This Much Huxley Knows

Seven-year-old Huxley searches for a best friend but life is confusing when he doesn't know who is trustworthy.

Jessica Donnelly’s life is beginning to unravel. When the attorney turned stay-at-home mom tentatively volunteers to represent Amina Hamid, a woman seeking asylum, Jessica must learn an unfamiliar area of the law. Soon, rising opposition to Muslim immigration and unexpected prejudices put her relationships on shaky ground. Amina fled Syria with little more than memories that now fight against the images splashed on the news. Seeking a secure future and freedom from guilt and grief, she must learn to trust others amidst the reality of fear and hate. To find stability, Jessica and Amina will both need to harness their own strengths, which may lie in connections that transcend generations, cultures, and continents.

Brief Candles (1930), Aldous Huxley's fifth collection of short fiction, consists of the following four short stories: "Chawdron" "The Rest Cure" "The Claxtons" "After the Fireworks" Brief Candles takes its title from a line in William Shakespeare's Macbeth, from Macbeth's famous soliloquy: "Out, out, brief candle! Life's but a walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more: it is a tale told by an idiot, full of sound and fury, signifying nothing."

We rely on your support to help us keep producing beautiful, free, and unrestricted editions of literature for the digital age. Will you support our efforts with a donation? Mrs. Aldwinkle, an English aristocrat of a certain age, has purchased a mansion in the Italian countryside. She wishes to bring a salon of intellectual luminaries into her orbit, and to that end she invites a strange cast of characters to spend time with her in her palazzo: Irene, her young niece; Ms. Thriplow, a governess-turned-novelist; Mr. Calamy, a handsome young man of great privilege and even greater ennui; Mr. Cardan, a worldly gentleman whose main talent seems to be the enjoyment of life; Hovenden, a young motorcar-obsessed lord with a speech impediment; and Mr. Falx, a socialist leader. To this unlikely cast is soon added Mr. Chelifer, an author with an especially florid, overwrought style that is wasted on his day job as editor of The Rabbit Fancier’s Gazette, and the Elvers, a scheming brother who is the guardian of his mentally-challenged sister. As this unlikely group mingles, they discuss a great many grand topics: love, art, language, life, culture. Yet very early on the reader comes to realize that behind the pompousness of their elaborate discussions lies nothing but vacuity—these characters are a satire of the self-important intellectuals of Huxley’s era. His skewering of their intellectual barrenness continues as the group moves on to a trip around the surrounding country, in a satire of the Grand Tour tradition. The party brings their English snobbery out in full force as they traipse around Rome, sure of nothing else except in their belief that Italy is culturally superior simply because it’s Italy. As the vacation winds down, we’re left with a biting lampoon of the elites who suppose themselves to be at the height of art and culture—the kinds of personalities that arise in every generation, sure of their own greatness but unable to actually contribute anything to the world of art and culture that they feel is so important.

This carefully crafted ebook: "BRAVE NEW WORLD" is formatted for your eReader with a functional and detailed table of contents. Set in London in the year AF 632 (2540 AD) this political and dystopian science fiction novel, paints a chilling picture of a consumerist society where being a misfit spells utter doom for a person. Here assisted reproductive technologies, mindless sex and orgies, and guided rules for expressing of human emotions reduce relationships to mechanical farces. Written in 1931, the novel is still relevant today and more so because, as Huxley mentioned in "Brave New World Revisited", our real world is turning into the world of the novel much faster than we originally thought! Aldous Huxley (1894–1963) was an English writer, novelist, philosopher, humanist, pacifist, and satirist. He later became interested in spiritual subjects such as parapsychology and philosophical mysticism. By the end of his life, Huxley was widely acknowledged as one of the pre-eminent intellectuals of his time. He was nominated for the Nobel Prize in Literature in seven different years.

This set comprises forty volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first sixty-eight volume set of Critical Heritage published by Routledge in October 1995.

The Genius of Aldous Huxley is an attempt to make a critical analysis of Aldous Huxley’s novels, essays and plays. The significant results of his stance in terms of his critical heritage were threefold: the explicit message of the later fiction struck most readers as being detrimental to its artistry; criticism of Huxley’s craft often became indistinguishable from criticism of his ideas; the popular response to Huxley’s work continued to grow, but the critical reception declined. While they were looking to him for guidance, practically none of Huxley’s readers were prepared for the directions he took in the coming books. His critics had so consistently overlooked the deeper import of the earlier work that the new outspoken idealism seemed an abrupt reversal, if not a contradiction of attitudes. The shift of emphasis in Huxley’s work introduced during the war years a period of new ferment and trial for his critical reputation. The volume of response never slackened; if anything, it increased. He has revealed himself as one of the few capable makers of cultural synthesis in our time. His concern for mankind is so obvious that one can only think readers who see nothing in his later fiction but obsessions and bitterness are incapable of appreciating his intentions or his powers.

Jacob Ericson is a quiet, kind and somewhat simple man who works as a ranch hand for crotchety Professor Carter and his crippled daughter, Sharon, in California's Mojave Desert in the 1920s. Jacob is a good man, genuine, honorable, but hardly extraordinary–until he miraculously heals a dying calf with his hands. However, while he is content to cure the town's animals, it isn't long before he is persuaded to use his gift in other ways. When Sharon, whom he adores, begs him to heal her leg, he cannot deny her. His acquiescence causes them both to be exploited. Sharon runs away to Los Angeles to pursue her dreams of stardom. Jacob follows her, hopeful that they will meet again. And they do–as miserable performers in a seedy stage show. While they plan their escape from the dreary stage life, Jacob is asked to heal a self–absorbed young millionaire. And with his assent, Jacob's plans and all of his dreams begin to crumble. Written in tight, vivid, and seamlessly crafter prose, this previously unpublished tale by two of the greatest storytellers of the twentieth century shows the dangers a magical gift holds for even the noblest of characters.