastian Braun (University of North Dakota); Ashlee Cunsolo (Labrador Institute of Memorial University); Amanda Di Battista (York University); Franklin Ginn (University of Edinburgh); Bernie Krause (soundscape ecologist, author, and independent scholar); Lisa Kretz (University of Evansville); Karen Landman (University of Guelph); Patrick Lane (Poet); Andrew Mark (independent scholar); Nancy Menning (Ithaca College); John Charles Ryan (University of New England); Catriona Sandilands (York University); and Helen Whale (independent scholar).

Organisational collapse is part of our vernacular. Enron, Woolworths, Lehman's, Bank of America, Rover, BOAC, Northern Rock - these failures are part of our cultural experience of work. At a time when working lives are often vulnerable and organisational mortality is under threat from technology and the economy the consequences of organizational death are worthy of attention. Organisations can face many different endings - sharp and brutal, premature, or carefully planned and premeditated - all these endings have emotional collateral damage. We are working in an environment where crises, failure, and demise are everyday features. Death and the City provides an in-depth portrait of an organisation in a palliative state. It transports the analytic concepts of mourning and melancholia and of the death drive into the workplace, and brings this important, but under explored, stream of psychoanalytic thought to the fore as a means of interrogating and further understanding organisational life. .

The seventh in our series of Derrida's seminars, Life Death provides interdisciplinary reflections on the relationship of life and death—now in paperback. One of Jacques Derrida’s most provocative works, Life Death deconstructs a deeply rooted dichotomy of Western thought: life and death. In rethinking the relationship between life and death, Derrida undertakes a multi-disciplinary analysis of a range of topics across philosophy, linguistics, and the life sciences. Derrida gave this seminar over fourteen sessions between 1975 and 1976 at the École normale supérieure in Paris to prepare students for the agrégation, a notoriously competitive exam. The theme for the exam that year was “Life and Death,” but Derrida made a critical modification to the title by dropping the coordinating conjunction. The resulting title of Life Death poses a philosophical question about the close relationship between life and death. Through close readings of Freudian psychoanalysis, the philosophy of Nietzsche and Heidegger, French geneticist François Jacob, and epistemologist Georges Canguilhem, Derrida argues that death must be considered neither as the opposite of life nor as the truth or fulfillment of it, but rather as that which both limits life and makes it possible. Derrida thus not only questions traditional understandings of the relationship between life and death but also ultimately develops a new way of thinking about what he calls “life death.”

Margaret Laurence's much admired Manawaka fiction—The Stone Angel, A Jest of God, The Fire-Dwellers, A Bird in the House, and The Diviners—has achieved remarkable recognition for its compassionate portrayal of the attempt to find meaning and peace in ordinary life. In Writing Grief, Christian Riegel argues that the protagonists in these books achieve resolution through acts of mourning, placing this fiction within the larger tradition of writing that explores the nuances and strategies of mourning. Riegel's analysis alludes to sociological and literary antecedants of the study of mourning, including the tradition of elegy, from Derrida and Lacan to Freud, van Gennep, and Milton. The "work" of mourning is necessary to move from a state of emotional paralysis to one of acceptance and active engagement. Laurence's characters "perform the work of mourning ... returning over and over again to the key issues relating to loss," and, as Riegel's close examination of the texts suggests, are changed thereafter fundamentally and significantly. As an important study of one aspect of Laurence's oeuvre, Writing Grief not only illustrates how Laurence's own preoccupations with mourning are figured, but also how different ways of working through grief result in renewed potential for consolation and connection, and "a renewed definition of self."