Theological Perspectives On God And Beauty

Eminent theologians John Milbank, Graham Ward, and Edith Wyschogrod discuss aesthetics, placing radical orthodoxy in dialogue with postmodern theology.

Editors Mark Husbands, Roger Lundin and Daniel J. Treier present ten essays that explore a Christian approach to beauty and the arts. The visual arts, music and literature are considered as well as the theological meaning and place of the arts in a fallen world redeemed by Christ.

Over the centuries, theological studies have grappled with the comprehension of Truth and Goodness. However, theology, unlike philosophy, has neglected serious scrutiny of the study of Beauty or Aesthetics. Jo Ann Davidson's Toward a Theology of Beauty investigates this omission. Why should aesthetic dimensions be ignored in theology's quest for ultimate truth? Davidson convincingly states that these would contribute to the ongoing search for a more comprehensive perception of the divine. This book contends that theology is incomplete and impoverished without fundamental deliberations within aesthetic values. A survey of the literature up to the present currently reveals that theological studies, by and large, do not yet realize the extent to which it might be enriched by the biblical aesthetic. God's own nature, His Word in both Testaments including narratives, poetry, literary structures, and vocabulary are all embedded in aesthetic expressions. A systematic study of the biblical aesthetic is one that calls for attention and this book offers a solid and thought-provoking beginning.

Rarely do theologians take up the theme of God's beauty--even more rarely do they consider how God's beauty should shape the task of theology itself. But the psalmist says that the heart of the believer's desire is to behold the beauty of the Lord. In The Beauty of the Lord Jonathan King restores aesthetics as not merely a valid lens for theological reflection, but an essential one. Jesus, our incarnate Redeemer, displays the Triune God's beauty in his actions and person, from creation to final consummation. How can and should theology better reflect this unveiled beauty? The Beauty of the Lord is a renewal of a truly aesthetic theology and a properly theological aesthetics. --

"Every good giving and every perfect gift is from on high, coming down from the Father of lights, with whom there is no variation or shadow of turning" (James 1:17). This verse conveys a powerful image of God as the source and referent of all beauty. This book demonstrates how the experience of beauty is related to our inherent longing for the God who is reflected in such moments. Richly informed by Junius Johnson's expertise on Bonaventure and von Balthasar, the book offers a robust, full-orbed theology of beauty, showing how it has functioned as a theological concept from biblical times to the present day.

In recent centuries, with the notable exception of Hans Urs von Balthasar, Christian theology has failed to find a proper place for beauty. The Bishop of Oxford, Richard Harries, shows how a biblical faith can give a key place to beauty, and he argues for a distinctively Christian approach to art that is also sensitive to the spiritual dimension in all art. Originally published in 1993, Art and the Beauty of God was selected by Anthony Burgess as his book of the year. This reprinted edition makes Harries eloquent study available again.

Beauty engages fourth-century bishop Gregory of Nyssa to address beauty's place in theology and the broader world. With the recent resurgence of attention to beauty among theologians, questions still remain about what exactly beauty is, how it is perceived, and whether we should celebrate its return. If beauty fell out of favor because it was seen to distract from the weightier concerns of poverty and suffering--because it can even be a tool of oppression--why should we laud it now? Gregory's writings offer surprisingly rich and relevant reflections that can move contemporary conversations beyond current impasses and critiques of beauty. Drawing Gregory into conversation with such disparate voices as novelist J. M. Coetzee and art theorist Kaja Silverman, Beauty displays the importance of beauty to theology and theology to beauty in a discussion that bridges ancient and modern, practical and theoretical, secular and religious.

This book explores the role of aesthetic experience in our perception and understanding of the holy. Richard Viladesau's goal is to articulate a theology of revelation, examined in relation to three principal dimensions of the aesthetic realm: feeling and imagination; beauty (or taste); and the arts. After briefly considering ways in which theology itself can be imaginative or beautiful, Viladesau concentrates on the theological significance of aesthetic data provided by each of the three major spheres of aesthetic perception and response. Throughout the work, the underlying question is how each of these spheres serves as a source (however ambiguous) of revelation. Although he frames much of his argument in terms of Catholic theology--from the Church Fathers to Karl Rahner, Hans urs von Balthasar, Bernard Lonergan, and David Tracy--Viladesau also makes extensive use of ideas from the Protestant theologian of the arts Gerardus van der Leeuw, and draws insights from such diverse thinkers as Hans Goerg Gadamer, Wolfhart Pannenberg, and Iris Murdoch. His analysis is enlivened by the artistic examples he selects: the music of Mozart as contemplated by Karl Barth, Schoenbergs opera Moses und Aron, the sculptures of Chartres Cathedral, poems by Rilke and Michelangelo, and many others. What emerges from this study is what Viladeseau terms a transcendental theology of aesthetics. In Thomistic terms, he finds that beauty is not only a perfection but a transcendental. That is, any instance of beauty, rightly perceived and rightly understood, can be seen to imply divinely beautiful things as well. In other words, Viladesau argues, God is the absolute and necessary condition for the possibility of beauty.