They Said It Would Be Fun

NATIONAL BESTSELLER Winner of the Rakuten Kobo Emerging Writer Prize for Nonfiction Nominated for the Evergreen Award A powerful, moving memoir about what it's like to be a student of colour on a predominantly white campus. A booksmart kid from Toronto, Eternity Martis was excited to move away to Western University for her undergraduate degree. But as one of the few Black students there, she soon discovered that the campus experiences she'd seen in movies were far more complex in reality. Over the next four years, Eternity learned more about what someone like her brought out in other people than she did about herself. She was confronted by white students in blackface at parties, dealt with being the only person of colour in class and was tokenized by her romantic partners. She heard racial slurs in bars, on the street, and during lectures. And she gathered labels she never asked for: Abuse survivor. Token. Bad feminist. But, by graduation, she found an unshakeable sense of self--and a support network of other women of colour. Using her award-winning reporting skills, Eternity connects her own experience to the systemic issues plaguing students today. It's a memoir of pain, but also resilience.

In the vein of the astonishing and eye-opening bestsellers I'll Be Gone in the Dark and The Line Becomes a River, this stunning work of investigative journalism follows a series of unsolved disappearances and murders of Indigenous women in rural British Columbia.

What doesn't kill you makes you stronger?.or so they say. Unless you are old and out of shape while attempting to take up hiking. Ken takes you on humorous adventures in the NH White Mountains as he tackles the NH 48 4,000 footers. Young or old, experienced hiker or beginner, you will get lots of laughs learning the finer lessons of hiking. Profits from book sales will go to New Hampshire Search and Rescue.

FINALIST FOR THE GOVERNOR GENERAL'S AWARD FOR NON-FICTION Interrogating our ideas of race through the lens of her own multi-racial identity, critically acclaimed novelist Tessa McWatt turns her eye on herself, her body and this world in a powerful new work of non-fiction. Tessa McWatt has been called Susie Wong, Pocahontas and "black bitch," and has been judged not black enough by people who assume she straightens her hair. Now, through a close examination of her own body--nose, lips, hair, skin, eyes, ass, bones and blood--which holds up a mirror to the way culture reads all bodies, she asks why we persist in thinking in terms of race today when racism is killing us. Her grandmother's family fled southern China for British Guiana after her great uncle was shot in his own dentist's chair during the First Sino-Japanese War. McWatt is made of this woman and more: those who arrived in British Guiana from India as indentured labour and those who were brought from Africa as cargo to work on the sugar plantations; colonists and those whom colonialism displaced. How do you tick a box on a census form or job application when your ancestry is Scottish, English, French, Portuguese, Indian, Amerindian, African and Chinese? How do you finally answer a question first posed to you in grade school: "What are you?" And where do you find a sense of belonging in a supposedly "post-racial" world where shadism, fear of blackness, identity politics and call-out culture vie with each other noisily, relentlessly and still lethally? Shame on Me is a personal and powerful exploration of history and identity, colour and desire from a writer who, having been plagued with confusion about her race all her life, has at last found kinship and solidarity in story.

These widely acclaimed essays from the author of Infinite Jest -- on television, tennis, cruise ships, and more -- established David Foster Wallace as one of the preeminent essayists of his generation. In this exuberantly praised book -- a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner -- David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction, including the bestselling Infinite Jest.

"I'm not just fog over here you know." "I would disappoint you like you've never been disappointed before." Unimaginable, action packed. How could two old farts have such extraordinary experiences on a trip across country, just to visit an old friend. Was it worth it? Would they ever try it again? Will they end up in jail? And what about this letter? Glen is considered a great kitchen table philosopher by many a friend and one hell of a good story teller. These same people inspired him to write this as well as another story called The Wing. Both stories are inspired by real people and true events.

The Moth Catcher is the seventh book in Ann Cleeves’s Vera Stanhope series – which is now a major ITV detective drama starring Brenda Blethyn as Vera. As though to a flame, they were drawn to their deaths . . . Life seems perfect in Valley Farm, a quiet community in Northumberland. Then a shocking discovery shatters the silence. The owners of a big country house have employed a house-sitter, a young ecologist named Patrick, to look after the place while they’re away. But Patrick is found dead by the side of the lane into the valley – a beautiful, lonely place to die. DI Vera Stanhope arrives on the scene and when searching the attic of the big house – where Patrick had a flat – she finds the body of a second man. The only thing connecting the two victims is a fascination with studying moths – and catching these beautiful, rare creatures. Those who live in the close-knit Valley Farm development have secrets too, and as Vera is drawn into the claustrophobic world of this increasingly strange community, she realizes that there may be deadly secrets trapped there . . . Enjoy more of Vera Stanhope’s investigations with The Seagull and The Darkest Evening.