This War Ain T Over

The New Deal era witnessed a surprising surge in popular engagement with the history and memory of the Civil War era. From the omnipresent book and film Gone with the Wind and the scores of popular theater productions to Aaron Copeland's "A Lincoln Portrait," it was hard to miss America's fascination with the war in the 1930s and 1940s. Nina Silber deftly examines the often conflicting and politically contentious ways in which Americans remembered the Civil War era during the years of the Depression, the New Deal, and World War II. In doing so, she reveals how the debates and events of that earlier period resonated so profoundly with New Deal rhetoric about state power, emerging civil rights activism, labor organizing and trade unionism, and popular culture in wartime. At the heart of this book is an examination of how historical memory offers people a means of understanding and defining themselves in the present. Silber reveals how, during a moment of enormous national turmoil, the events and personages of the Civil War provided a framework for reassessing national identity, class conflict, and racial and ethnic division. The New Deal era may have been the first time Civil War memory loomed so large for the nation as a whole, but, as the present moment suggests, it was hardly the last.

The New Deal era witnessed a surprising surge in popular engagement with the history and memory of the Civil War era. From the omnipresent book and film Gone with the Wind and the scores of popular theater productions to Aaron Copeland's "A Lincoln Portrait," it was hard to miss America's fascination with the war in the 1930s and 1940s. Nina Silber deftly examines the often conflicting and politically contentious ways in which Americans remembered the Civil War era during the years of the Depression, the New Deal, and World War II. In doing so, she reveals how the debates and events of that earlier period resonated so profoundly with New Deal rhetoric about state power, emerging civil rights activism, labor organizing and trade unionism, and popular culture in wartime. At the heart of this book is an examination of how historical memory offers people a means of understanding and defining themselves in the present. Silber reveals how, during a moment of enormous national turmoil, the events and personages of the Civil War provided a framework for reassessing national identity, class conflict, and racial and ethnic division. The New Deal era may have been the first time Civil War memory loomed so large for the nation as a whole, but, as the present moment suggests, it was hardly the last.

A sweeping history of the passionate men and women in uniform who have bravely and courageously exercised the power of dissent Before the U.S. Constitution had even been signed, soldiers and new veterans protested. Dissent, the hallowed expression of disagreement and refusal to comply with the government’s wishes, has a long history in the United States. Soldier dissenters, outraged by the country’s wars or egregious violations in conduct, speak out and change U.S. politics, social welfare systems, and histories. I Ain’t Marching Anymore carefully traces soldier dissent from the early days of the republic through the wars that followed, including the genocidal “Indian Wars,” the Civil War, long battles against slavery and racism that continue today, both World Wars, Korea, Vietnam, the Cold War, and contemporary military imbroglios. Acclaimed journalist Chris Lombardi presents a soaring history valorizing the brave men and women who spoke up, spoke out, and talked back to national power. Inviting readers to understand the texture of dissent and its evolving and ongoing meaning, I Ain’t Marching Anymore profiles conscientious objectors including Frederick Douglass’s son Lewis, Evan Thomas, Howard Zinn, William Kunstler, and Chelsea Manning, adding human dimensions to debates about war and peace. Meticulously researched, rich in characters, and vivid in storytelling, I Ain’t Marching Anymore celebrates the sweeping spirit of dissent in the American tradition and invigorates its meaning for new risk-taking dissenters.

From "the finest literary stylist of the American right," a surprising and spirited account of how true conservatives have always been antiwar and anti-empire (Allan Carlson, author of The American Way) Conservatives love war, empire, and the military-industrial complex. They abhor peace, the sole and rightful property of liberals. Right? Wrong. As Bill Kauffman makes clear, true conservatives have always resisted the imperial and military impulse: it drains the treasury, curtails domestic liberties, breaks down families, and vulgarizes culture. From the Federalists who opposed the War of 1812, to the striving of Robert Taft (known as "Mr. Republican") to keep the United States out of Korea, to the latter-day libertarian critics of the Iraq war, there has historically been nothing freakish, cowardly, or even unusual about antiwar activists on the political right. And while these critics of U.S. military crusades have been vilified by the party of George W. Bush, their conservative vision of a peaceful, decentralized, and noninterventionist America gives us a glimpse of the country we could have had—and might yet attain. Passionate and witty, Ain't My America is an eye-opening exploration of the forgotten history of right-wing peace movements—and a clarion manifesto for antiwar conservatives of today.

Cyprus 1974: “This Ain’t No Picnic, It’s War” is the edited personal diary of Alain Gaudet, a twenty-two-year-old paratrooper with the Canadian Forces in a peacekeeping role in Nicosia, Cyprus. The diary is a fascinating look at daily life from the soldiers’ viewpoint. It gives the reader insight into the challenges and frustrations of a solider in combat, how he deals with the loss of friends and compatriots, and the extremes of emotions on display in a war zone.

Ain t Got No Home: America's Great Migrations and the Making of an Interracial Left"

A stroke of the pen and history is changed. In 1938, British prime minister Neville Chamberlain, determined to avoid war, signed the Munich Accord, ceding part of Czechoslovakia to Hitler. But the following spring, Hitler snatched the rest of that country, and England, after a fatal act of appeasement, was fighting a war for which it was not prepared. Now, in this thrilling alternate history, another scenario is played out: What if Chamberlain had not signed the accord? In this action-packed chronicle of the war that might have been, Harry Turtledove uses dozens of points of view to tell the story: from American marines serving in Japanese-occupied China and ragtag volunteers fighting in the Abraham Lincoln Battalion in Spain to an American woman desperately trying to escape Nazi-occupied territory—and witnessing the war from within the belly of the beast. A tale of powerful leaders and ordinary people, at once brilliantly imaginative and hugely entertaining, Hitler’s War captures the beginning of a very different World War II—with a very different fate for our world today. BONUS: This edition contains an excerpt from Harry Turtledove's The War that Came Early: West and East.

He lied about his age to enlist. Now he'll have to lie about everything else to survive! Survive the war. Outlast the enemy. Stay alive. That's what Henry Forrest has to do. When he lies about his age to join the Marines, Henry never imagines he'll face anything worse than his own father's cruelty. But his unit is shipped off to the Philippines, where the heat is unbearable, the conditions are brutal, and Henry's dreams of careless adventuring are completely dashed.Then the Japanese invade the islands, and US forces there surrender. As a prisoner of war, Henry faces one horror after another. Yet among his fellow captives, he finds kindness, respect, even brotherhood. A glimmer of light in the darkness. And he'll need to hold tight to the hope they offer if he wants to win the fight for his country, his freedom . . . and his life. Michael P. Spradlin's latest novel tenderly explores the harsh realities of the Bataan Death March and captivity on the Pacific front during World War II.