Thirteen Ways Of Looking

From the author of the award-winning novel Let the Great World Spin and TransAtlantic comes an eponymous novella and three stories that range fluidly across time, tenderly exploring the act of writing and the moment of creation when characters come alive on the page; the lifetime consequences that can come from a simple act; and the way our lives play across the world, marking language, image and each other. Thirteen Ways of Looking is framed by two author’s notes, each dealing with the brutal attack the author suffered last year and strikes at the heart of contemporary issues at home and in Ireland, the author’s birth place. Brilliant in its clarity and deftness, this collection reminds us, again, why Colum McCann is considered among the very best contemporary writers.

For reasons both obvious and mysterious, even as our cultural and social constructions of domesticity change, the house remains a fundamental site for advancing modern architectural theory and practice: because it accommodates a full diurnal and annual cycle of life, and because it intricately stages ritual and routine, this most private of programs has become a medium of publicity and polemic. Thirteen Ways of Looking at a House both participates in and critiques this contemporary tradition. The reader's attention in this examination is directed not only to LEVENBETTS' houses, but to all houses, and all parts of houses--pieces of home and rhetorics of domesticity that show up in our collective memory: from a stolen moment on a staircase in a John Cassavetes film, to the sturdy knife-edged contractor modernism of suburban late to mid-twentieth-century America. Thirteen Ways of Looking at a House is an accessible and universal book--everyone has a sense of home. The book includes thirteen texts on domestic pieces that make up the house, comparative diagrams, construction metrics and anecdotes, informal photos, and structural details all in the interest of taking the house apart in order to put it back together.

??Wallace Stevens? ?Thirteen Ways of Looking at a Blackbird? appeared originally in 1917 and was subsequently published in his first book, Harmonium, in 1923. In a letter, Stevens once wrote that ?this group of poems is not meant to be a collection of epigrams or of ideas, but of sensations.? If this is indeed the poet?s intent, the poem provides readers with no fewer than thirteen perspectives or observances about blackbirds, but in those ?thirteen ways? is the immeasurable culmination of sensations. Just as the poet?s imagination invites readers to discover the infinite mysteries of the world and how these unify us in unexpected ways, Corinne Jones? new visual interpretation of Stevens? poem invites us, again, to re-explore the multiplicity of observation and subsequent knowledge.????This new trade edition, a 10x10 reprint of the original fine arts book, juxtaposes Jones?s beautiful and sensual prints of blackbirds against Stevens?s poetic text. The result is that the life and power inherent in each artwork is increased wonderfully and vibrantly when taken as a whole.??.

A picture book that celebrates the rich and complex lives of black boys and men.

Nation states and communities throughout the world have reached certain decisions about capital punishment: It is the destruction of human life. It is ineffective as a deterrent for crime. It is an instrument the state uses to contain or eliminate its political adversaries. It is a tool of “justice” that disproportionality affects religious, social, and racial minorities. It is a sanction that cannot be fixed if unjustly applied. Yet the United States—along with countries notorious for human rights abuse—remains an advocate for the death penalty. In these thirteen pieces, Mario Marazziti exposes the profound inhumanity and irrationality of the death penalty in this country, and urges us to join virtually every other industrialized democracy in rendering capital punishment an abandoned practice belonging to a crueler time in human history. A polemical book, yes, yet one that brings together a wide range of stories to compel the heart as well the mind.

Winner of the Amazon.ca First Novel Award Shortlisted for the Scotiabank Giller Prize Longlisted for the 2017 Stephen Leacock Memorial Medal for Humour Longlisted for the 2018 International IMPAC Dublin Literary Award Growing up in the suburban hell of Misery Saga (a.k.a. Mississauga), Lizzie has never liked the way she looks—even though her best friend Mel says she’s the pretty one. She starts dating guys online, but she’s afraid to send pictures, even when her skinny friend China does her makeup: she knows no one would want her if they could really see her. So she starts to lose. With punishing drive, she counts almonds consumed, miles logged, pounds dropped. She fights her way into coveted dresses. She grows up and gets thin, navigating double-edged validation from her mother, her friends, her husband, her reflection in the mirror. But no matter how much she loses, will she ever see herself as anything other than a fat girl? In her brilliant, hilarious, and at times shocking debut, Mona Awad simultaneously skewers the body image-obsessed culture that tells women they have no value outside their physical appearance, and delivers a tender and moving depiction of a lovably difficult young woman whose life is hijacked by her struggle to conform. As caustically funny as it is heartbreaking, 13 Ways of Looking at a Fat Girl introduces a vital new voice in fiction.

Robert Harbison offers a novel interpretation of what architectural theory might look like. The title is based on Wallace Stevens' "Thirteen Ways of Looking at a Blackbird", and like the poem, Harbison's work is a composite structure built of oblique meanings and shifts that give a portrait of architecture in which symbol and metaphor coexist. 10 illustrations.

"This is a book of stories," writes Henry Louis Gates, "and all might be described as 'narratives of ascent.'" As some remarkable men talk about their lives, many perspectives on race and gender emerge. For the notion of the unitary black man, Gates argues, is as imaginary as the creature that the poet Wallace Stevens conjured in his poem "Thirteen Ways of Looking at a Blackbird." James Baldwin, Colin Powell, Harry Belafonte, Bill T. Jones, Louis Farrakhan, Anatole Broyard, Albert Murray -- all these men came from modest circumstances and all achieved preeminence. They are people, Gates writes, "who have shaped the world as much as they were shaped by it, who gave as good as they got." Three are writers -- James Baldwin, who was once regarded as the intellectual spokesman for the black community; Anatole Broyard, who chose to hide his black heritage so as to be seen as a writer on his own terms; and Albert Murray, who rose to the pinnacle of literary criticism. There is the general-turned-political-figure Colin Powell, who discusses his interactions with three United States presidents; there is Harry Belafonte, the entertainer whose career has been distinct from his fervent activism; there is Bill T. Jones, dancer and choreographer, whose fierce courage and creativity have continued in the shadow of AIDS; and there is Louis Farrakhan, the controversial religious leader. These men and others speak of their lives with candor and intimacy, and what emerges from this portfolio of influential men is a strikingly varied and profound set of ideas about what it means to be a black man in America today.