The Writer S Guide To Beginnings

Give your story its best start! The best beginnings possess a magical quality that grabs readers from the first word and never lets them go. But beginnings aren't just the door into a fictional world. They are the gateway to the realm of publishing--one that could shut as quickly as it opens. In The Writer's Guide to Beginnings, author and literary agent Paula Munier shows you how to craft flawless beginnings that impress agents, engage editors, and captivate readers. You'll learn how to develop the big idea of your story and introduce it on page one, structure opening scenes that encompass their own story arc, kickstart your writing with effective brainstorming techniques, and introduce a compelling cast of characters that drive the plot. You'll also examine the best-selling novels from different genres to learn the secrets that experienced writers use to dive straight into a story. With thorough examinations of voice, point of view, setting, dialogue and conflict, The Writer's Guide to Beginnings is a must-have tool for luring your readers in with your opening pages--and convincing them to stick around for the ride. "Writing a book? Hard. Writing the beginning of a book? Rocket science! Strap on your spacesuit, because thanks to Munier's nuanced, actionable breakdown of every possible aspect of a gripping opening, authors everywhere can now take their books to the stars." --K.M. Weiland

This book provides clear, useful advice on how to write for college courses in history.

"In Lisa Cleaveland's classroom, writing workshop is a time every day when her students make books. Katie Wood Ray guides you through the first days in Lisa's classroom, offering ideas, information, strategies, and tips to show you step by step how you can launch a writing workshop with beginning writers."--book cover

A step-by-step guide to writing the book you've always dreamed of writing: from testing your story ideas, to visualizing your characters' types and voices, to building a world that comes to life, to navigating the publishing industry, and going the distance to reach your writing goals.

It has become commonplace these days to speak of “unpacking” texts. Voice and Vision is a book about packing that prose in the first place. While history is scholarship, it is also art—that is, literature. And while it has no need to emulate fiction, slump into memoir, or become self-referential text, its composition does need to be conscious and informed. Voice and Vision is for those who wish to understand the ways in which literary considerations can enhance nonfiction writing. At issue is not whether writing is scholarly or popular, narrative or analytical, but whether it is good. Fiction has guidebooks galore; journalism has shelves stocked with manuals; certain hybrids such as creative nonfiction and the new journalism have evolved standards, esthetics, and justifications for how to transfer the dominant modes of fiction to topics in nonfiction. But history and other serious or scholarly nonfiction have nothing comparable. Now this curious omission is addressed by Stephen Pyne as he analyzes and teaches the craft that undergirds whole realms of nonfiction and book-based academic disciplines. With eminent good sense concerning the unique problems posed by research-based writing and with a wealth of examples from accomplished writers, Pyne, an experienced and skilled writer himself, explores the many ways to understand what makes good nonfiction, and explains how to achieve it. His counsel and guidance will be invaluable to experts as well as novices in the art of writing serious and scholarly nonfiction.

Intended for writers who need authentic background for their writing, but makes a hipper-dipper read for the rest of us palookas, too. Covers popular slang as well as the terms and lingo specific to Prohibition, the Depression, WWII, the crime world, transportation, fashion, radio, and music and dance. Includes chronologies of events, movies, books, and songs. Annotation copyright by Book News, Inc., Portland, OR

- Author has won many major awards, including the Christopher Medal, the Caldecott Medal, the World Fantasy Award, and the Golden Kite Award

A portable and affordable reference tool, A Pocket Guide to Writing in History provides reading, writing, and research advice useful to students in all history courses. Concise yet comprehensive advice on approaching typical history assignments, developing critical reading skills, writing effective history papers, conducting research, using and documenting sources, and avoiding plagiarism -- enhanced with practical tips and examples throughout -- have made this slim reference a best-seller. Now in its sixth edition, the book offers more coverage of working with sources than ever before.