The World Of Rembrandt 1606 1669
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The World of Rembrandt 1606 1669
Author | : Robert Wallace,Time-Life Books |
Publsiher | : Unknown |
Total Pages | : 194 |
Release | : 1968 |
Genre | : Art |
ISBN | : UOM:39015058140784 |
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Lavishly illustrated account of the life, career, works and times of the 17th century Dutch artist Rembrandt van Rijn, with background information on other artists of that period.
The World of Rembrandt 1601 1669
![The World of Rembrandt 1601 1669](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Robert Wallace |
Publsiher | : Unknown |
Total Pages | : 188 |
Release | : 1968 |
Genre | : Electronic Book |
ISBN | : OCLC:773236594 |
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Rembrandt 1606 1669
Author | : Michael Bockemühl |
Publsiher | : Taschen |
Total Pages | : 106 |
Release | : 2000 |
Genre | : Art |
ISBN | : 3822863203 |
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Baroque.
Rembrandt 1606 1669
![Rembrandt 1606 1669](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Wilhelm Koehler |
Publsiher | : Unknown |
Total Pages | : 0 |
Release | : 19?? |
Genre | : Artists |
ISBN | : OCLC:689577637 |
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Rembrandt 1606 1669
![Rembrandt 1606 1669](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Rembrandt Harmenszoon van Rijn |
Publsiher | : Unknown |
Total Pages | : 63 |
Release | : 1969 |
Genre | : Art museums |
ISBN | : LCCN:77572499 |
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Works by Rembrandt in the possession of the National Gallery of Victoria.
Rembrandt and the Inspiration of India
Author | : Stephanie Schrader |
Publsiher | : Getty Publications |
Total Pages | : 162 |
Release | : 2018-03-20 |
Genre | : Art |
ISBN | : 9781606065525 |
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This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.