There S Just One Problem

Former WWE head writer Brian Gewirtz brings readers behind the scenes for an unprecedented look at the chaotic, surreal, unbelievable backstage world of the WWE. With untold stories from a career spanning over 15 years and featuring the biggest names and controversial moments in wrestling history, THERE'S JUST ONE PROBLEM is an honest, unflinching look on how an introverted life-long fan unexpectedly became one the most powerful men in all of professional wrestling. For decades wrestling was shrouded in secrecy. It had larger than life personalities, bone crunching physicality and jaw-dropping theatrics but backstage it was an industry devoid of outsiders. Then in 1999, after working together on a special for MTV, Dwayne “The Rock” Johnson turned to 26-year old television writer Brian Gewirtz and asked “You ever consider writing for WWE?” That question, and its answer, would have a profound effect on both of their lives for years to come. THERE'S JUST ONE PROBLEM is a story about perseverance, tenacity, and steel chairs. Most writers in the WWE last for a matter of months; Gewirtz was there for over 15 years, writing some of most memorable and infamous storylines in WWE history (covering the “Attitude Era”, the “Ruthless Aggression Era” and into the “PG” and “Reality” eras). Throughout this journey Gewirtz found himself becoming both friend and antagonist to some of the biggest names in WWE history – Stone Cold Steve Austin, John Cena, Stephanie McMahon, Bill Goldberg, Paul Heyman, Chris Jericho, Shawn Michaels, and the two men who he worked the most closely with WWE Chairman Vince McMahon and Dwayne “The Rock” Johnson. These men not only shaped his life professionally but also personally, forcing him to grow and change both as a writer and a human being. So how does a lifelong fan and outsider break through to become the ultimate insider? How does a low-key personality deal directly with his boss, the most brash, unpredictable “alpha male” on the planet, WWE Chairman Vince McMahon? How does one gain respect in a locker room that wants nothing more than to see him disappear? Where does one go when every year in wrestling takes you further away from the writing career you always wanted? Taking advice from his idol, the late “Rowdy” Roddy Piper, when you’re so full of fear, there’s only one way to push through: become fearless.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 The writer was taken to Wrestlers Court, a tradition among the wrestlers to police themselves when someone broke an unwritten backstage rule. The charges were completely baseless, but the writer was accused of accepting gifts from the popular tag team of Edge and Christian in exchange for television airtime. #2 The idea that wrestlers and writers can’t be friends is based on the fact that the relationship is not based on friendship but rather what can they do for each other’s careers. When I started with the company in 1999, Edge and Christian were the classic great matches, no personality tag team guys. #3 I was writing Edge and Christian onto TV, and while the charges were completely baseless, there was at least some truth to why Bob was angry. Back at the arena, I made my case to Vince to avoid the trial altogether. #4 I was told that the trial would be a tribunal, not a court. It was over a hundred people, all staring at me as I walked in holding my single box of pizza and six-pack of beer. The prosecutor was John Bradshaw Layfield, one of the toughest guys in the locker room. The judge was the Undertaker.

A hilarious, snarky, and utterly addicting #ownvoices debut that explores friendship, sexual orientation, mental health, and falling in love (even if things might be falling apart around you). When a guy named Martin Nathaniel Munroe II texts you, it should be obvious who you're talking to. Except there's two of them (it's a long story), and Haley thinks she's talking to the one she doesn't hate.A question about a class project rapidly evolves into an all-consuming conversation. Haley finds that Martin is actually willing to listen to her weird facts and unusual obsessions, and Martin feels like Haley is the first person to really see who he is. Haley and Martin might be too awkward to hang out in real life, but over text, they're becoming addicted to each other.There's just one problem: Haley doesn't know who Martin is. And Martin doesn't know that Haley doesn't know. But they better figure it out fast before their meet-cute becomes an epic meet-disaster . . .

From legendary wrestling announcer Jim Ross, this candid, colorful memoir about the inner workings of the WWE and the personal crises he weathered at the height of his career is “a must-read for wrestling fans” (Charleston Post Courier). If you’ve caught a televised wrestling match anytime in the past thirty years, you’ve probably heard Jim Ross’s throaty Oklahoma twang. The beloved longtime announcer of the WWE “has been a driving force behind a generation of wrestling fans” (Mark Cuban), and he’s not slowing down, having signed on as the announcer of the starry new wrestling venture All Elite Wrestling. In this follow-up to his bestselling memoir Slobberknocker, he dishes out about not only his long career, which includes nurturing global stars like Stone Cold Steve Austin, The Rock, and John Cena, but also about his challenges of aging and disability, his split from collaborator Vince McMahon, and the sudden death of his beloved wife, Jan. The result is a gruff, endearing, and remarkably human-scale portrait, set against the larger than life backdrop of professional wrestling. Ross’s ascent in WWE mirrors the rise of professional wrestling itself from a DIY sideshow to a billion-dollar business. Under the Black Hat traces all the highs and lows of that wild ride, in which Jim served not only as on-air commentator, but talent manager, payroll master, and even occasional in-ring foil to threats like Paul “Triple H” Levesque and Undertaker. While his role brought him riches and exposure he had never dreamed of, he chafed against the strictures of a fickle corporate culture and what he saw as a narrow vision of what makes great wrestlers—and great story lines. When suddenly stricken with Bell’s palsy, a form of facial paralysis that makes it impossible to smile, he started down his greatest fear—being cast out of the announcing booth for good. Picking up where Slobberknocker left off and ending on the cusp of a new career in a reimagined industry, Under the Black Hat is the triumphant tale of a country boy who made it to the top, took a few knocks, and stuck around—just where his fans like him. Not only being one of the greatest wrestlers of the WWE, Ross is also “a master storyteller, and this book is the perfect forum for his forty years’ worth of tales” (Chris Jericho, former WWE champion).

Highlights the triumphs and tragedies Jimmy Korderas experienced over his career as a WWE referee, sharing the experiences of being in the ring during Owen Hart's accident and about the effects of the Chris Benoit tragedy.

Keith Elliot Greenberg chronicles the growth of indie wrestling from bingo halls to a viable alternative to the WWE and speaks to those involved in the Alternative Wrestling League with remarkable candor, gaining behind-the-scenes knowledge of this growing enterprise. As COVID-19 utterly changed the world as we know it, only one sport was able to pivot and offer consistent, new, live programming on a weekly basis: professional wrestling. In 2017, after being told that no independent wrestling group could draw a crowd of more than 10,000, a group of wrestlers took up the challenge. For several years, these gladiators had been performing in front of rabid crowds and understood the hunger for wrestling that was different from the TV-slick product. In September 2018, they had the numbers to prove it: 11,263 fans filled the Sears Center Arena for the All In pay-per-view event, ushering in a new era. A year later, WWE had its first major head-to-head competitor in nearly two decades when All Elite Wrestling debuted on TNT. Acclaimed wrestling historian Keith Elliot Greenberg’s Too Sweet takes readers back to the beginning, when a half century ago outlaw promotions challenged the established leagues, and guides us into the current era. He paints a vivid picture of promotions as diverse as New Japan, Ring of Honor, Revolution Pro, Progress, and Chikara, and the colorful figures who starred in each. This is both a dynamic snapshot and the ultimate history of a transformational time in professional wrestling.

Go on the road with your favorite WWE Superstars! Your favorite WWE Superstars have more road trip stories to tell than they have frequent flier miles. Travel more than a million miles with The Big Show, Triple H, Lita, Stone Cold, and the rest of the WWE roster. Read all about their crazy and hilarious misadventures—Big Show being too large to fit into the shower, Triple H’s hilarious run-in with over-enthusiastic fans, and many more. Also telling their stories are John Cena, Mark Henry, Teddy Long, Shannon Moore, Matt Hardy, The Hurricane, Dr. Tom Prichard, Molly Holly, Dave Hebner, Rico, Brooklyn Brawler, Kane, Jim “J.R.” Ross, Ivory, Victoria, Goldberg, Tommy Dreamer, Al Snow, Steve Richards, Ric Flair, A-Train, Dean Malenko, Sgt. Slaughter, Chris Jericho, Edge, Chavo Guerrero, Coach, Rey Mysterio, D-Von Dudley, and Jackie Gayda.

An enthralling coming-of-age debut novel about a young woman in late 19th-century Venice who becomes a man to join the male-dominated world of the theater as a puppeteer—in the vein of Sarah Waters. Ever since her grandfather introduced her to eight-string marionettes, Francesca has dreamed of performing from the rafters of Venice’s popular Minerva Theater. There’s just one problem: the profession is only open to men. When her father arranges to sell her into marriage to pay off his gambling debts, Francesca flees her home. Masquerading as a male orphan named Franco, she secures an apprenticeship with the Minerva’s eccentric ensemble of puppeteers. Amid the elaborate set-pieces, the glittering limes, and the wooden marionettes, she finds a place where she belongs—and grows into the person she was always meant to be: Franco. The past threatens to catch up with Franco when his childhood friend Annella reappears and recognizes him at the theater. Now a paid companion to an influential woman, Annella understands the lengths one must go to survive, and she promises to keep Franco’s secret. Desire sparks between them, and they find themselves playing a dangerous game against the most powerful figures of Venice’s underworld. With their lives—and the fate of the Minerva—hanging in the balance, Franco must discover who is pulling the strings before it’s too late. Rich in historic detail and imbued with sharp social commentary, Eight Strings is a gorgeous, spellbinding debut that celebrates love, life, and art in all its forms.