Things I Ve Been Silent About

"Absorbing . . . a testament to the ways in which narrative truth-telling—from the greatest works of literature to the most intimate family stories—sustains and strengthens us.”—O: The Oprah Magazine In this stunning personal story of growing up in Iran, Azar Nafisi shares her memories of living in thrall to a powerful and complex mother against the backdrop of a country’s political revolution. A girl’s pain over family secrets, a young woman’s discovery of the power of sensuality in literature, the price a family pays for freedom in a country beset by upheaval—these and other threads are woven together in this beautiful memoir as a gifted storyteller once again transforms the way we see the world and “reminds us of why we read in the first place” (Newsday). BONUS: This edition contains a Things I've Been Silent About discussion guide. Praise for Things I've Been Silent About “Deeply felt . . . an affecting account of a family’s struggle.”—New York Times “A gifted storyteller with a mastery of Western literature, Nafisi knows how to use language both to settle scores and to seduce.”—New York Times Book Review “An immensely rewarding and beautifully written act of courage, by turns amusing, tender and obsessively dogged.”—Kirkus Reviews (starred review) “A lyrical, often wrenching memoir.”—People

#1 NEW YORK TIMES BESTSELLER • We all have dreams—things we fantasize about doing and generally never get around to. This is the story of Azar Nafisi’s dream and of the nightmare that made it come true. For two years before she left Iran in 1997, Nafisi gathered seven young women at her house every Thursday morning to read and discuss forbidden works of Western literature. They were all former students whom she had taught at university. Some came from conservative and religious families, others were progressive and secular; several had spent time in jail. They were shy and uncomfortable at first, unaccustomed to being asked to speak their minds, but soon they began to open up and to speak more freely, not only about the novels they were reading but also about themselves, their dreams and disappointments. Their stories intertwined with those they were reading—Pride and Prejudice, Washington Square, Daisy Miller and Lolita—their Lolita, as they imagined her in Tehran. Nafisi’s account flashes back to the early days of the revolution, when she first started teaching at the University of Tehran amid the swirl of protests and demonstrations. In those frenetic days, the students took control of the university, expelled faculty members and purged the curriculum. When a radical Islamist in Nafisi’s class questioned her decision to teach The Great Gatsby, which he saw as an immoral work that preached falsehoods of “the Great Satan,” she decided to let him put Gatsby on trial and stood as the sole witness for the defense. Azar Nafisi’s luminous tale offers a fascinating portrait of the Iran-Iraq war viewed from Tehran and gives us a rare glimpse, from the inside, of women’s lives in revolutionary Iran. It is a work of great passion and poetic beauty, written with a startlingly original voice. Praise for Reading Lolita in Tehran “Anyone who has ever belonged to a book group must read this book. Azar Nafisi takes us into the vivid lives of eight women who must meet in secret to explore the forbidden fiction of the West. It is at once a celebration of the power of the novel and a cry of outrage at the reality in which these women are trapped. The ayatollahs don’ t know it, but Nafisi is one of the heroes of the Islamic Republic.”—Geraldine Brooks, author of Nine Parts of Desire

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

**THE INSTANT #1 NEW YORK TIMES BESTSELLER** "An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....

Fourteen “thoughtful and impassioned” autobiographical essays exploring race, sex, gender, belonging, and alienation by an award-winning author (Kirkus Reviews). In a deeply moving, critical and lyrical collection of interconnected essays, award-winning writer Kei Miller explores the silences in which so many important things are kept. Miller examines the experience of discrimination through this silence and what it means to breach it —”to risk words, to risk truth; and through the body and the histories those bodies inherit” the crimes that haunt them, and how the meanings of our bodies can shift as we move through the world, variously assuming privilege or victimhood. Through letters to James Baldwin, encounters with Soca, Carnival, family secrets, love affairs, questions of aesthetics and more, Miller powerfully and imaginatively recounts everyday acts of racism and prejudice from a black, male, queer perspective. An almost disarmingly personal collection, Kei dissects his experiences in Jamaica and Britain, working as an artist and intellectual, making friends and lovers, discovering the possibilities of music and dance, literary criticism, culture, and storytelling. With both the epigrammatic concision and conversational cadence of his poetry and novels, Things I Have Withheld is a great artistic achievement: a work of innovation and beauty which challenges us to interrogate what seems unsayable and why, “our actions, defense mechanisms, imaginations and interactions” and those of the world around us. Praise for Things I Have Withheld Shortlisted for the Baillie Gifford Prize for Nonfiction BOMB Magazine’s Editor’s Choice Best Book of 2021 at Slate and Buzzfeed Times (UK), 16 best philosophy and ideas books 2021 “Miller gives a searing voice to ‘the things’ I have been trying so hard to write” in this entrancing collection. . . . Sharp as blades, Miller’s words cut to the core.” —Publishers Weekly (starred review) “There’s no didacticism or sermons here, merely curiosity and sometimes anger and a deep commitment to speaking the uncomfortable truths we’d rather not hear. A bold and daring collection.” —Buzzfeed “This incisive collection of short essays serves as a tabernacle for stories untold, secrets, and reflections on race and sexuality. . . . Immediately arresting and consistently poignant, Miller’s essays engage with the urgency of gripping fiction and the authenticity of stunning poetry. An important voice of the Caribbean, who should be read together with the likes of Safiya Sinclair, Oonya Kempadoo, and Colin Channer.” —Booklist

Damaged. Broken. Destroyed. I’ve heard it all. A single moment of trusting the wrong person shattered my life into pieces, and my family has never looked at me the same. It’s impossible to convince them that I’m anything more than the broken girl they rescued all those years ago. Until I meet him. Ramsey’s grumpy demeanor and menacing scowl scare most of the world away. But not me. Not when I’ve seen his gentle hands soothe an abused colt or comfort a terrified mare. And when I finally get up the courage to strike out on my own, Ramsey’s there. Roommates felt like such a safe proposition until Ramsey’s lingering touches and wicked smile light a fire in me I don’t think will ever be extinguished. And he feels it, too… But just as my new life begins to take root, an evil from my past emerges from the shadows, casting a darkness on my newfound freedom. And this time, they won’t settle for pieces of me. They want everything…

“Fascinating . . . A tragic saga, but at the same time it often reads like a thriller filled with acts of extraordinary courage, descriptions of dangerous journeys and a series of secret identities.”—Chicago Tribune “To this day, I don't even know what my mother's real name is.” Helen Fremont was raised as a Roman Catholic. It wasn't until she was an adult, practicing law in Boston, that she discovered her parents were Jewish—Holocaust survivors living invented lives. Not even their names were their own. In this powerful memoir, Helen Fremont delves into the secrets that held her family in a bond of silence for more than four decades, recounting with heartbreaking clarity a remarkable tale of survival, as vivid as fiction but with the resonance of truth. Driven to uncover their roots, Fremont and her sister pieced together an astonishing story: of Siberian Gulags and Italian royalty, of concentration camps and buried lives. After Long Silence is about the devastating price of hiding the truth; about families; about the steps we take, foolish or wise, to protect ourselves and our loved ones. No one who reads this book can be unmoved, or fail to understand the seductive, damaging power of secrets. Praise for After Long Silence “Poignant . . . affecting . . . part detective story, part literary memoir, part imagined past.”—The New York Times Book Review “Riveting . . . painfully authentic . . . a poignant memoir, a labor of love for the parents she never really knew.”—The Boston Globe “Mesmerizing . . . Fremont has accomplished something that seems close to impossible. She has made a fresh and worthy contribution to the vast literature of the Holocaust.”—The Washington Post Book World

A GOOD MORNING AMERICA BOOK CLUB PICK • A BOOK OF THE MONTH CLUB PICK • A LIBRARYREADS PICK “If you are someone who gravitates toward emotional gut punch reads, allow me to introduce you to this spectacular debut…”—BuzzFeed Here are three things you should know about my husband: He was the great love of my life despite his penchant for going incommunicado. He was, as far as I and everyone else could tell, perfectly happy. Which is significant because… On New Year’s Eve, he died. And here is one thing you should know about me: I found him. Bonus fact: No. I am not okay. Someday, Maybe is a stunning, witty debut novel about a young woman’s emotional journey through unimaginable loss, pulled along by her tight-knit Nigerian family, a posse of friends, and the love and laughter she shared with her husband. “Incisive and witty. I couldn’t put it down.”—Lolá Ákínmádé Åkerström, internationally bestselling author of In Every Mirror She's Black “A masterfully woven exposition on love and loss. Nwabineli is magic with words.”—Bolu Babalola, internationally bestselling author of Honey and Spice Don't miss Onyi Nwabineli's next stunning page-turner, ALLOW ME TO INTRODUCE MYSELF, where a former kidfluencer must overcome her toxic family, reclaim her identity and, ultimately, find the freedom to be herself...