The World Ornament Sourcebook

This amazing compilation of decorative motifs from around the world is unparalleled in its range of coverage with examples from early Greek, Roman and Egyptian designs through those of the 19th century. Geographically diverse, the book covers ornamentation from Asia and Africa as well as Europe and the Americas. Originally published in the 19th century in two volumes, this work by Auguste Racinet was an invaluable resource to artists, designers and architects when it was first published and continues to be so today. The period when Racinet's volumes were being published for the first time (1869 through 1887) saw a renewed interest in classicism and the decorative arts and Racinet's work was certainly influential. With 220 colour plates comprising over 1500 decorative motifs derived from illuminated manuscripts, jewellery, tiles, weaponry, wall painting and other sources, the book is not only inspirational, but also serves as both a visual reference of the motifs and an insight into the aesthetics of different cultures and periods. We are pleased to offer this opulent and beautifully colourful title in a combined single volume. A book that every graphic designer, architect, fashion designer or artist must have, it will also appeal to those interested in aesthetics and visual culture.

A richly illustrated sourcebook of two-dimensional pattern and three-dimensional ornamentation, for designers everywhere and anyone interested in visual culture. This richly illustrated, easy-to-navigate sourcebook of surface pattern and three-dimensional ornamentation presents more than one thousand historic and contemporary examples from around the world, each one succinctly identified and explained. Arranged thematically, it is unique among pattern books, as it includes examples not only of surface pattern but also three-dimensional ornamentation and embellishment, from Japanese kimono and William Morris fabrics to Chinese porcelain and contemporary furniture. Creatives working today are as fascinated and inspired by pattern and ornament as they have always been and this expertly compiled selection will appeal to designers, artists, and illustrators from all disciplines as well as anyone interested in visual and material culture.

This classic sourcebook of decorative motifs contains 100 plates of royalty-free Gothic designs, meticulously reproduced from rare 19th-century engravings. Many are floral and foliate designs rendered from panels, capitals, borders, brackets, friezes, grotesques, and other decorative elements from such architectural landmarks as New College Chapel at Oxford and Rouen Cathedral.

Teeming with tapestries, manuscript illuminations, carpets, and tiles, this far-reaching compendium brings together the two greatest 19th-century catalogues of ornament into one indispensable reference book. Encompassing designs from medieval times through to the 19th century, in styles as diverse as Egyptian, Etruscan, or Middle Eastern, this...

Adapted from historical items dating back to antiquity, such as jewelry, tiles, stained glass, textiles, and ceramics, these ornamental designs encompass a wide range of cultural aesthetics, from classic Egyptian motifs and Asian patterns to 19th-century European designs.

Classic sourcebook of spectacular design collages, all royalty-free, featuring over 1,500 decorative elements and motifs from major cultures in world history through the 19th century.

A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestoes, and official documents (many unknown even to specialists and most never before available in English), this book challenges the traditional boundaries between politics, culture, and social life. Its thirty chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret and urban entertainment, and the situation of Jews, intellectuals, and workers before and during the emergence of fascism. While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School, political theater, twelve-tone music, cultural criticism, photomontage, and urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, and sexuality; it also contains a timetable of major political events, an extensive bibliography, and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and cultural, film, German, and women's studies.

Beasts of myth and legend, writhing foliage, dancing symbols of fate — this spectacular compendium of 15th- and 18th-century designs features 127 black-and-white illustrations from the far corners of the imagination.