The World Goes Pop

A global survey of Pop art that reassesses its roots, impact, and legacy This groundbreaking book surveys the concurrent engagements with the spirit of Pop throughout the world, from the frequently studied activity in the United States, England, and France to less well-known developments in Central and Eastern Europe, Latin America, Asia, Africa, and the Middle East. One of the first publications to examine Pop art with this global scope, The World Goes Pop explores the wide-ranging movements that developed on different continents, such as Nouveau Réalisme, Neo Dada, New Figuration, and Spiritual Pop. This unique presentation offers the opportunity to compare how Pop art around the world differed due to geography, local traditions, and different cultures' social and political underpinnings. Fascinating essays touch upon key themes that factored into various Pop movements, including feminism, political representation, sexual politics, and seriality. A bold design and 200 striking illustrations showcase pieces by more than 60 artists, many of whose works have never been exhibited outside their home nations. The book also features a combined interview with a number of the living artists featured within, giving important insight into the thoughts and processes of Pop's international practitioners.

"Published on the occasion of the exhibition International Pop, organized by Darsie Alexander with Bartholomew Ryan for the Walker Art Center, Minneapolis."

A voice on late night radio tells you that a fast food restaurant injects its food with drugs that make men impotent. A colleague asks if you think the FBI was in on 9/11. An alien abductee on the Internet claims extra-terrestrials have planted a microchip in her body. "Julia Roberts in Porn Scandal" shouts the front page of a gossip mag. A spiritual healer claims he can cure chronic fatigue syndrome with the energizing power of crystals . . . What do you believe? Knowledge Goes Pop examines the popular knowledges that saturate our everyday experience. We make this information and then it shapes the way we see the world. How valid is it when compared to official knowledge and why does such (mis)information cause so much institutional anxiety? This book examines the range of knowledge, from conspiracy theory to plain gossip, and its role and impact in our culture.

This sumptuous volume presents the first full-scale exploration of warhol's tremendous influence across the generations of artists that have succeeded him. Warhol brought to the art world a unique awareness of the relationship that art might have with popular consumer culture and tabloid news, with celebrity, and with sexuality. Each of these themes is explored through visual dialogues between warhol and some sixty artists, among them John Baldessari, Vija Celmins, Gilbert & George, Felix Gonzalez-Torres, Robert Gober, Nan Goldin, Damien Hirst, Alfredo Jaar, Deborah Kass, Alex Katz, Jeff Koons, Barbara Kruger, Glenn Ligon, Robert Mapplethorpe, Vik Muniz, Takashi Murakami, Bruce Nauman, Cady Noland, Elizabeth Peyton, Sigmar Polke, Richard Prince, Gerhard Richter, Ed Ruscha, Cindy Sherman and Luc Tuymans. These juxtapositions not only demonstrate warhol's overt influence but also suggest how artists have either worked in parallel modes or developed his model in dynamic new directions. Featuring commentary by many of the world's leading contemporary artists, as well as a major essay by the celebrated critic Mark Rosenthal and an extensive illustrated chronology, Regarding Warhol is an out-standing publication that will be essential reading for anyone with an interest in contemporary art.

Whether you're a regular attender, a leader, or have yet to step foot in a church, you may have questions about church that aren't being answered. How can the church remain relevant while communicating the unchanging integrity of God's truth? Author Tim Stevens makes an inspiring case for leveraging pop culture to reach out to people in the language of their lives. He offers a new perspective that gives relevance and impact to the church by using pop culture, meeting people in the real world with words, sounds and images that speak to them. He encourages us to get out of our comfort zones and look people in the eyes, meeting them wherever they are, relating to their problems and society's challenges, even celebrating pop culture, where there are exciting signs of spiritual seeking. Pop Goes the Church will open your mind to church in a way that breaks down walls, engages the culture and speaks to a generation that needs to hear good news.

Beginning with Blue Bolt in June 1940, Joe Simon and Jack Kirby set the standard for costumed heroes. Their creation Captain America remains one of the most famous heroes in comic book history, and their work for Timely and DC Comics raised the bar. This large format hardcover collects the duo’s most exciting characters: Fighting American, their cold-war take on the patriotic hero, The Fly, with origins in an unknown Spider-Man prototype, Lancelot Strong, the man with the double life, and the Hollywood swashbuckler known as Stuntman. This is the only edition authorized by both Joe Simon and the estate of Jack Kirby, gathered from the official Simon and Kirby archives.

The techniques utilized, however, varied: the Americans generally used a more reductive method, arriving at a centralized iconic image, while the British preferred an episodic approach that generated an implied narrative. As the essays in this book make clear, Pop Art promoted no specific agenda beyond the investigation of the prevailing American environment."--BOOK JACKET.

Pop Art embodied the spirit of the 1960s. Despite its carnival aspects, its orgiastic colour and giant scale, it was based on a tough, no-nonsense, no-refinement standard appropriate to its time. Here several critics, each involved in Pop Art, but with different backgrounds, vividly bring the movement to life. Lucy Lippard examines Pop's precursors ranging from folk art, Surrealism and Dada, Stuart Davis and Léger, to the Reuben group, Assemblage, Rauschenberg and Jasper Johns, and discusses Pop Art in New York best known for Andy Warhol, Roy Lichtenstein, Tom Wesselmann, James Rosenquist and Claes Oldenburg.