This Secretary Needs A Mother Fucking Drink

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In order to save his foster father's life, Jian Qianning became the surrogate daughter of a mysterious Wealthy Class. But when she became pregnant, her father died. The next year, the baby was born, a pair of dragon and phoenix births with ugly birthmarks on their faces. The foster mother, who was in debt for gambling debts, had actually secretly carried the baby boy to get the surrogate money, causing the son to disappear without a trace! Five years later, she and her daughter set up a stall in front of the children's park. They met an extremely handsome young man who held ... "It was her precious son of five years ..."

Finalist for the 2023 PEN Translation Prize and the 2022 Lambda Literary Award for Gay Fiction “Dazzling." —Marcela Valdes, The New York Times Book Review (Editors' Choice) "A spellbinding novel by one of the best writers of the Americas." —Junot Díaz, author of This is How You Lose Her Ten-year-old Rauli lives in a world that is often hostile. His older brother is violent; his philandering father doesn’t understand him; his intelligence and sensitivity do not endear him to the other children at school. He loves to read, especially Greek myths, but in Cuba in the 1970s, novels and gods can be dangerous. Despite the signs that warn Rauli to repress and fear what he is, he knows three things to be true: First, that he was born in the wrong body. Second, that he will die, aged eighteen, as a soldier in the Cuban intervention in Angola. And third, that he is the reincarnation of the Trojan princess Cassandra. Moving between Rauli’s childhood and adolescence, between the Angolan battlefield, the Cuban city of Cienfuegos, and the shores of ancient Troy, Marcial Gala’s Call Me Cassandra tells of the search for identity amid the collapse of Cuba’s utopian dreams. Burdened with knowledge of tragedies yet to come, Rauli nonetheless strives to know himself. Lyrical and gritty, heartbreaking and luminous, Rauli’s is the story of the inexorable pull of destiny.

This volume seeks to address the questions of poverty, charity, and public welfare, taking the nineteenth-century London Foundling Hospital as its focus. It delineates the social rules that constructed the gendered world of the Victorian age, and uses 'respectability' as a factor for analysis: the women who successfully petitioned the Foundling Hospital for admission of their infants were not East End prostitutes, but rather unmarried women, often domestic servants, determined to maintain social respectability. The administrators of the Foundling Hospital reviewed over two hundred petitions annually; deliberated on about one hundred cases; and accepted not more than 25 per cent of all cases. Using primary material from the Foundling Hospital's extensive archives, this study moves methodically from the broad social and geographical context of London and the Foundling Hospital itself, to the micro-historical case data of individual mothers and infants.