The Year S Top Short Sf Novels 6

Short novels are movie length narratives that may well be the perfect length for science fiction stories. This unabridged collection presents the best-of-the-best science fiction novellas published in 2015 by current and emerging masters of this vibrant form of story-telling. In “The Citadel of Weeping Pearls,” by Aliette de Bodard, set in the author’s Dai Viet interstellar empire, an Empress orders her scientific Grand Master to search deepest space and track down the missing Citadel, along with its technologies, to help defend against enemies amassing on her borders. In “The New Mother,” by Eugene Fischer, a freelance journalist pursues the career-making opportunity to write a feature article for a major publication following a contagion that turns human ova diploid, capable of parthenogenesis—reproduction without the need for sperm. In “Inhuman Garbage,” by Kristine Kathryn Rusch, set in the author’s popular Retrieval Artist series, a detective investigates the murder of a body found in a recycling/composting waste disposal crate in a dome on the moon. In “Gypsy,” by Carter Scholz, a meticulously rendered, slower-than-light, starship flees a totalitarian Earth on a mission whose outcome is not a clear-cut success or failure. Finally, in “What Has Passed Shall in Kinder Light Appear,” by Bao Shu, Xie Baosheng and his lifelong love, Qiqi, are small children as the countdown to the 2008 Beijing Olympics has begun. Their lives in China are prosperous but then history starts to run backwards.

Short novels are movie length narratives that may well be the perfect length for science fiction stories. This unabridged collection presents the best-of-the-best science fiction novellas published in 2016 by current and emerging masters of this vibrant form of story-telling. In “Wyatt Earp 2.0,” by Wil McCarthy, a rough and tumble Martian mining town reconstructs Wyatt Earp to restore order. In “The Charge and the Storm,” by An Owomoyela, an uneasy co-existence between human refugees from a crashed spaceship and the aliens who saved them is threatened by human dissidents.In “Lazy Dog Out,” by Suzanne Palmer, a spaceship pilot becomes embroiled in a sinister conspiracy that threatens a space station’s way of life and everything she holds dear.In “The Iron Tactician,” by Alastair Reynolds, Merlin hunts the galaxy for a superweapon powerful enough to destroy the berserker-like robots called Huskers. “Einstein’s Shadow,” by Allen M. Steele, is an alternate history in which an American detective becomes Albert Einstein’s bodyguard as the physicist flees the Nazis onboard an airplane the size of an ocean liner. In “The Vanishing Kind,” by Lavie Tidhar, set in post-World War II London where Nazi Germany won the war, a lovesick, former German soldier searches for an old flame hoping to rekindle a romance in this cold, stark world. Finally, in “The Metal Demimonde,” by Nick Wolven, amidst a world dominated by automation, a carney passionate about her carnival ride has a fling with a jobless boy who rages against those machines.

An unabridged collection spotlighting the “best of the best” science fiction stories published in 2017 by current and emerging masters of the genre, edited by Allan Kaster. In “My English Name,” by R. S. Benedict, an intelligent alien, who parasitizes an English teacher in China, falls in love. After a victorious space battle, an indentured robot finds a refugee who makes an offer it can’t refuse in “Zen and the Art of Starship Maintenance” by Tobias S. Buckell. In “The Moon is Not a Battlefield,” by Indrapramit Das, an Indian soldier retires on Earth after spending most of her life on the Moon. A young woman joins the U.S. Army to fight terrorists after aliens arrive on Earth bearing tech gifts unevenly dispersed to humans in “Dear Sarah” by Nancy Kress. In “An Evening with Severyn Grimes,” by Rich Larson, a gifted hacker uses cyberspace to extract pay back on the rich businessman who put her in prison. Set in the author’s hexarchate universe, an ex-Kel super soldier is enlisted to retrieve a weapon of mass destruction stolen by a rogue general in “The Chameleon’s Gloves” by Yoon Ha Lee. In “The Martian Obelisk,” by Linda Nagata, on a dying Earth, an architect remotely building a monument to mankind on Mars receives a message from an abandoned Mars colony. A petty meat counterfeiter is blackmailed into forging T-bone steaks for an anonymous thug in “A Series of Steaks” by Vina Jie-Min Prasad. In “The Residue of Fire,” by Robert Reed, a torturer tries to cope with one of his alien victims who witnessed a pivotal moment in the lives of two immortals, in this Great Ship tale. And finally, in this Revelation Space tale, a starship captain wakes from hibernation with her ship stalled next to an alien artifact and a mutiny in progress in “Night Passage” by Alastair Reynolds.

An unabridged collection of the “best of the best” science fiction stories published in 2013 by current and emerging masters of the genre, edited by Allan Kaster. In “Zero for Conduct,” by Greg Egan, an Afghani teenager, living in a near-future Iran with her exiled grandfather, makes a game-changing superconductor discovery. A young girl struggles to survive on a planet, with a stringent class structure, where Doors are used to go off-world in “Exit, Interrupted,” by C. W. Johnson. “Pathways” by Nancy Kress, follows a teenage girl from a small Kentucky mountain town, in a near-future U. S., struggling with her family and culture as she seeks treatment for Fatal Familial Insomnia. In “Entangled,” by Ian R. MacLeod, an Indian woman, in a Britain turned upside down by a disease that links people’s minds, searches for answers to her personal catastrophe. In “The Irish Astronaut,” by Val Nolan, a colleague brings the ashes of an astronaut, who died in the Aquariusdisaster, to Ireland for final burial. In “Among Us,” by Robert Reed, a government agency goes to extraordinary lengths to identify and track the aliens among us. “A Map of Mercury,” by Alastair Reynolds, showcases the plight of a failed artist dispatched to retrieve an artistic genius from a collective of cyborgs parading across the face of Mercury. In “Martian Blood,” by Allen M. Steele, a researcher from Earth goes on an expedition into the untamed regions of Mars to extract blood from its natives. “The She-Wolf’s Hidden Grin,” by Michael Swanwick, set in the same milieu as Gene Wolfe’s “The Fifth Head of Cerberus,” follows the childhoods of two sisters on a planet far from Earth. Finally, in “The Best We Can,” by Carrie Vaughn, a frustrated scientist pursues first contact among an apathetic populace.

An unabridged collection spotlighting the “best of the best” science fiction stories published in 2016 by current and emerging masters of the genre, edited by Allan Kaster. In “The Art of Space Travel,” by Nina Allan, the staff of a hotel prepares for the crew of a one-way mission to Mars on the heels of earlier disasters. An artist and his wife search for fulfillment in a utopian world created by AIs in “They Have all One Breath” by Karl Bunker. In “Patience Lake,” by Matthew Claxton, an injured military cyborg helps defend a farm family that has helped him. In a top secret job, an all too conscious bus driver takes a non-cognizant alien and his human translator on a tour of the United States, in “Touring with the Alien” by Carolyn Ives Gilman. In “My Generations Shall Praise,” by Samantha Henderson, a woman on death row is persuaded to have her mind overwritten so that a wealthy relative can use her as a host body. People adapting to a melted Antarctica evolve new folklore, superstitions, and myths in “Elves of Antarctica” by Paul McAuley. In “Red in Tooth and Cog,” by Cat Rambo, a woman acquires a keen interest in the small domestic appliance AI ecosystem that evolves in a park after her phone is stolen. An ancient robot tells a human how it helped build the Great Ship, a planet-sized starship, from hyperfiber in “Parables of Infinity” by Robert Reed. In “Prodigal,” by Gord Sellar, an uplifted family dog questions the relationship between dogs and humans and then takes action. And finally, in a Bradburyesque tale, people go to Mars via cheap, one-person, one-way spacecrafts called jalopies in “Terminal” by Lavie Tidhar.

Short novels may well be the perfect length for science fiction. They are movie length tales that resonate with moxie while exploring characters, new worlds, and ideas. The stories in this unabridged collection are the best-of-the best short science fiction novels published in 2010 by current and emerging masters of this form. “Return to Titan,” by Stephen Baxter, is set in his Xeelee sequence. Michael Poole and his father search one of Saturn’s moons for sentient life that would interfere with their plans to build a gateway to the stars. In this year’s Theodore Sturgeon Memorial Award winner for best short fiction, “The Sultan of the Clouds,” by Geoffrey A. Landis, a terraforming expert is inexplicably invited to Venus by the child who owns most of the planet’s habitable floating cities. “Seven Cities of Gold,” by David Moles, tells the story of a Japanese relief worker charged with tracking down the renegade Christian leader responsible for detonating a nuclear device in an Islam-occupied North American city. In “Jackie’s-Boy,” by Steven Popkes, an orphaned child befriends an uplifted elephant from the abandoned St. Louis Zoo as they trek south across a sparsely populated North America to find sanctuary. “A History of Terraforming,” by Robert Reed, involves a young boy’s ambition to take up his father’s work of terraforming Mars and then much of the solar system and discovers that much more than planets have been altered. In “Troika,” by Alastair Reynolds, the lone survivor of a mission that explored a massive alien object attempts to reveal what he discovered despite the wishes of the Second Soviet Union. Set in the author’s S’hdonni universe, “Several Items of Interest,” by Rick Wilber, the Earth ruling aliens ask a human collaborator to help quell a human insurrection led by the collaborator’s brother.

Short novels are movie length narratives that may well be the perfect length for science fiction stories. This unabridged collection presents the best-of-the-best short science fiction novels published in 2014 by current and emerging masters of this vibrant form of story-telling. In “The Man Who Sold the Moon,” by Cory Doctorow, hardware geeks and Burning Man fanatics band together to overcome challenges such as crowdfunding a space mission, falling in love, battling cancer and perfecting an open source engineering marvel in order to put a 3D printing robot, that creates ceramic building panels from sand, on the moon. “The Man Who Sold the Moon” won the 2015 Theodore Sturgeon Memorial Award for best short science fiction. In “The Regular,” by Ken Liu, a cybernetically enhanced private investigator keeps her emotions in check with a piece of hardware called The Regulator while she searches for the murderer of a prostitute whom she suspects is a serial killer. “Claudius Rex,” by John P. Murphy, is a sci-fi whodunit comedy that pays tongue-in-cheek homage to Rex Stout and Isaac Asimov. A humble PI partners with an arrogant AI to solve the murder of the AI’s creator. Ai! In “Of All Possible Worlds,” by Jay O’Connell, an old timeline wizard coaxes a younger man to become his apprentice in an attempt to edit Earth’s history so that the planet will escape the ravages of the Long Night and ensure that our timeline is the best of all possible worlds. In “Each in His Prison, Thinking of the Key,” by William Preston, the U.S. government brings a telepathic interrogator, who is a veteran of the American war in Iraq, to a secret complex in Texas to get a handle on an enigmatic prisoner known as “The Old Man.” A test of wills ensues between the two in this homage to Doc Savage. Finally, in “The Last Log of the Lachrimosa,” by Alastair Reynolds, set in the Revelation Space universe, a crew investigates a cave on a volcanic planet in the hopes of salvaging valuable abandoned tech only to discover that the cave is defended by a horrific psychological weapon.

Short novels are movie length narratives that may well be the perfect length for science fiction stories. This unabridged collection presents the best-of-the-best short science fiction novels published in 2013 by current and emerging masters of this vibrant form of story-telling. In “Earth I,” by Stephen Baxter, asearch among the stars to ferret out the origins of mankind amidst the Xaian normalization digs up many surprises. In “Success,” by Michael Blumlein, a brilliant but erratic biologist studying epigenetics struggles to hang on to his grip on everyday life as he writes his ground-breaking tome. In “Feral Moon,” by Alexander Jablokov, the Alliance military is invading Phobos to retrieve dead bodies for later repatriation, but the stiff resistance is putting the operation in serious doubt. In “The Weight of the Sunrise,” by Vylar Kaftan, winner of both the Nebula Award and the Sidewise Award for Alternate History, the Incan empire is offered a vaccine, to contain a smallpox out-break, by a Virginian raising funds for the American war against the British. In “One,” by Nancy Kress, a boxer down on his luck gains the ability to read minds and grapples round-after-round with the consequences. In the Great Shipstory “Precious Mental,” by Robert Reed, an immortal captain who has been living incognito for hundreds of years is kidnaped to help salvage an ancient derelict spaceship. Finally, in the Poirot-like mystery “Murder on the AldrinExpress,” by Martin L. Shoemaker, murder is suspected in the death of the leader of a Mars expedition when evidence of sabotage is uncovered.