Thinking Through The Death Of God

The leading exponent of the "death of God" theology of the 1960s, Thomas J. J. Altizer created a media sensation at the time and defined a major new direction in philosophical theology. Altizer has continued to refine his thought throughout his career, and his systematic theological work has achieved its prime as shown in this collaborative critical response to his thought. This book is also the first collection of its kind to appear in nearly thirty years and, thus, the first to deal with the most sophisticated period of his work. A response from Altizer is included, along with a comprehensive bibliography of his work.

Considers the legacy and future of radical theology. In 1966, an infamous Time magazine cover asked “Is God Dead?” and brought the ideas of theologians William Hamilton and Thomas J. J. Altizer to the wider public. In the years that followed, both men suffered professionally and there was no notable increase to the small number of thinkers considered death of God theologians. Meanwhile, Christian fundamentalism staged a striking comeback in the United States. Yet, death of God, or radical, theology has had an ongoing influence on contemporary theology and philosophy. Contributors to this book explore the origins, influence, and legacy of radical theology and go on to take it in new directions. In a time when fundamentalism is the greatest religious temptation, this volume makes the case for the necessity of resurrecting the death of God. “Resurrecting the Death of God shows why Altizer continues to ride the stream of contemporary conversations in academic theology and continental philosophy without ever losing his luster.” — Carl A. Raschke, author of Postmodernism and the Revolution in Religious Theory: Toward a Semiotics of the Event

The major death-of-God theologian explores the meaning and purpose of radical theology.

Combines professional insights along with the author's own experience and insights to speculate on how believers can make sense of their Christian faith when confronted with tragedy and suffering.

In this pertinent and engaging volume leading Christian philosophers, theologians, and writers from all over the denominational map explode the black-and-white binaries that characterize both sides of the New Atheism debate. They transcend the self-assured shouting matches of this latest expression of the culture wars by engaging in rigorous, polychromatic Christian reflection that considers the extent to which the atheistic critique-both new and old-might help the church move toward a more mature faith, authentic spirituality, charitable witness, and peaceable practice. With generous openness and ferocious wit, this collection of essays, interviews, memoir, poetry, and visual art-including contributions from leading intellectuals, activists, and artists such as Stanley Hauerwas, Charles Taylor, John Milbank, Stanley Fish, Luci Shaw, Paul Roorda, Merold Westphal, and D. Stephen Long-provides substantive analysis, incisive critique, and a hopeful way forward for Christian dialog with atheist voices.

This book offers a critical introduction to the work of American philosopher D. G. Leahy (1937–2014). Leahy's fundamental thinking can be characterized as an absolute creativity in which all creating is "live"—a happening occurring now that manifests a supersaturated polyontological actuality that is essentially created by the logic that characterizes it. Leahy leaves behind the categorial presuppositions of modern thought, eclipsing both Cartesian and Hegelian subjectivities and introducing instead an essentially new form of thinking founded in a nondual logic of creation. The new thinking delineates the absolute unicity of existence as a creative interactivity beyond all traditional dichotomies (such as one vs. many, unity vs. plurality, identity vs. change): a fully "digitized" actuality that is nothing but newness, which inherently implies nothing but change. Through this new form of thinking, change itself is revealed to be the very essence of reality and mind. Any reader looking for a quantum leap beyond the thrall of modern and postmodern fixations is invited to hear and apprehend this new thinking that refuses to be conditioned by paradigms, categories, species, genera, walls, bridges, boundaries, or abstractions: an essentially free thinking that embodies creative novelty itself.

Joint author, William Hamilton, is an alumnus of Evanston Township High School, class of 1940.

Drawing primarily on the work of Alain Badiou and Jean-Luc Nancy, plus Quentin Meillassoux and Slavoj Zizek, Watkin explores the theme of atheism through the ideas of the death of God and nihilism in contemporary French philosophy.