Thirty Years After

Thirty Years After: New Essays on Vietnam War Literature, Film and Art brings together essays on literature, film and media, representational art, and music of the Vietnam War that were generated by a three-day conference in Honolulu during Veterans Week 2005. This large and extensive volume, the first collection of Vietnam War criticism published since the 1990s, reflects significant cultural and historical changes since then, including U.S.-Vietnamese cultural transactions in the wake of political reconciliation and the Vietnamese diaspora; popular commodification and memorialization of the war in America; and renascent American imperialism. Contributors include well-established and well-published writers and critics like Philip Beidler, Cathey Calloway, Lorrie Goldensohn, Wayne Karlin, Andrew Lam, Jerry Lembcke, Tim O'Brien, John S. Schafer, and Alex Vernon as well as emerging Vietnam scholars and critics. Among other contributions, the volume provides important quasi-bibliographical essays on canonical American and Vietnamese literature and film, African American Vietnam war narratives, Chicano fiction and poetry, and American Vietnam war art music as well as essays on such subjects as real and digital war memorials, Vietnamese popular war songs, and Vietnamization of the Gulf War. Teachers, scholars, and the general public will find Thirty Years After a valuable guide to ongoing critical discussion of the most important event in American history between 1945 and 9/11.I highly recommend this book. Although it is almost a cliche say the Vietnam War has left deep and lingering scars on American society-Thirty Years underscores the still traumatic cultural legacy of this conflict. Attuned to the divergent voices and genres of representation--Thirty Years is an indispensable work, not only for literary scholars, but for anyone seeking to understand the enduring impact of the Vietnam War. An impressive work, Mark Herbele is commended for organizing such an insightful and gracefully written set of essays. G. Kurt Piehler, author of Remembering War the American Way.

Europe in 1618 was riven between Protestants and Catholics, Bourbon and Hapsburg--as well as empires, kingdoms, and countless principalities. After angry Protestants tossed three representatives of the Holy Roman Empire out the window of the royal castle in Prague, world war spread from Bohemia with relentless abandon, drawing powers from Spain to Sweden into a nightmarish world of famine, disease, and seemingly unstoppable destruction.

The first Christians turned the world upside down in the space of a generation. How can we learn from them today? In this book Michael Green opens up the gripping story of Acts, highlighting the volcanic eruption of faith described there and contrasting it with the often halfhearted Christianity of the modern Western world. Green explores the life and faith of the Christians of Acts, answering such questions as, What kind of people were they? How did they live? And how did they organize and practice as members of the new church? Besides describing life in the early church, Green discusses how we today can apply the first Christians’ dynamic efforts at church planting, pastoral care, social concern, gospel proclamation, and prayer. Combining trusted scholarship with a popular, enjoyable writing style, Thirty Years That Changed the World is an ideal book for church, group, or personal study.

This collection was taken at a time just prior to major changes in the boarding house conditions and the general modernisation of facilities at many of the schools, brought about by a more competitive market, plus the introduction of girls into these once male dominated institutions. This title is a unique insight into the life within 25 of Britain's leading boy's public schools just before they changed forever.

The testimony that the author has gleaned for this book from the thirty-year record of the House Un-American Activities Committee focuses on HUAC's treatment of artists, intellectuals, and performers. This highly readable and absorbing collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a "dignified" manner to a huge, unrelenting accusatory finger from which almost no one was safe. This book serves as a warning for the future and creates living history from the documentary record. "The basic document with which all future studies of the [House Un-American Activities] Committee will have to begin." —Dalton Trumbo "...what he has done is give us HUAC as spectacle, and the perspective is shattering."—Victor Navasky, The New York Times

"Thirty years ago, I lay in the womb of a woman, conceived in a sexual act of rape, being carried during the prenatal period by an unwilling and rebellious mother, finally bursting from the womb only to be tormented in a family whose members I despised or pitied, and brought into association with people whom I should never have chosen." Shortly after its 1925 publication, Gertrude Beasley's ferociously eloquent feminist memoir was banned and she herself disappeared under mysterious circumstances. Though British Nobel Prize winner Bertrand Russell called My First Thirty Years "truthful, which is illegal" and Larry McMurtry pronounced it the finest Texas book of its era, Beasley's words have been all but inaccessible for almost a century—until now. Beasley penned one of the most brutally honest coming-of-age historical memoirs ever written, one which strips away romantic notions about frontier women's lives at the turn of the 20th century. Her mother and sisters braved male objectification and the indignities of poverty, with little if any control over their futures. With characteristic ferocity, Beasley rejected a life of dependence, persisting in her studies and becoming first a teacher, then a principal, then a college instructor, and finally a foreign correspondent. Along the way, Beasley becomes a strident activist for women's rights, socialism, and sex education, which she sees as key to restoring bodily autonomy to women like those she grew up with. She is undaunted by authority figures but secretly ashamed of her origins and yearns to be loved. My First Thirty Years is profoundly human and shockingly candid, a rallying cry that cost its author her career and her freedom. Her story deserves to be heard. Praise for My First Thirty Years: "For almost a century in Texas literary circles, Gertrude Beasley's 1925 memoir has been more a legend than a book... The tangled history of My First Thirty Years, and Beasley's horrific personal fate, are case studies in society's merciless treatment of women of her era who gave voice to socially unspeakable truths. The memoir's republication this month, which makes it widely available for the first time in 96 years, is a long-overdue moment of reckoning. It's also a rich gift to the Texas literary canon."—Texas Monthly "We should all be as fierce, loud, and convinced of our own self-worth as Gertrude Beasley was. This story of a justifiably angry woman living ahead of the world she lived in will resonate deeply today."—Soraya Chemaly, activist and award-winning author of Rage Becomes Her: The Power of Women's Anger "Gertrude Beasley's 1925 memoir grabs the reader by the arm and holds tight, speaking with a voice as compelling as if she had just put down her pen this morning. Feminist, socialist, and acute observer of both herself and the world around her, Beasley gives us stories that illuminate the costs of poverty and of being a woman. To read My First Thirty Years is to be in conversation with an extraordinary mind."—Anne Gardiner Perkins, author of Yale Needs Women

Lucid, accessible introduction to the influential theory of energy and matter features careful explanations of Dirac's anti-particles, Bohr's model of the atom, and much more. Numerous drawings. 1966 edition.

Part slave narrative, part memoir, and part sentimental fiction Behind the Scenes depicts Elizabeth Keckley's years as a salve and subsequent four years in Abraham Lincoln's White House during the Civil War. Through the eyes of this black woman, we see a wide range of historical figures and events of the antebellum South, the Washington of the Civil War years, and the final stages of the war.