The World Of The American West

Addressing everything from the details of everyday life to recreation and warfare, this two-volume work examines the social, political, intellectual, and material culture of the American "Old West," from the California Gold Rush of 1849 to the end of the 19th century. What was life really like for ordinary people in the Old West? What did they eat, wear, and think? How did they raise their children? How did they interact with government? What did they do for fun? This encyclopedia provides readers with an engaging and detailed portrayal of the Old West through the examination of social, cultural, and material history. Supported by the most current research, the multivolume set explores various aspects of social history—family, politics, religion, economics, and recreation—to illuminate aspects of a society's emotional life, interactions, opinions, views, beliefs, intimate relationships, and connections between the individual and the greater world. Readers will be exposed to both objective reality and subjective views of a particular culture; as a result, they can create a cohesive, accurate impression of life in the Old West during the second half of the 1800s.

The American West and the World provides a synthetic introduction to the transnational history of the American West. Drawing from the insights of recent scholarship, Janne Lahti recenters the history of the U.S. West in the global contexts of empires and settler colonialism, discussing exploration, expansion, migration, violence, intimacies, and ideas. Lahti examines established subfields of Western scholarship, such as borderlands studies and transnational histories of empire, as well as relatively unexplored connections between the West and geographically nonadjacent spaces. Lucid and incisive, The American West and the World firmly situates the historical West in its proper global context.

Big Bend This compact handbook, which is a part of the official National Park Handbook series is divided into 3 sections. Part 1 provides a brief introduction and history of Big Bend Big Bend National Park, including such major attractions a the Rio Grande River, the Chihuahuan Desert, and the Chisos Mountains; part 2 concentrates on the area's natural beauty and history; and part 3 presents an authoritative travel guide and reference materials.

The Western, with its stoic cowboys and quickhanded gunslingers, is an instantly recognizable American genre that has achieved worldwide success. Cultures around the world have embraced but also adapted and critiqued the Western as part of their own national literatures, reinterpreting and expanding the genre in curious ways. Canadian Westerns are almost always in conversation with their American cousins, influenced by their tropes and traditions, responding to their politics, and repurposing their structures to create a national literary phenomenon. The American Western in Canadian Literature examines over a century of the development of the Canadian Western as it responds to the American Western, to evolving literary trends, and to regional, national, and international change. Beginning with Indigenous perspectives on the genre, it moves from early manifestations of the Western in Christian narratives of personal and national growth, and its controversial pulp-fictional popularity in the 1940s, to its postmodern and contemporary critiques, pushing the boundary of the Western to include Northerns, Northwesterns, and post-Westerns in literature, film, and wider cultural imagery. The American Western in Canadian Literature is more than a simple history. It uses genre theory to comment on historical perspectives on nation and region. It includes overviews of Indigenous and settler-colonial critiques of the Western, challenging persistent attitudes to Indigenous people and their traditional territories that are endemic to the genre. It illuminates the way that the Canadian Western enshrines, hagiographies, and ultimately desacralizes aspects of Canadian life, from car culture to extractive industries to assumptions about a Canadian moral high ground. This is a comprehensive, highly readable, and fascinating study of an underexamined genre.

Describes changes in how the West has been seen, from a male-dominated frontier, to a region with a powerful sense of place, to a modern center of both genders, ethnic groups, and environmental interests

The only two-time winner of the prestigious Prix de West grand prize—the highest honor in the storied movement of art of the American West—George Carlson creates works in the tradition of American masters Frederic Remington, Charles M. Russell, Thomas Moran, Albert Bierstadt, and the Taos School artists. No comprehensive book of George Carlson’s work has ever before been published, making this magnificent volume an incomparable addition to the libraries of collectors and students of Western art and American landscape painting. Likened to the French and American Impressionists, who turned to nature’s beauty for relief from the industrialized world, Carlson is regarded as one of the most important American artists of his generation. His Prix de West triumphs have come in two different mediums: sculpture and, more recently, landscape painting. Recognized as one of America’s greatest bronze sculptors, Carlson is also a master at using pastels and oils. Carlson’s tactile, textured landscape paintings are viewed as bold touchstones for a new movement taking hold in Western art—and it is inspiring new generations of Realists and Impressionists. With nature as his muse, Carlson is an American treasure, and this book demonstrates how and why he is making his own impactful contribution to the canon of art history.

A passionate work about the fragile and arid West that Stegner loves