Three Early Novels

At the beginning of his career, Philip K. Dick, whose later work won him widespread acclaim as the world's greatest science fiction writer, wrote a number of short novels which were published as paperback originals back-to-back in dual volumes with works by writers who were then more famous. Considerably more straightforward than his later novels, these stories are nevertheless unmistakably the work of the author of DO ANDOIDS DREAM OF ELECTRIC SHEEP? and UBIK in their quirky exuberance and originality. THE MAN WHO JAPED: Following a devastating nuclear war, the Moral Reclamation government took over the world and forced its citizens to live by strictly puritanical rules - no premarital sex, drunkenness, or displaying of neon signs - all of which are reinforced through a constant barrage of messaging to the public. The chief purveyor of these messages is Alan Purcell, next in line to become head of the propaganda bureau. But there is just one problem: a statue of the government's founder has been vandalized and the head is hidden in Purcell's closet. VULCAN'S HAMMER: After the 20th century's devastating series of wars, the world's governments banded together into one globe-spanning entity, committed to peace at all costs. Ensuring that peace is the Vulcan supercomputer, responsible for all major decisions. But some people don't like being taken out of the equation. And others resent the idea that the Vulcan is taking the place of God. As the world grows ever closer to all-out war, one functionary frantically tries to prevent it. But the Vulcan computer has its own plans, plans that might not include humanity at all. DR. FUTURITY: When Dr Jim Parsons wakes up from a car accident, he finds himself in a future populated almost entirely by the young. But to keep the world run by the young, death is fetishized, and those who survive to old age are put down. In such a world, Parsons - with his innate desire to save lives - is a criminal and outcast. But for one revolutionary group, he may be just the saviour they need to heal and revive their cryogenically frozen leader. And when he and the group journey to 1500s California, what they find causes them to question what they know about history and the underpinnings of their society.

In his day, Christopher Pearse Cranch (1813-1892) was a well-known figure in American arts and letters, with close ties to the New England Transcendentalists. Though Cranch made his mark in fields ranging from poetry and journalism to caricature and oil painting, his most enduring achievements are his novels for children. Collected here for the first time in one volume, these three works - The Last of the Huggermuggers, Kobboltozo: A Sequel to the Last of the Huggermuggers, and The Legend of Dr. Theophilus; or, The Enchanted Clothes - establish Cranch as a pioneer in American fantasy fiction. Until now, these texts have been largely inaccessible. Huggermuggers (1866) and Kobboltozo (1867) went through several printings during the last half of the nineteenth century but have not been reissued since 1901. The manuscript of Cranch's third and last novel, The Legend of Dr. Theophilus, disappeared around 1870 and did not resurface until the 1980s. It has never before been published. As the editors explain in their introduction, Cranch was the first American author to write novel-length works solely for children, and to fuse elements of fantasy and adventure. In an era when most juvenile books emphasized moral rectitude and acquiescence to adult authority, Cranch put a higher premium on humor and the imaginative aspects of storytelling. Huggermuggers and Kobboltozo relate the still-entertaining escapades of a shipwrecked American boy, Jacky Cable, and the gentle giants and evil dwarfs who inhabit the unknown island on which he is marooned. In Dr. Theophilus Cranch takes children to a faraway place where the sun cannot penetrate the fog and where a suit of enchanted clothes can cause mayhem and grief. True to the novel's closing lines - "For the young, a magic story. For the old, an allegory" - Cranch also satirizes the medical profession and his society's stunting reverence for the past. The editors note superficial parallels between Cranch's novels and Robinson Crusoe, Gulliver's Travels, and the English "Jack Tales," but they believe that Cranch's stories actually belong more to the tradition of Hans Christian Andersen and the Brothers Grimm, earlier masters at combining elements of fantasy and adventure. They also detect in Cranch's heroes a thoroughly American self-reliance and resourcefulness. Written during an important transition in the history of American children's literature, these three novels are of special interest to scholars of American Romanticism. Perhaps most important of all they have not lost their attraction for young readers. The presence in this volume of eleven of Cranch's original illustrations for Huggermuggers and Kobboltozo only enhances the stories' imaginative appeal.

The Love Department by William Trevor - a darkly comic novel about a thief of the heart, by one of the world's best writers From the offices of her Love Department, Lady Dolores cures the heartaches of the lonely wives of Wimbledon with inimitable flourish and finesse. When her newest protege, the somewhat naive Edward Blakeston-Smith, is sent on a mission - to learn the secrets of seductive, scheming Septimus Tuam and stop him in his tracks - he learns all about love, its friends and enemies. The Love Department was William Trevor's third novel, published in 1966. It will be enjoyed by readers of Colm Toibin, Evelyn Waugh and Muriel Spark. 'A fantasy which proliferates entertainingly from a germ of reality - the reality of boredom felt by comfortably-off suburban wives' Listener 'William Trevor can pack into ten or twenty pages an astounding richness of pathos, humour and tragedy' Francis King William Trevor was born in Mitchelstown, County Cork, in 1928, and was educated at Trinity College, Dublin. He has lived in England for many years. The author of numerous acclaimed collections of short stories and novels, he has won many awards including the Whitbread Book of the Year, The James Tait Black Memorial Prize and the Sunday Times Award for Literary Excellence. He has been shortlisted three times for the Booker Prize: in 1976 with his novel The Children of Dynmouth, in 1991 with Reading Turgenev and in 2002 with The Story of Lucy Gault. He recently received the prestigious David Cohen Literature Prize in recognition of a lifetime's literary achievement.

Ralphy is the story of a typical Midwestern U.S. family into whose lives is thrust a misfit, a boy who was born flat and resembles a fish. Ralphy is a throwback to the time when human beings made a wrong turn and separated themselves from the other animals. In Breakthrough, Arthur M. Raintree, Ph.D., achieves his lifelong desire to become a research scientist, but discovers that his work is of far less importance than living in peace and love with his family. In the year 2020, the government has become a wasteland of military and religious righteousness. There is only one person who can save us from self-destruction before it is too late, a genius who is prepared to die in order to accomplish this revolution.

A NEW YORK REVIEW BOOKS ORIGINAL Novels in Three Lines collects more than a thousand items that appeared anonymously in the French newspaper Le Matin in 1906—true stories of murder, mayhem, and everyday life presented with a ruthless economy that provokes laughter even as it shocks. This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol.

The Boarding House by William Trevor - a darkly comic novel by one of the world's best writers William Bird has always taken in boarders who are on the fringes of society: the petty conman, the immigrant who's never been able to fit in, the blustering officer who really doesn't know what's what , and the just plain lonely. He's built a unique place with a unique atmosphere. But then he realizes he's dying, and he decides to leave the place to the two tenants likely to cause the greatest amount of trouble, and the whole enterprise goes up in smoke. William Trevor's dark comedy, reminiscent of Evelyn Waugh and Muriel Spark, was his second novel. 'Trevor has the knack of slicing life so that it reveals lower layers we have not suspected' Daily Mail 'He tells you the most outrageous things in a most pleasant manner, hardly ever raising his voice' Guardian William Trevor was born in Mitchelstown, County Cork, in 1928, and was educated at Trinity College, Dublin. He has lived in England for many years. The author of numerous acclaimed collections of short stories and novels, he has won many awards including the Whitbread Book of the Year, The James Tait Black Memorial Prize and the Sunday Times Award for Literary Excellence. He has been shortlisted three times for the Booker Prize: in 1976 with his novel The Children of Dynmouth, in 1991 with Reading Turgenev and in 2002 with The Story of Lucy Gault. He recently received the prestigious David Cohen Literature Prize in recognition of a lifetime's literary achievement.

The Old Boys by William Trevor - a novel of power, revenge, love and the failure of love from one of the world's best writers A group of septuagenarians revive schoolboy conflicts in the election of the President of the Old Boys Association. Jaraby expects to get the job, but he reckons without the bitterness of Nox, who still remembers the humiliations of his school years. And when Jaraby's son gets into trouble with the law, Nox has the perfect stick with which to beat him. Their powers may be failing but the old boys possess a fierce understanding of the things in life that matter - power, revenge, hatred, love, and the failure of love. The Old Boys was William Trevor's acclaimed first novel. It will be enjoyed by fans of The Story of Lucy Gault and Felicia's Journey, as well as readers of Colm Toibin and William Boyd. 'Uncommonly well-written, gruesome , funny and original' Evelyn Waugh 'Immaculately witty and inventive writing' Daily Telegraph William Trevor was born in Mitchelstown, County Cork, in 1928, and was educated at Trinity College, Dublin. He has lived in England for many years. The author of numerous acclaimed collections of short stories and novels, he has won many awards including the Whitbread Book of the Year, The James Tait Black Memorial Prize and the Sunday Times Award for Literary Excellence. He has been shortlisted three times for the Booker Prize: in 1976 with his novel The Children of Dynmouth, in 1991 with Reading Turgenev and in 2002 with The Story of Lucy Gault. He recently received the prestigious David Cohen Literature Prize in recognition of a lifetime's literary achievement.

“Banks has skillfully used his repertoire of contemporary techniques to write a novel that is classically American—a dark, but sometimes funny, romance with echoes of Poe and Melville.” — Washington Post "A marvelously written little book, fascinatingly intricate, yet deceptively simple. Well worth reading more than once." — New York Times Book Review From acclaimed author Russell Banks comes a work of fiction utilizing a form invented in the seventeenth century by imprisoned Puritan divines Designed to be exemplary, works of this type were aimed at brethren outside the prison walls and functioned primarily as figurative dramatizations of the tests of faith all true believers must endure. These “relations,” framed by scripture and by a sermon explicating the text, were usually read aloud in weekly or monthly installments during religious services. Utterly sincere and detailed recountings of suffering, they were nonetheless highly artificial. To use the form self-consciously, as Banks has done, is not to parody it so much as to argue good-humoredly with the mind it embodies, to explore and, if possible, to map the limits of that mind, the more intelligently to love it.