The Wounded Animal

Taking a work by J.M. Coetzee as an example, this volume explores the way both literature and philosophy seek - and fail - to represent reality. Stephen Mulhall examines Coetzee's 'Elizabeth Costello', which deals with the moral status of animals.

Taking a work by J.M. Coetzee as an example, this volume explores the way both literature and philosophy seek - and fail - to represent reality. Stephen Mulhall examines Coetzee's 'Elizabeth Costello', which deals with the moral status of animals.

This groundbreaking collection of contributions by leading philosophers offers a new way of thinking about animal rights, our obligation to animals, and the nature of philosophy itself.

In 1997, the Nobel Prize-winning novelist J. M. Coetzee, invited to Princeton University to lecture on the moral status of animals, read a work of fiction about an eminent novelist, Elizabeth Costello, invited to lecture on the moral status of animals at an American college. Coetzee's lectures were published in 1999 as The Lives of Animals, and reappeared in 2003 as part of his novel Elizabeth Costello; and both lectures and novel have attracted the critical attention of a number of influential philosophers--including Peter Singer, Cora Diamond, Stanley Cavell, and John McDowell. In The Wounded Animal, Stephen Mulhall closely examines Coetzee's writings about Costello, and the ways in which philosophers have responded to them, focusing in particular on their powerful presentation of both literature and philosophy as seeking, and failing, to represent reality--in part because of reality's resistance to such projects of understanding, but also because of philosophy's unwillingness to learn from literature how best to acknowledge that resistance. In so doing, Mulhall is led to consider the relations among reason, language, and the imagination, as well as more specific ethical issues concerning the moral status of animals, the meaning of mortality, the nature of evil, and the demands of religion. The ancient quarrel between philosophy and literature here displays undiminished vigor and renewed significance.

The famous story of Simpson and his donkey - a true Anzac legend Most Australians know of Simpson and his donkey, who became heroes at Gallipoli, even among the Turkish forces. Few know where the donkey came from, or what happened to him after World War I. Or that another man carried on rescuing the wounded with the donkey after Simpson died. This is the story of a small unassuming donkey. It's also the story of Gallipoli, of Jack Simpson, and New Zealander stretcher-bearer Richard Henderson, who literally took up the reins after Simpson's death. Exhaustively researched, it gives a new depth to our understanding of this story of Anzac heroism. PRAISE FOR JACKIE FRENCH 'Jackie French is excellent at telling history in an exciting way for children' -- Burke's Backyard

This is the story of a small unassuming donkey. It's also the story of Gallipoli, of Jack Simpson, and New Zealander stretcher-bearer Richard Henderson, who literally took up the reins after Simpson's death. Exhaustively researched, it gives a new depth to our understanding of this story of Anzac heroism.

Key Selling Points In My Best Friend Is Extinct a boy discovers a strange, wounded prehistoric creature and nurses it back to health. A fun imaginative adventure story about bravery and friendship. There are more than 30 fun, evocative b/w illustrations by an award-winning illustrator. The creatures in the book are based on actual prehistoric creatures (short-nose bear and saber-tooth tiger).

This book is an investigation of non-fatal injury and bloodspill in Homer's Iliad and demonstrates the crucial significance of these motifs in the epic. They are shown to be fundamental to defining heroic status and a powerful means for developing the narrative and thematic structures of the poem. The study offers a nuanced definition of the nature of mortality and immortality and shows how the motifs of injury and bloodspill explicate the plot of the poem and its ethical values. This work is the first to examine these motifs in a systematic and comprehensive investigation. Focusing exclusively on the Iliad, the book sheds new light on ideals of heroic conduct.