The World Of The Troubadours

Occitania, known today as the "south of France," had its own language and culture in the Middle Ages. Its troubadours created "courtly love" and a new poetic language in the vernacular, which were to influence European literature for centuries. There are many books on the troubadours, but this is the first comprehensive study of the society in which they lived. For readers of literature it offers a wide-ranging insight into the realities that lay behind the poetic mystique. For historians it opens up an important and neglected area of medieval Europe.

Before France became France its territories included Occitania, roughly the present-day province of Languedoc. The city of Narbonne was a center of Occitanian commerce and culture during the eleventh and twelfth centuries. For most of the second half of the twelfth century, that city and its environs were ruled by a remarkable woman, Ermengard, who negotiated her city's way through a maze of everchanging dynastic alliances.Fredric L. Cheyette's masterful and beautifully illustrated book is a biography of an extraordinary warrior woman and of a unique, vulnerable, doomed society. Throughout her long reign, viscountess Ermengard roamed Occitania receiving oaths of fidelity, negotiating treaties, settling disputes among the lords of her lands, and camping with her armies before the walls of besieged cities. She was born into a world of politics and warfare, but from the Mediterranean to the North Sea her name echoed in songs that treated the arts of love.The land between the Rhone and the Pyrenees was a delicately balanced world in which honor, dispute, and the fragile communities of loyalty and family held a "stateless" society together. In Cheyette's prose there rises before us a world we had not imagined, in which women were powerful lords, moving back and forth across what we now call Spain, France, and Italy to play the harsh political games essential to the preservation of their realms. But the region was also fertile ground for religious practices deemed heretical by the Church. The attempt to eradicate them would spawn the Albigensian Crusade, which destroyed the cosmopolitan world of Ermengard and the troubadours—the world that lives again in this book.

The dazzling culture of the troubadours - the virtuosity of their songs, the subtlety of their exploration of love, and the glamorous international careers some troubadours enjoyed - fascinated contemporaries and had a lasting influence on European life and literature. Apart from the refined love songs for which the troubadours are renowned, the tradition includes political and satirical poetry, devotional lyrics and bawdy or zany poems. It is also in the troubadour song-books that the only substantial collection of medieval lyrics by women is preserved. This book offers a general introduction to the troubadours. Its sixteen newly-commissioned essays, written by leading scholars from Britain, the US, France, Italy and Spain, trace the historical development and setting of troubadour song, engage with the main trends in troubadour criticism, and examine the reception of troubadour poetry. Appendices offer an invaluable guide to the troubadours, to technical vocabulary, to research tools and to surviving manuscripts.

This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning of the history of modern European verse, the troubadours were the prime poets and composers of the twelfth and thirteenth centuries in the South of France. No study of medieval literature is complete without an examination of the courtly love which is celebrated in the elaborately rhymed stanzas of troubadour verse, creations whose words and melodies were imitated by poets and musicians all over medieval Europe. The words of about 2,500 troubadour songs have survived, along with 250 melodies, and all have come under intense scholarly scrutiny. This Handbook brings together the fruits of this scrutiny, giving teachers and students an overview of the fundamental issues in troubadour scholarship. All quotations are given in the original Old Occitan and in English. The editors provide a list of troubadour editions and an index, and each chapter includes a list of additional readings.

This volume presents a series of studies by Jacqueline Caille, acknowledged as the leading expert on medieval Narbonne, which chart the development and history of the city from its Roman origins to its decline in the late Middle Ages. They focus on the period of Narbonne's heyday, from the mid-11th to the mid-14th centuries, and a central place is held by Ermengarde, viscountess for half the 12th century, and celebrated figure in the 'world of the troubadours'. The book opens with an important new introductory survey, in English, setting the context for the detailed studies which follow, several of which also appear in English for the first time, and all being updated with additional notes. These articles cover the physical growth of the great medieval centre, the relations and conflicts between its secular and ecclesiastical lords, its administrative and religious life, and its political and commercial connections with the areas around. Ce volume regroupe une série d'études de Jacqueline Caille, spécialiste reconnue de l'histoire de Narbonne au Moyen Age. L'antique cité y est présentée depuis ses origines romaines jusqu'à la fin du XVe siècle, en insistant particulièrement sur la période la plus brillante des siècles médiévaux, du milieu du XIe au milieu du XIVe siècle. Le recueil s'ouvre par un "long survol historique" inédit, en anglais, brossant le contexte général où s'insèrent les études spécialisées qui suivent, réactualisées par des notes additionnelles. Les principaux thèmes pouvant être dégagés des ces articles concernent le développement topographique de cette "grande ville médiévale", les relations et les conflits entre les seigneurs qui la dirigent (archevêques et vicomtes), la vie administrative et religieuse de l'agglomération ainsi que ses relations politiques et commerciales avec les régions environnantes. Enfin, une place de choix est faite à l'une des éminentes figures du "monde des troubadours", la victomtesse

"The Music of the Troubadours is the first comprehensive critical study of the extant melodies of the troubadours of Occitania. It begins with an overview of their social and political milieu in the twelfth and thirteenth centuries, then provides brief biographies of the troubadours whose music survives. The four manuscripts that transmit this music are described in detail, with attention to their genesis in the overlapping roles of composers, singers, and scribes"--Back cover