Three Colours Trilogy

This appreciative account of the 'Three Colours' trilogy communicates the power and imagery of the films, and demonstrates how Kieslowski's art is brought to bear in their moving renditions of the lives of its characters. An interview with Kieslowsi shortly before his death concludes this tribute.

The screenplays of Kieslowski's trilogy of films based on the French tricolor and its motto, Liberty, Equality and Fraternity, which he made at a time when his homeland, Poland, was shaking off the chains of Soviet domination.

This appreciative account of the 'Three Colours' trilogy communicates the power and imagery of the films, and demonstrates how Kieslowski's art is brought to bear in their moving renditions of the lives of its characters. An interview with Kieslowsi shortly before his death concludes this tribute.

Director Krzysztof Kieslowski's Three Colors trilogy—Blue (1993), White (1993), and Red (1994)—is one of the great achievements of European film. A meditation on liberty, equality, and fraternity, these three films marked the culmination of the director's career, as well as the zenith of one of the most important creative collaborations in 20th-century cinema-between Kieslowski, scriptwriter Krzysztof Piesiewicz, and composer Zbigniew Preisner. Thanks to their close working relationship, music for the Three Colors trilogy achieves both a focal narrative and philosophical function. At times, Preisner's music advances the narrative independently of the films' other codes; at other times, it creates a metaphorical space into which the audience is invited in order to read for "deeper" messages. As the first major scholarly treatment of Preisner's music, Nicholas Reyland's Zbigniew Preisner's Three Colors Trilogy: A Film Score Guide fills an important void in film score scholarship. In this guide, Reyland analyzes the historical context of the film scores, the life of the composer, the hermeneutic and narrative role of the music within the film, and the musical scoring techniques used for the trilogy. This volume also draws on an interplay of established "classic" approaches to analyzing film music and more recent approaches in the exploration of its themes and readings. In addition, the composer's willingness to be interviewed by Reyland enhances the musicological scholarship of this book, giving the reader privileged access into the process of scoring. A significant contribution to both film studies and musicological literature, this book celebrates one of the great cinematic achievements of the last few decades.

"First published in 1999 by Talk Miramax Books."

In the first book of a visionary fantasy trilogy with its roots in the mythology of Africa and Arabia that “sings of rebellion, love, and the courage it takes to stand up to tyranny” (Samantha Shannon, author of The Priory of the Orange Tree), three women band together against a cruel empire that divides people by blood. “A game-changing new voice in epic fantasy . . . There are no Chosen Ones here, only bad choices and blood.”—Tasha Suri, author of The Jasmine Throne ONE OF THE BEST BOOKS OF THE YEAR: Oprah Daily, Autostraddle Red is the blood of the elite, of magic, of control. Blue is the blood of the poor, of workers, of the resistance. Clear is the blood of the slaves, of the crushed, of the invisible. Sylah dreams of days growing up in the resistance, being told she would spark a revolution that would free the empire from the red-blooded ruling classes’ tyranny. That spark was extinguished the day she watched her family murdered before her eyes. Anoor has been told she’s nothing, no one, a disappointment, by the only person who matters: her mother, the most powerful ruler in the empire. But when Sylah and Anoor meet, a fire burns between them that could consume the kingdom—and their hearts. Hassa moves through the world unseen by upper classes, so she knows what it means to be invisible. But invisibility has its uses: It can hide the most dangerous of secrets, secrets that can reignite a revolution. And when she joins forces with Sylah and Anoor, together these grains of sand will become a storm. As the empire begins a set of trials of combat and skill designed to find its new leaders, the stage is set for blood to flow, power to shift, and cities to burn. Book One of The Ending Fire Trilogy

*SPECIAL INTRODUCTORY PRICE* An epic novel of blood, betrayal, and intrigue. . . Perimadeia is the famed Triple City and the mercantile capital of the known world. Behind its allegedly impregnable walls, everything is available-including information that will allow its enemies to plan one of the most devastating sieges of all time. The man called upon to defend Perimadeia is Bardas Loredan, a fencer-at-law, weary of his work and the world. For Loredan is one of the surviving members of Maxen's Pitchfork, the legendary band of soldiers who waged war on the Plains tribes, rendering an attack on Perimadeia impossible. Until now, that is. But Loredan has problems of his own. In a city where court cases are settled by lawyers arguing with swords not words, enemies are all too easily made. And by winning one particular case, Loredan has unwittingly become the target of a young woman bent on revenge. The last thing he needs is the responsibility of saving a city.

A little boy learns about mixing colors when he tries to reproduce all the rainbow colors with the only three colors left in his paintbox.