These Lifeless Things

Eva is a survivor. They invaded without warning and killed nearly all of humanity, and all she can do to stay sane is keep a journal about her struggle. Fifty years later, her words are found by Emerson, a young anthropologist sent to the ruins to study what happened, unlocking a story of hope and defiance.

Here is the poem Ozymandias by Percy Bysshe Shelley like you've never seen it before. With strange illustrations that breathe a new life into the poem, this book is something different for you to add to your bookshelf.

A Read With Jenna Today Show Book Club Pick! Three best friends navigate love, sex, faith—and the one night that changes it all—in this novel that reveals “searing and poignant truths about the female experience” (Ashley Audrain, NYT bestselling author of The Push) Whatever happened to the way we were? It’s always been Malak, Kees, and Jenna against the world. Since childhood, under the watchful eyes of their family and community, these three best friends have had to navigate love, sex, faith, and womanhood alongside the expectations of being good Muslim women. But they’ve always done it together. Malak wants the dream: for her partner, community, and faith to coexist happily, and she’ll even break her own heart to get it. Kees is in love with Harry, a white Catholic man who her parents can never know about. Jenna is always the life of the party, even though she’s plagued by an unshakable loneliness. But when their college years come to a close, one night changes everything. As their lives take different paths, in the wake of heartbreaks, marriages, new careers and new beginnings, Malak, Kees, and Jenna need each other more than ever. Can they forgive and find a way back to each other in time? These Impossible Things is a moving paean to youth and female friendship—and to all the joy and messiness love holds.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

A profound meditation on race, inheritance, and queer mothering at the end of the world. In a letter to her six-year-old daughter, Julietta Singh ventures toward a tender vision of the future, lifting up children’s radical embrace of possibility as a model for how we might live. If we wish to survive looming political and ecological disasters, Singh urges, we must break from the conventions we have inherited and orient ourselves toward revolutionary paths that might yet set us free. "The Breaks is amazing—I read the whole thing through in one sitting. It’s got the heft and staying power of Baldwin’s 'A Letter to My Nephew.'" —Lauren Berlant, author of Cruel Optimism “If a book can be a hole cut in the side of an existence in order to escape it, or to find a way through what is otherwise impassable, then this is that kind of book … How will we live in the new space that we keep making, through refusal but also adjustment, the necessary accommodations to the ‘nowhere and nothing’ that this space also is? The Breaks leads us through such moments, questions, and scenes, with tenderness. And deep care.” —Bhanu Kapil, author of How to Wash a Heart “This is a lens-shifting book, an immeasurable gift. With poignant, aching, beautiful, and deeply loving prose, Singh brings Brown girls into the sun, and makes you want to change the ways of the world for our young people and for us all.” —Imani Perry, author of Breathe: A Letter to My Sons “Julietta Singh is exactly the kind of company I want for the ride, to bear witness to the pains and pleasures of our being here, in these bodies, in these times.” —Maggie Nelson, author of The Argonauts, on No Archive Will Restore You

This book deals with the study of style in language, how styles can be recognized, and their features. It examines how style is used in literary and non-literary texts, and how familiarity with style is a matter of socialization. The author also discusses the relationship between text and discourse, the production and reception of meaning as a dynamic contextualized interaction, the question of perspective and the variable representation of reality, and how stylistics can complement literary criticism. The final chapter deals with social reading and ideological positioning, including some thoughts on feminist stylistics and critical discourse analysis.