Theatre In Your Life

THEATRE IN YOUR LIFE makes theatre appreciation personal, meaningful, and memorable for students by exploring the many ways theatre plays an important role in everyday life. From movies, concerts, and videogames, to weddings, graduations, and job interviews, aspects of production and performance strongly influence popular culture and shape many of our daily experiences. THEATRE IN YOUR LIFE vividly illuminates these connections while providing a thorough introduction to the history, elements, and global diversity of theatre. Written in an enjoyable, conversational style, this innovative new text enhances students' understanding and appreciation of theatre by inviting them to recognize and reflect on its impact on their lives. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

Making theatre appreciation personal, meaningful, and memorable, THEATRE IN YOUR LIFE explores the many ways theatre and film play an important role in everyday life. From movies, concerts, and videogames to weddings, graduations, and job interviews, aspects of production and performance strongly influence popular culture and shape many of our daily experiences. THEATRE IN YOUR LIFE vividly illuminates these connections while providing a thorough introduction to the history, elements, and global diversity of theatre. Written in an enjoyable, conversational style, this text enhances students’ understanding and appreciation of theatre by inviting them to recognize and reflect on its impact on their lives. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

THEATRE IN YOUR LIFE makes theatre appreciation personal, meaningful, and memorable by exploring the many ways theatre plays an important role in everyday life. From movies, concerts, and videogames, to weddings, graduations, and job interviews, aspects of production and performance strongly influence popular culture and shape many of our daily experiences. THEATRE IN YOUR LIFE vividly illuminates these connections while providing a thorough introduction to the history, elements, and global diversity of theatre. Written in an enjoyable, conversational style, this innovative text will deepen your understanding and appreciation of theatre as you recognize and reflect on its impact on your life. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

Alan Read asserts that there is no split between the practice and theory of theatre, but a divide between the written and the unwritten. In this revealing book, he sets out to retrieve the theatre of spontaneity and tactics, which grows out of the experience of everyday life. It is a theatre which defines itself in terms of people and places rather than the idealised empty space of avant garde performance. Read examines the relationship between an ethics of performance, a politics of place and a poetics of the urban environment. His book is a persuasive demand for a critical theory of theatre which is as mentally supple as theatre is physically versatile.

In a series of scenes we see two actors - a seasoned pofessional and a novice - backstage and onstage going through a cycle of roles and an entire wardrobe of costumes.

How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)

(Limelight). "He did what he wanted to do: with his wife Judith Malina he created the Living Theatre . . . Not an ivory tower, however: a headquarters of revolution, a guerrilla theater, though a pacifist one . . . He didn't get the kind of death he wanted . . . but . . . he had had the life he wanted . . . When such a life has been lived, who dares say theater is just a business? Who dares say it is just an art?" Eric Bentley

2013 Reprint of 1927 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. Evreinov argued that the role of theatre was to ape and mimic nature. In his estimation, theatre is everything around us. He pointed out that nature is full of theatrical conventions: desert flowers mimicking the stones; mouse feigning death in order to escape a cat's claws; complicated dances of birds, etc. He viewed theatre as a universal symbol of existence. Evreinov promoted an underlying aesthetic: "To make a theatre of life is the duty of every artist. ... the stage must not borrow so much from life as life borrows from the stage." The director sought to reinvigorate the theatre (and through it life itself) through the rediscovery of the origin of theatre in play. He was influenced by the philosophies of Schopenhauer, Nietzsche and Bergson, and, like Meyerhold, the aesthetics of symbolism and the commedia dell'arte (particularly in its use of mask and spontaneity). Evreinov developed his theatrical theories in An Introduction to Monodrama (1909), The Theatre as Such (1912), The Theatre for Oneself, and Pro Scena Sua (1915).