The Young East

Transference of orientalist images and identities to the American landscape and its inhabitants, especially in the West—in other words, portrayal of the West as the “Orient”—has been a common aspect of American cultural history. Place names, such as the Jordan River or Pyramid Lake, offer notable examples, but the imagery and its varied meanings are more widespread and significant. Understanding that range and significance, especially to the western part of the continent, means coming to terms with the complicated, nuanced ideas of the Orient and of the North American continent that European Americans brought to the West. Such complexity is what historical geographer Richard Francaviglia unravels in this book. Since the publication of Edward Said’s book, Orientalism, the term has come to signify something one-dimensionally negative. In essence, the orientalist vision was an ethnocentric characterization of the peoples of Asia (and Africa and the “Near East”) as exotic, primitive “others” subject to conquest by the nations of Europe. That now well-established point, which expresses a postcolonial perspective, is critical, but Francaviglia suggest that it overlooks much variation and complexity in the views of historical actors and writers, many of whom thought of western places in terms of an idealized and romanticized Orient. It likewise neglects positive images and interpretations to focus on those of a decadent and ostensibly inferior East. We cannot understand well or fully what the pervasive orientalism found in western cultural history meant, says Francaviglia, if we focus only on its role as an intellectual engine for European imperialism. It did play that role as well in the American West. One only need think about characterizations of American Indians as Bedouins of the Plains destined for displacement by a settled frontier. Other roles for orientalism, though, from romantic to commercial ones, were also widely in play. In Go East, Young Man, Francaviglia explores a broad range of orientalist images deployed in the context of European settlement of the American West, and he unfolds their multiple significances.

Contemporary Africa is demographically characterized above all else by its youthfulness. In East Africa the median age of the population is now a striking 17.5 years, and more than 65 percent of the population is age 24 or under. This situation has attracted growing scholarly attention, resulting in an important and rapidly expanding literature on the position of youth in African societies. While the scholarship examining the contemporary role of youth in African societies is rich and growing, the historical dimension has been largely neglected in the literature thus far. Generations Past seeks to address this gap through a wide-ranging selection of essays that covers an array of youth-related themes in historical perspective. Thirteen chapters explore the historical dimensions of youth in nineteenth-, twentieth-, and twenty-first–century Ugandan, Tanzanian, and Kenyan societies. Key themes running through the book include the analytical utility of youth as a social category; intergenerational relations and the passage of time; youth as a social and political problem; sex and gender roles among East African youth; and youth as historical agents of change. The strong list of contributors includes prominent scholars of the region, and the collection encompasses a good geographical spread of all three East African countries.

Charles Corm: An Intellectual Biography of a Twentieth-Century Lebanese “Young Phoenician” delves into the history of the modern Middle East and an inquiry into Lebanese intellectual, cultural, and political life as incarnated in the ideas, and as illustrated by the times, works, and activities of Charles Corm (1894–1963). Charles Corm was a guiding spirit behind modern Lebanese nationalism, a leading figure in the “Young Phoenicians” movement, and an advocate for identity narratives that are often dismissed in the prevalent Arab nationalist paradigms that have come to define the canon of Middle East history, political thought, and scholarship of the past century. But Charles Corm was much more than a man of letters upholding a specific patriotic mission. As a poet and entrepreneur, socialite and orator, philanthropist and patron of the arts, and as a leading businessman, Charles Corm commanded immense influence on modern Lebanese political and social life, popular culture, and intellectual production during the interwar period and beyond. In many respects, Charles Corm has also been “the conscience” of Lebanese society at a crucial juncture in its modern history, as the autonomous sanjak/Mutasarrifiyya (or Province) of Mount-Lebanon and the Vilayet (State) of Beirut of the late nineteenth century were navigating their way out of Ottoman domination and into a French Mandatory period (ca. 1918), before culminating with the independence of the Republic of Lebanon in 1943.

This extensively researched empirical analysis of the GDR in the years 1971-1989 challenges current historical interpretations of GDR history. It focuses on four social groups - youth, women, writers and Christians - to highlight the stability of this socialist society until 1987. The strength of the regime is shown to have been based on a continuously negotiated process of give-and-take involving major parts of the population.

Hip hop music that empowers and engages youth in East Africa

"How East New York Became a Ghetto describes the shift of East New York from a working-class immigrant neighborhood to a largely black and Puerto Rican one, and shows how a series of racially biased policies caused the deterioration of this once flourishing area. How East New York Became a Ghetto provides insights into the nature of the urban experience."--BOOK JACKET.