The Yacoubian Building

The Yacoubian Building holds all that Egypt was and has become over the 75 years since its namesake was built on one of downtown Cairo's main boulevards. From the pious son of the building's doorkeeper and the raucous, impoverished squatters on its roof, via the tattered aristocrat and the gay intellectual in its apartments, to the ruthless businessman whose stores occupy its ground floor, each sharply etched character embodies a facet of modern Egypt -- where political corruption, ill-gotten wealth, and religious hypocrisy are natural allies, where the arrogance and defensiveness of the powerful find expression in the exploitation of the weak, where youthful idealism can turn quickly to extremism, and where an older, less violent vision of society may yet prevail. Alaa Al Aswany's novel caused an unprecedented stir when it was first published in 2002 and has remained the world's best selling novel in the Arabic language since.

An intense and powerful tale set in Cairo about how one boy's bitter disillusionment with society led to great tragedy.

A rollicking, exuberant and powerfully moving story of a family swept up by social unrest in post–World War II Cairo Abd el-Aziz Gaafar, formerly a well-respected landowner now in the grip of penury, moves his family to Cairo and takes on menial work at the Automobile Club—a place of refuge and luxury for its European members, but one where Egyptians may appear only as servants. Alku, the lifelong Nubian servant of Egypt’s corrupt king, runs the show in all but name. The servants, a squabbling, humorous, and deeply human group, live in a perpetual state of fear: beaten for their mistakes, their wages dependent on Alku’s whims. When Abd el-Aziz’s pride gets the better of him and he stands up for himself, his death—as much from shame as from his injuries after Alku has him beaten—leaves his widow further impoverished and two of his sons obliged to work in the Club. As the family is drawn into the turbulent politics of Egypt—public and private—both servants and masters are subsumed by the country’s social upheaval. Soon, the Egyptians of the Automobile Club face a stark choice: to live safely but without dignity as servants, or to fight for their rights and risk everything.

"This is a Borzoi book published by Alfred A. Knopf"--Title page verso.

“Alaa Al Aswany is among the best writers in the Middle East today, a suitable heir to the mantle worn by Naguib Mahfouz, his great predecessor.” –Jay Parini, The Guardian (UK) From one of Egypt’s most acclaimed novelists, here is a vivid chronicle of Egyptian society, with penetrating analysis of all the most urgent issues—economic stagnation, police brutality, poverty, the harassment of women and of the Christian minority, to name a few—that led to the stunning overthrow of the Mubarak government. Al-Aswany addresses himself to all the questions being asked within Egypt and beyond: who will be the next president, and how will he be chosen in a land where heretofore only simpletons, opportunists and stooges involved themselves with elections? What role will the Muslim Brotherhood play? How can democratic reforms be effected among a people used to such contradictions as the religiously observant policeman who commits torture? In a candid and controversial assessment of both the potential and limitations that will determine his country’s future, Al-Aswany reveals why the revolt that surprised the world was destined to happen. “[The] star of a new generation of Egyptian novelists.” –The Independent (UK)

The author of the highly acclaimed The Yacoubian Building returns with a story of love, sex, friendship, hatred, and ambition set in Chicago, with a cast of American and Arab characters achingly human in their desires and needs. Egyptian and American lives collide on a college campus in post-9/11 Chicago, and crises of identity abound in this extraordinary and eagerly anticipated new novel from Alaa Al Aswany. Among the players are a sixties-style anti-establishment professor whose relationship with a younger African-American woman becomes a moving target for intolerance; a veiled PhD candidate whose belief in the principles of her traditional upbringing is shaken by her exposure to American society; an émigré whose fervent desire to embrace his American identity is tested when he is faced with the issue of his daughter's "honor"; an Egyptian informant who spouts religious doctrines while hankering after money and power; and a dissident student poet who comes to America to finance his literary aspirations but whose experience in Chicago turns out to be more than he bargained for. Populated by a cast of intriguing, true-to-life characters, Chicago offers an illuminating portrait of America—a complex, often contradictory land in which triumph and failure, opportunity and oppression, licentiousness and tender love, small dramas and big dreams, coexist. Beautifully rendered, Chicago is a powerfully engrossing novel of culture and individuality from one of the most original voices in contemporary world literature.

Ru: In Vietnamese it means lullaby; in French it is a small stream, but also signifies a flow - of tears, blood, money. Kim Thy's Ru is literature at its most crystalline: the flow of a life on the tides of unrest and on to more peaceful waters. In vignettes of exquisite clarity, sharp observation and sly wit, we are carried along on an unforgettable journey from a palatial residence in Saigon to a crowded and muddy Malaysian refugee camp, and onward to a new life in Quebec. There, the young girl feels the embrace of a new community, and revels in the chance to be part of the American Dream. As an adult, the waters become rough again: now a mother of two, she must learn to shape her love around the younger boy's autism. Moving seamlessly from past to present, from history to memory and back again, Ru is a book that celebrates life in all its wonder: its moments of beauty and sensuality, brutality and sorrow, comfort and comedy.

Offering a critical introduction into LGBT (lesbian, gay, bisexual and transgender) transnational identity in the media, this book examines performances and representations within documentary and fiction oriented texts. An interdisciplinary approach is put forward, revealing new potentials for non western queer identity.