This Virtual Night

Now in paperback, returning to the universe of New York Times Notable book This Alien Shore comes a new space opera from an acknowledged master of science fiction. When deep-space travel altered the genes of the first interstellar colonists, Earth abandoned them. But some of the colonies survived, and a new civilization of mental and physical “Variants” has been established, centered around clusters of space stations known as the outworlds. Now the unthinkable has happened: a suicide assault has destroyed the life support system of a major waystation. All that is known about the young men responsible is that in their last living moments they were receiving messages from an uninhabited sector of space, and were playing a virtual reality game. Two unlikely allies have joined forces to investigate the incident: Ru Gaya, a mercenary explorer with a taste for high risk ventures, and game designer Micah Bello, who must find the parties responsible for the attack in order to clear his name. From the corridors of a derelict station lost to madness to an outlaw stronghold in the depths of uncharted space, the two now follow the trail of an enemy who can twist human minds to his purpose, and whose plans could bring about the collapse of outworld civilization.

This lauded work of science fiction and New York Times Notable Book of the Year explores a universe where genetic mutations have allowed certain individuals to traverse the stars. It is the second stage of human colonization—the first age, humanity's initial attempt to people the stars, ended in disaster when it was discovered that Earth's original superluminal drive did permanent genetic damage to all who used it—mutating Earth's far-flung colonists in mind and body. Now, one of Earth's first colonies has given humanity back the stars, but at a high price—a monopoly over all human commerce. And when a satellite in Earth's outer orbit is viciously attacked by corporate raiders, an unusual young woman flees to a ship bound for the Up-and-Out. But her narrow escape does not mean safety. For speeding across the galaxy pursued by ruthless, but unknown adversaries, this young woman will discover a secret which is buried deep inside her psyche—a revelation the universe may not be ready to face....

The new radically social habit of tracking our behaviours and preferences is booming. From Facebook timelines to Google Navigator to Twitter, we generate enormous amounts of online data about our activities: where we go, what we do, how we feel. In The Virtual Self, journalist Nora Young examines this growing phenomenon of self-tracking - why it's compulsive, its attractions and benefits, the dangers surrounding privacy and information control, and moreover, what it means for our sense of self. Fascinating and entertaining, and offering unique insights into our emerging technological culture, The Virtual Self takes the personal, psychological reality of everything from smart phones to social networking and teases out the increasing impact of the virtual information we all produce on the real world around us.

"This research examined the capabilities of virtual environments to simulate night vision goggle (NVG) effects. Different solutions for simulating NVG images were assessed. Two conditions simulated NVGs but used different software approaches. Two additional conditions simulated unaided night environments that required soldiers to wear NVGs. Four-man infantry teams conducted urban operation missions under each condition. Objective assessments were obtained on the number of events correctly detected and the average time required to detect an event. Subjective assessments of task difficulty and image fidelity were also made. No significant differences were found across night conditions for either event detection or time. Significant differences in task difficulty ratings occurred for movement, visual detection, and maintaining situation awareness. In general, tasks were more difficult to perform while wearing the NVGs compared to simulated versions of NVG images. Soldiers also ranked the conditions involving actual NVGs as more realistic. The unique contribution of virtual environments for night operations training may be at the entry level. However, specific image fidelity issues associated with the use of NVGs in simulated unaided night environments must be addressed if this approach is to be used as an effective training medium."--Stinet.

Bursting with bittersweet nostalgia, a funny, poignant, perfectly voiced debut that captures what it's like to be a teenage girl—“full of brilliantly-rendered awkwardness and the hilarious minor horrors of a privileged adolescence, The Brittanys shimmers with the everyday incandescence of youth” (Kimberly King Parsons, author of Black Light). They're not the most popular freshmen at their Florida prep school, but at least everyone knows their name(s). The Brittanys. Brittany Rosenberg: drives her golf cart around her subdivision to meet boys. Brittany Gottlieb: insists you can't lose your virginity if you haven't gotten your period. (She heard it somewhere!) Brittany Tomassi: is from New York. Brittany Jensen: once threw her tampon into a stranger's swimming pool. A brash, bold, unapologetic tomboy. And the greatest person in the whole wide world. At least as far as the fifth Brittany--our narrator--is concerned. Even within their friend group, she and Jensen are a duo: with their matching JanSport backpacks, Tiffany chokers, and Victoria's Secret push-up bras, they are unstoppable. And now that they're finally growing up, they're going to do everything: dye their hair, attend no-parent parties, try pot . . . maybe even lose their virginities. 2004 is totally going to be their year! Except Jensen's interests may be diverging from her friends'. And within our narrator's own family--in the lives of her exhausted mother and beloved, genius older brother--life-changing events may be taking shape. Events that only years later, looking back, she has the perspective to see. A VINTAGE ORIGINAL

In the tradition of A History of Reading, this book is an account of Manguel’s astonishment at the variety, beauty and persistence of our efforts to shape the world and our lives, most notably through something almost as old as reading itself: libraries. The Library at Night begins with the design and construction of Alberto Manguel’s own library at his house in western France – a process that raises puzzling questions about his past and his reading habits, as well as broader ones about the nature of categories, catalogues, architecture and identity. Thematically organized and beautifully illustrated, this book considers libraries as treasure troves and architectural spaces; it looks on them as autobiographies of their owners and as statements of national identity. It examines small personal libraries and libraries that started as philanthropic ventures, and analyzes the unending promise – and defects – of virtual ones. It compares different methods of categorization (and what they imply) and libraries that have built up by chance as opposed to by conscious direction. In part this is because this is about the library at night, not during the day: this book takes in what happens after the lights go out, when the world is sleeping, when books become the rightful owners of the library and the reader is the interloper. Then all daytime order is upended: one book calls to another across the shelves, and new alliances are created across time and space. And so, as well as the best design for a reading room and the makeup of Robinson Crusoe’s library, this book dwells on more "nocturnal" subjects: fictional libraries like those carried by Count Dracula and Frankenstein’s monster; shadow libraries of lost and censored books; imaginary libraries of books not yet written. The Library at Night is a fascinating voyage through the mind of one our most beloved men of letters. It is an invitation into his memory and vast knowledge of books and civilizations, and throughout – though mostly implicitly – it is also a passionate defence of literacy, of the unique pleasures of reading, of the importance of the book. As much as anything else, The Library at Night reminds us of what a library stands for: the possibility of illumination, of a better path for our society and for us as individuals. That hope too, at the close, is replaced by something that fits this personal and eclectic book even better: something more fragile, and evanescent than illumination, though just as important.

To survive the Holocaust, a young Jewish woman must pose as a Christian farmer’s wife in this unforgettable novel from USA Today bestselling author Jennifer Robson—a story of terror, hope, love, and sacrifice, inspired by true events, that vividly evokes the most perilous days of World War II. It is the autumn of 1943, and life is becoming increasingly perilous for Italian Jews like the Mazin family. With Nazi Germany now occupying most of her beloved homeland, and the threat of imprisonment and deportation growing ever more certain, Antonina Mazin has but one hope to survive—to leave Venice and her beloved parents and hide in the countryside with a man she has only just met. Nico Gerardi was studying for the priesthood until circumstances forced him to leave the seminary to run his family’s farm. A moral and just man, he could not stand by when the fascists and Nazis began taking innocent lives. Rather than risk a perilous escape across the mountains, Nina will pose as his new bride. And to keep her safe and protect secrets of his own, Nico and Nina must convince prying eyes they are happily married and in love. But farm life is not easy for a cultured city girl who dreams of becoming a doctor like her father, and Nico’s provincial neighbors are wary of this soft and educated woman they do not know. Even worse, their distrust is shared by a local Nazi official with a vendetta against Nico. The more he learns of Nina, the more his suspicions grow—and with them his determination to exact revenge. As Nina and Nico come to know each other, their feelings deepen, transforming their relationship into much more than a charade. Yet both fear that every passing day brings them closer to being torn apart . . .

NATIONAL BESTSELLER NEW YORK TIMES BESTSELLER "None of this is real and all of it is true." --Jim Carrey From movie star Jim Carrey and novelist Dana Vachon, a fearless and semi-autobiographical novel about acting, Hollywood, agents, celebrity, privilege, friendship, romance, addiction to relevance, fear of personal erasure, destruction of persona, our "one big soul," Canada, and apocalypses within and without. Meet Jim Carrey. Sure, he's an insanely successful and beloved movie star drowning in wealth and privilege--but he's also lonely. Maybe past his prime. Maybe even...getting fat? He's tried diets, gurus, and cuddlin' with his military-grade Israeli guard dogs, but nothing seems to lift the cloud of emptiness and ennui. Even the advice of his best friend, actor and dinosaur skull collector, Nicolas Cage, isn't enough to pull Carrey out of his slump. Then Jim meets Georgie: ruthless ingénue, love of his life. And thanks to auteur screenwriter Charlie Kaufman, he has a role to play in a boundary-pushing new picture that may help him uncover a whole new side to himself. Finally, his Oscar vehicle! Things are looking up. But the universe has other plans. Memoirs and Misinformation is a fearless semi-autobiographical novel, a deconstruction of persona. In it, Jim Carrey and Dana Vachon have fashioned a story about acting, Hollywood, agents, celebrity, privilege, friendship, romance, addiction to relevance, fear of personal erasure, our "one big soul," Canada, and a cataclysmic ending of the world--apocalypses within and without.