The Yellow House On The Corner

This Life -- The Bird Frau -- Robert Schumann, Or: Musical Genius Begins with Afflication -- Happenstance -- Small Town -- The Snow King -- Sightseeing -- Upon Meeting Don L. Lee In a Dream -- "Teach Us to Number Our Days"--Nigger Song: An Odyssey -- Five Elephants -- Geometry -- Champagne -- Night Watch -- The Secret Garden -- A Suite for Augustus -- 1963 -- D.C. -- Planning the Perfect Evening -- Augustus Observes the Sunset -- Wake -- Back -- Belinda's Petition -- The House Slave -- David Walker (1785-1830) -- The Abduction -- The Transport of Slaves From Maryland to Mississippi -- Pamela -- Someone's Blood -- Cholera -- The Slave's Critique of Pratical Reason -- Kentucky -- Adolescence-I -- Adolescence-II -- Adolescence-III -- The Boast -- The Kadvana Kumbis Devise a Way to Marry for Love -- Spy -- First Kiss -- Then Came Flowers -- Pearls -- Nexus -- Notes from a Tunisian Journal - The Sahara Bus Trip -- For Kazuko -- Beauty and the Beast -- His Shirt -- Great Uncle Beefheart -- The Son -- Corduroy Road -- O.

A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation. Elizabeth Alexander is considered one of the country's most gifted contemporary poets, and the publication of her essays in The Black Interior in 2004 established her as an astute critic and cultural commentator as well. Arnold Rampersad has called Alexander "one of the brightest stars in our literary sky . . . a superb, invaluable commentator on the American scene." In this new collection of her essays, reviews, and interviews, Alexander again focuses on African American artistic production, particularly poetry, and the cultural contexts in which it is created and experienced. The book's first section, "Black Arts 101," takes up the poetry of Paul Laurence Dunbar, Sterling Brown, Lucille Clifton, Gwendolyn Brooks, and Rita Dove (among others); artist Romare Bearden; dancer Bill T. Jones; and dramatist August Wilson. A second section, "Black Feminist Thinking," provides engaging meditations ranging from "My Grandmother's Hair" and "A Very Short History of Black Women and Food" to essays on the legacies of Toni Cade, Audre Lorde, and June Jordan. The collection's final section, "Talking," includes interviews, a commencement address---"Black Graduation"---and the essay "Africa and the World." Elizabeth Alexander received a B.A. from Yale University, an M.A. from Boston University, and a Ph.D. in English from the University of Pennsylvania. She has published four books of poems: The Venus Hottentot (1990); Body of Life (1996); Antebellum Dream Book (2001); and, most recently, American Sublime (2005), which was one of three finalists for the Pulitzer Prize. Her play, Diva Studies, was produced at the Yale School of Drama. She is presently Professor of American and African American Studies at Yale University.

Presents an introduction to the poetry of the Pulitzer Prize winning Rita Dove, who was the first African American poet laureate of the US. Charting Dove's evolution as a poet, this title offers analyses of her artistic development, bringing to light the musical sense of form and expression of history that permeates her work.

Based on material that first appeared as a two-volume issue of Michigan quarterly review. Distinguished writers of fiction discuss the creative process and the direction of American fiction in original essays, interviews, memoirs, and short fiction. Acidic paper. Annotation copyrighted by Book News, Inc., Portland, OR

Pulitzer Prize-winner and former poet laureate of the United States, Rita Dove has written prolifically since the early 1970s. In this, the first full-length critical study of her entire body of work by an American scholar, Malin Pereira traces the development of Dove's literary voice, looking at the ways she combines racial specificity with the perspective of the unraced universal. Pereira examines Dove's poetry, fiction, drama, and literary criticism closely and chronologically, charting her path through the racially charged culture wars of the 1970s and 1980s. She demonstrates how Dove eventually transcended racial protocols that threaten to define her work and moves into a nomadic poetic articulation of her cosmopolitan identity. As Pereira addresses Rita Dove's cosmopolitanism, she also examines the thematic concerns that reoccur in Dove's work - themes, such as incest, miscegenation, nomadism, the blues, and patriarchal oppression.

This chronicle of the two months in 1888 when Paul Gauguin shared a house in France with Vincent Van Gogh describes not only how these two hallowed artists painted and exchanged ideas, but also the texture of their everyday lives. Includes 60 B&W reproductions of the artists' paintings and drawings from the period.

The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States.

Striving to adapt the progressive ideas of the pre-war modern movement to the specific human needs of post-war reconstruction, Alison and Peter Smithson were among the most influential and controversial architects of the latter half of the twentieth century. As younger members of CIAM (Congrès Internationaux d'Architecture Moderne) and as founding members of Team 10 they were at the heart of the debate on the future course of Modern Architecture. Their polemics and designs - addressing issues such as the rising consumer society and the orientation of urban planning - laid the foundations for New Brutalism and the Pop Art Movement of the 1960s. An important adaptation made by the Smithsons and their generation was the rejection of modernism's machine aesthetics. The new notions of place and territory were juxtaposed to Le Corbusier's machine à habiter. To the Smithsons a house was a particular place, which should be suited to its location and able to meet the ordinary requirements of everyday life and to accommodate its inhabitants' individual patterns of use. This exhibition examines the evolution of the Smithsons' approach to this everyday "art of inhabitation." It does this by extensively documenting most of their designs for individual dwellings, especially their optimistic House of the Future of 1956 and the series of renovations of and additions to the fairy-tale-like Hexenhaus in Germany from the late 1980s onward