There S A Riot Going On

“Doggett’s encyclopaedic account of Sixties counter-culture is a fascinating history of pop’s relationship with politics.” —The Independent Between 1965 and 1972, political activists around the globe prepared to mount a revolution. While the Vietnam War raged, calls for black power grew louder and liberation movements erupted everywhere from Berkeley, Detroit, and Newark to Paris, Berlin, Ghana, and Peking. Rock and soul music fueled the revolutionary movement with anthems and iconic imagery. Soon the musicians themselves, from John Lennon and Bob Dylan to James Brown and Fela Kuti, were being dragged into the fray. From Mick Jagger’s legendary appearance in Grosvenor Square standing on the sidelines and snapping pictures, to the infamous incident during the Woodstock Festival when Pete Townshend kicked yippie Abbie Hoffman off the stage while he tried to make a speech about an imprisoned comrade, Peter Doggett unravels the truth about how these were not the “Street Fighting Men” they liked to see themselves as and how the increasing corporatization of the music industry played an integral role in derailing the cultural dream. There’s a Riot Going On is a fresh, definitive, and exceedingly well-researched behind-the-scenes account of this uniquely turbulent period when pop culture and politics shared the world stage with mixed results. “A fresh and near-definitive slant on a subject you might have thought had been picked clean by journalists and historians.” —Time Out London “An extraordinary book . . . Doggett emerges triumphant. Grab a copy—by any means necessary.” —Mojo

The story behind the making of the album that signaled the descent of Sylvester Sly Stone Stewart into a haze of drug addiction and delirium is captivating enough for the cinema. In the spacious attic of a Beverly Hills mansion belonging to John and Michelle Phillips (of the Mamas and the Papas) during the fall of 1970, Sly Stone began recording his follow-up to 1969's "Stand!" the most popular album of his band's career.

Sly Stone began recording There's a Riot Goin' On in late 1970 as a follow-up to the commercially successful Stand!. In this brisk, inventive book, Miles Marshall Lewis chronicles Sly's descent into a haze of drug addiction and delirium as he rejects the successful formula - "'Dance to the Medley,' dance to the shmedly" - and creates one of the most powerful and haunting albums to inspire the hiphop movement. Book jacket.

The story behind the making of the album that signaled the descent of Sylvester Sly Stone Stewart into a haze of drug addiction and delirium is captivating enough for the cinema. In the spacious attic of a Beverly Hills mansion belonging to John and Michelle Phillips (of the Mamas and the Papas) during the fall of 1970, Sly Stone began recording his follow-up to 1969's "Stand!" the most popular album of his band's career.

Between 1965 and 1972, political activists around the globe prepared to mount a revolution, from the Black Panthers to the Gay Liberation Front, from the Yippies to the IRA. Rock and soul music supplied the revolutionary tide with anthems and iconic imagery; and renowned musicians such as John Lennon, Mick Jagger and Bob Dylan were particularly influential in the movement. This is the definitive account of this unique period in modern history; a compelling portrait of an era when revolutionaries turned into rock stars, and rock stars dressed up as revolutionaries.

Explores the intersection between political activism and rock music that marked the late 1960s and early 1970s, discussing how music fueled the revolutionary movement and examining the involvement of prominent musicians.

Author Jeff Kaliss scored the first face-to-face interview with the reclusive superstar in over 20 years, making this book a must-read for any rock'n'roll fan. From the anthemic early hits that powered Woodstock, through the moody meditations of "There's a Riot Going On" and beyond, Sly and the Family Stone have left an indelible stamp on rock, funk, pop, and hip-hop.

In this gritty anthology, fourteen mystery stories show the seedier side of the Wisconsin city beyond beer, butter burgers, and Laverne & Shirley. Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all-new stories, each one set in a distinct neighborhood or location within the respect city. Now, fourteen authors who’ve experienced life in the Cream City share its mysteries in Milwaukee Noir. With stories from: Jane Hamilton, Reed Farrel Coleman, Valerie Laken, Matthew J. Prigge, Shauna Singh Baldwin, Vida Cross, Larry Watson, Frank Wheeler Jr., Derrick Harriell, Christi Clancy, James E. Causey, Mary Thorson, Nick Petrie, and Jennifer Morales. Praise for Milwaukee Noir “Luxuriate in the seedy, wallow in the angry and shiver at the horrors that surely await you around the corner . . . The sheer localness of Milwaukee Noir is superb, and the seediness of many characters here would qualify them for membership in a Tom Waits song.” —Milwaukee Journal Sentinel “A very strong collection of short fiction. . . . A richly textured collection that is, by turns, gripping, thought provoking, and simply entertaining.” —Booklist “The violent, dark stories in this anthology fit the bill perfectly with the intention, as editor Hennessy writes, to be social commentary . . . . Tales by Jane Hamilton and Christi Clancy stand out, evidence that ordinary people can get swept up in hatred, even if they did not start out living with violence, drunkenness, or poverty.” —Library Journal “Milwaukee bookseller and writer Hennessy does justice to the harsher aspects of his hometown in this fine anthology . . . The 14 contributors show that violence is not a prerequisite to crafting a haunting depiction of despair . . . The selections make the different neighborhoods, seedy or otherwise, come to life, even for those who have never set foot in them.” —Publishers Weekly “Fourteen free-wheeling stories document the grit and glory of Milwaukee . . . A nod to Milwaukee’s blue-collar heritage, a frank look at racial disharmony, and a peek at the future make Hennessy’s collection a find for fans of urban noir.” —Kirkus Reviews