This Time Of Darkness

Although both know it is forbidden, Amy and Axel hope that by following the countless ramps leading upward they can escape from their filthy subterranean world.

Starscape series.

DIVDIVA murderous force threatens a far-off magical world, and an ordinary Californian is drawn into the battle to save mankind/divDIV /divDIVAs a student of medieval history, Gil Patterson is a woman familiar with dark stories. She knows well the Crusades, the Black Death, and the other horrors of the Middle Ages, but it is another kind of atrocity that has begun to haunt her dreams. She sees forces of evil assaulting a beleaguered kingdom, whose kind people are on the brink of annihilation, and awakes each morning in a cold sweat./divDIV /divDIVGil dismisses the dreams until a wizard appears in her apartment. He has crossed into her dimension, passing through the fraying fabric of the universe, to ask her help. For mankind to survive he must protect an infant prince, whom he plans to hide in Gil's world. The student of history is about to get much closer to evil than she ever imagined./divDIV /divDIVThis ebook features an illustrated biography of Barbara Hambly, including rare photos and never-before-seen documents from the author’s personal collection./div /div

Winter is an Earth-like planet with two major differences: conditions are semi artic even at the warmest time of the year, and the inhabitants are all of the same sex. Tucked away in a remote corner of the universe, they have no knowledge of space travel or of life beyond their own world. And when a strange envoy from space brings news of a vast coalition of planets which they are invited to join, he is met with fear, mistrust and disbelief . . . 'The Left Hand of Darkness' is a groundbreaking work of feminist science fiction, an imaginative masterpiece which poses challenging questions about sexuality, sexism and the organisation of society.

A New York Times bestseller in hardcover, Pulitzer Prize winner Alice Walker’s We Are the Ones We Have Been Waiting For was called “stunningly insightful” and “a book that will inspire hope” by Publishers Weekly. Drawing equally on Walker’s spiritual grounding and her progressive political convictions, each chapter concludes with a recommended meditation to teach us patience, compassion, and forgiveness. We Are the Ones We Have Been Waiting For takes on some of the greatest challenges of our times and in it Walker encourages readers to take faith in the fact that, despite the daunting predicaments we find ourselves in, we are uniquely prepared to create positive change. The hardcover edition of We Are the Ones We Have Been Waiting For included a national tour that saw standing-room–only crowds and standing ovations. Walker’s clear vision and calm meditative voice—truly “a light in darkness”—has struck a deep chord among a large and devoted readership.

From one of Spain's greatest writers—and the international bestselling, award-winning author of The Infatuations—comes an odyssey into the nature of identity and of time that weaves together fact and fiction into a completely original and unforgettable hybrid. "Stylish, cerebral...Marías is a startling talent...His prose is ambitious, ironic, philosophical, and ultimately compassionate." —The New York Times Called by its author a "false novel," Dark Back of Time begins with the tale of the odd effects of publishing All Souls, his witty and sardonic 1989 Oxford novel. All Souls is a book Marías swears to be fiction, but which its "characters"—the real-life dons and professors and bookshop owners who have "recognized themselves"—fiercely maintain to be a roman à clef. With the sleepy world of Oxford set into fretful motion by a world that never "existed," Dark Back of Time begins an odyssey into the nature of identity and of time. Marías weaves together autobiography, a legendary kingdom, strange ghostly literary figures, halls of mirrors, a one-eyed pilot, a curse in Havana, and a bullet lost in Mexico.

"Anyone looking at the condition of the world today will be struck by the dramatic changes taking place. On the one hand is the visible deterioration in so many fundamental processes and institutions, from the financial world, politics and the fabric of society to climate change and energy. On the other is an enlivening upsurge in knowledge, in concern for human rights and in technologies that bring people together. These energies are spiritual in nature and result from the coming of God's most recent representative to humankind, Bahá'u'lláh. He has set in motion processes that are creating a new, divine civilization. In response to this, negative forces have risen to resist the divine purpose. The nature of these spiritual forces is a prominent theme in the Bahá'í writings, particularly in those of Shoghi Effendi. They convey vital principles and laws, systematic processes and insights into the workings of the world. They explain the changes that are taking place and give us a glimpse into our own nature and reality. In this book Hooper Dunbar examines the character of the spiritual forces as set out in writings of Shoghi Effendi. The first part considers the terms 'force', 'energy' and 'power' in these writings, while the second comprises a selection of quotations drawn from the writings of Shoghi Effendi - many published here for the first time - arranged chronologically, so readers may consider the ideas in their original context."--Publisher's website

"My parents were slaves in New York State. My master's sons-in-law ... came into the garden where my sister and I were playing among the currant bushes, tied their handkerchiefs over our mouths, carried us to a vessel, put us in the hold, and sailed up the river. I know not how far nor how long -- it was dark there all the time." These words, recorded by Benjamin Drew in 1855, provide Sophia Burthen's account of her arrival as an enslaved person into what is now Canada sometime in the late 18th century. In It Was Dark There All the Time, writer and curator Andrew Hunter builds on the testimony of Drew's interview to piece together Burthen's life, while reckoning with the legacy of whiteness and colonialism in the recording of her story. In so doing, Hunter demonstrates the role that the slave trade played in pre-Confederation Canada and its continuing impact on contemporary Canadian society. Evocatively written with sharp, incisive observations and illustrated with archival images and contemporary works of art, It Was Dark There All the Time offers a necessary correction to the prevailing perception of Canada as a place unsullied by slavery and its legacy.