This Whispering In Our Hearts Revisited

How is it our minds are not satisfied? What means this whispering in the bottom of our hearts?' Listening to the whispering in his own heart, Henry Reynolds was led into the lives of remarkable and largely forgotten white humanitarians who followed their consciences and challenged the prevailing attitudes to Indigenous people. His now-classic book This Whispering in Our Hearts constructed an alternative history of Australia through the eyes of those who felt disquiet and disgust at the brutality of dispossession. These men and women fought for justice for Indigenous people even when doing so left them isolated and criticised by their fellow whites. The unease of these humanitarians about the morality of white settlement has not dissipated and their legacy informs current debates about reconciliation between black and white Australia. Revisiting this history, in this new edition Reynolds brings fresh perspectives to issues we grapple with still. Those who argue for justice, reparation, recognition and a treaty will find themselves in solidarity with those who went before. But this powerful book shows how much remains to be done to settle the whispering in our hearts. An updated edition of a classic text, now includes reflections on native title, the apology, international conventions, reparations, recognition and the treaty.

"In Jackson's Track revisited Carolyn Landon returns to the story told by Daryl Tonkin in Jackson's Track (Penguin, Australia, 1999) - the tale of his life in the great Gippsland forest living among Aboriginal timber workers. Just as his family hoped, Tonkin's memoir has created the space for more stories. In Jackson's Track revisited, the voices of Aboriginal people who lived at the Track mingle with those of the White Australians who tried to 'improve' their lives in the 1950's, the era of assimilation. An exploration of the historical factors surrounding Tonkin's story leads to discussion of the Victorian Aborigines Welfare Board, the Victorian Aborigines Advancement League and the policy of assimilation that was so prevalent in mid-twentieth century Australia"--Back cover.

Tennant Creek and Australia’s Unresolved Past Winner of the 2022 Australian Political Book of the Year Award 'A drily elegant, bracing work from a pained and open heart' —Helen Garner 'Refreshing and original. A unique window on Australia's past and its barbed resonance today … Essential reading for anyone interested in the challenge of truth-telling.' —Mark McKenna 'A graceful, unostentatiously scholarly, wise (and highly readable) book on a subject of overwhelming and enduring significance for all Australians.' —Robert Manne The tale of a town, and a nation Returning after fifty years to the frontier town where he lived as a boy, Dean Ashenden finds Tennant Creek transformed, but its silence about the past still mostly intact. Provoked by a half-hidden account, Ashenden sets out to understand how the story of 'relations between two racial groups within a single field of life' has been told and not told, in this town and across the nation. In a riveting combination of memoir, reportage and political and intellectual history, Ashenden traces the strange career of the great Australian silence – from its beginnings in the first encounters of black and white, through the work of the early anthropologists, the historians and the courts in landmark cases about land rights and the Stolen Generations, to still-continuing controversy. In a moving finale, Ashenden goes back to Tennant Creek once more to meet for the first time some of his Aboriginal contemporaries, and to ask how the truths of Australia's story can best be told.

Double Vision serves as a prequel to Among Australian Pioneers, which highlighted the experience of Chinese indentured laborers on the northern frontier from 1848 to 1880—a time of intense conflict. With this latest book, historian Margaret Slocomb responds to a call for more regional histories of early contact relations, so we can understand their complexity as well as the diversity of reactions and responses that followed. The author observes that encounters at the margins of settlement between new societies seeking profits and traditional owners defending their land are bruising, brutal affairs conducted beyond the reach of regular norms and conventions, and contested within a framework of conflicting, mutually incomprehensible and irreconcilable laws. The Northern Districts of Wide Bay and Burnett on the tribal lands of the Kabi Kabi and Wakka Wakka nations represented that frontier from roughly 1845 until Queensland formed a separate colony in 1859. Dispossession was violent by its very nature, but there was also accommodation and adaptation on one side, and compassionate advocacy on the other. Join the author as she seeks if not the full truth, at least a unified understanding of our shared history and mutual recognition of its contested nature.

This book traces the beginnings of literary (narrative) journalism in Australia. It contributes to evolving international definitions of the form, while providing a glimpse into Australia’s early press history and development as a nation. The book comprises two parts. The first examines the forerunners of literary journalism before and during the establishment of a free press, including the letters, diaries and journals of the early colonists, as well as sketches published in the first magazines and newspapers. The book asks if these were “reporting” when there was no thriving press until well into the 19th century -- many were written by women and convicts whose voices otherwise went unheard. The second part examines the first expressions of literary journalism in forms more recognisable today, covering topics as varied as homelessness in Melbourne, the Queensland trade in Pacific Islander labour, and Australia’s involvement in overseas wars, particularly the Boer War. The resulting cultural history reveals important milestones in the development of Australia’s press and literature, while demonstrating the concerns unveiled in colonial literary journalism still resonate in Australia in the 21st century.

If we are to take seriously the need for telling the truth about our history, we must start at first principles. What if the sovereignty of the First Nations was recognised by European international law in the eighteenth and nineteenth centuries? What if the audacious British annexation of a whole continent was not seen as acceptable at the time and the colonial office in Britain understood that 'peaceful settlement' was a fiction? If the 1901 parliament did not have control of the whole continent, particularly the North, by what right could the new nation claim it? The historical record shows that the argument of the Uluru Statement from the Heart is stronger than many people imagine and the centuries-long legal position about British claims to the land far less imposing than it appears. In Truth-Telling, influential historian Henry Reynolds pulls the rug from legal and historical assumptions, with his usual sharp eye and rigour, in a book that's about the present as much as the past. His work shows exactly why our national war memorial must acknowledge the frontier wars, why we must change the date of our national day, and why treaties are important. Most of all, it makes urgently clear that the Uluru Statement is no rhetorical flourish but carries the weight of history and law and gives us a map for the future.

Explores the connections between nineteenth century imperial anthropology, racial 'science' and the imposition of colonising governance on the Aborigines of Port Phillip/Victoria between 1835 and 1888.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.