Three Early Stories

Three formative short stories by one of the most significant American writers of the twentieth century. A cocktail party conversation is most revealing in what is left unsaid. Tensions between a brother and sister escalate to violent threats. A soldier heading off to war is torn between duty to his country and to his family. These stories, first published in magazines in the 1940s and long out of print, showcase the formidable talent that would blossom in The Catcher in the Rye. The first book by J. D. Salinger to be published in fifty years, Three Early Stories is a crucial addition to the shelves of Salinger fans and newcomers to his work alike. Jerome David Salinger published just one novel and three short story collections in his lifetime, but is regarded as one of the most influential American writers of the twentieth century. His books - The Catcher in the Rye, Nine Stories, Franny and Zooey and Raise High the Roof Beam, Carpenters and Seymour: An Introduction - were published between 1951 and 1963, and Salinger lived most of his later life out of the public eye. J. D. Salinger died in 2010.

A young and ambitious writer named Jerome David Salinger set his goals very high very early in his career. He almost desperately wished to publish his early stories in The New Yorker magazine, the pinnacle, he felt, of America's literary world. But such was not to be for several long years and the length of one long world war. The New Yorker, whose tastes in literary matters were and remain notoriously prim and fickle, was not quite ready for this brash and over-confident newcomer with the cynical worldview and his habit of slangy dialogue. But other magazines were quick to recognize a new talent, a fresh voice at a time when the world verged on madness. Story magazine, an esteemed and influential small circulation journal devoted exclusively to the art of the short story and still active and respected today, was the first publication to publish the name J.D. Salinger and the story "The Young Folks" in 1940, an impressive view of New York's cocktail society and two young people talking past one another, their conversation almost completely meaningless and empty. His next short story was published in a college journal, The University of Kansas City Review, "Go See Eddie," a tale of quiet menace as an unsavory male character gradually turns up the pressure on a young lady to see a man named Eddie. Also published in 1940, the story is notable for the backstory that is omitted - a technique that Hemingway used to great effect. Four years later toward the end of Salinger's war experience saw the publication of "Once A Week Won't Kill You," again in Story magazine. Ostensibly about a newly minted soldier trying to tell an aging aunt he is going off to war, some may see the story as a metaphor for preparing one's family for the possibility of wartime death. Three Early Stories (Illustrated), published in 2014 by Devault-Graves Digital Editions, is the first legitimately published book by J.D. Salinger in more than 50 years. Its publication was a landmark in recent publishing history. Of particular interest to scholars and lovers of literature, these three tales mark the earlier period in the development of Salinger as a published writer, taking him from his first story sale to his life-changing experiences in World War II. This new Scholastic Edition of Three Early Stories, prepared by accomplished writer and English professor Michael Compton, includes a full study guide intended for use in high school and college classrooms. The study guide includes endnotes, discussion questions, writing prompts, essays and a Salinger timeline.

A young and ambitious writer named Jerome David Salinger set his goals very high very early in his career. He almost desperately wished to publish his early stories in The New Yorker magazine, the pinnacle, he felt, of America's literary world. But such was not to be for several long years and the length of one long world war. The New Yorker, whose tastes in literary matters were and remain notoriously prim and fickle, was not quite ready for this brash and over-confident newcomer with the cynical worldview and his habit of slangy dialogue. But other magazines were quick to recognize a new talent, a fresh voice at a time when the world verged on madness. Story magazine, an esteemed and influential small circulation journal devoted exclusively to the art of the short story and still active and respected today, was the first publication to publish the name J.D. Salinger and the story "The Young Folks" in 1940, an impressive view of New York's cocktail society and two young people talking past one another, their conversation almost completely meaningless and empty. His next short story was published in a college journal, The University of Kansas City Review, "Go See Eddie," a tale of quiet menace as an unsavory male character gradually turns up the pressure on a young lady to see a man named Eddie. Also published in 1940, the story is notable for the backstory that is omitted - a technique that Hemingway used to great effect. Four years later toward the end of Salinger's war experience saw the publication of "Once A Week Won't Kill You," again in Story magazine. Ostensibly about a newly minted soldier trying to tell an aging aunt he is going off to war, some may see the story as a metaphor for preparing one's family for the possibility of wartime death. Three Early Stories (Illustrated) is the first legitimately published book by J.D. Salinger in more than 50 years. Devault-Graves Digital Editions, a publisher that specializes in reprinting the finest in American period literature, is proud to bring you this anthology by one of America's most innovative and inspiring authors.

Late on a warm summer night in rural Missouri, an elderly camp director hears a squeal of joyous female laughter and goes to investigate. At the camp swimming pool he comes upon a bewildering scene: his counselors stripped naked and engaged in a provocative celebration. The first camp session is set to start in just two days. He fires them all. As a result, new counselors must be quickly hired and brought to the Kindermann Forest Summer Camp. One of them is Wyatt Huddy, a genetically disfigured young man who has been living in a Salvation Army facility. Gentle and diligent, large and imposing, Wyatt suffers a deep anxiety that his intelligence might be subnormal. All his life he’s been misjudged because of his irregular features. But while Wyatt is not worldly, he is also not an innocent. He has escaped a punishing home life with a reclusive and violent older sister. Along with the other new counselors, Wyatt arrives expecting to care for children. To their astonishment, they learn that for the first two weeks of the camping season they will be responsible for 104 severely developmentally disabled adults, all of them wards of the state. For Wyatt it is a dilemma that turns his world inside out. Physically, he is indistinguishable from the state hospital campers he cares for. Inwardly, he would like to believe he is not of their tribe. Fortunately for Wyatt, there is a young woman on staff who understands his predicament better than he might have hoped. At once the new counselors and disabled campers begin to reveal themselves. Most are well-intentioned; others unprepared. Some harbor dangerous inclinations. Among the campers is a perplexing array of ailments and appearances and behavior both tender and disturbing. To encounter them is to be reminded just how wide the possibilities are when one is describing human beings. Soon Wyatt is called upon to prevent a terrible tragedy. In doing so, he commits an act whose repercussions will alter his own life and the lives of the other Kindermann Forest staff members for years to come. Written with scrupulous fidelity to the strong passions running beneath the surface of camp life, The Inverted Forest is filled with yearning, desire, lust, banked hope, and unexpected devotion. This remarkable and audacious novel amply underscores Heaven Lake’s wide acclaim and confirms John Dalton’s rising prominence as a major American novelist.

In the #1 New York Times–bestselling author’s first book, the troublemaking team of Bruno and Boots wages war—and school will never be the same. The basis for the movie now streaming on TubiTV Bruno and Boots are always in trouble. So the Headmaster, aka “The Fish” decides it would be best to separate them. Bruno must now room with ghoulish Elmer Dimsdale, plus his plants, goldfish, and ants. And Boots is stuck with nerdy, preppy, paranoid George Wexford-Smyth III. Of course, this means war. Because Bruno and Boots are determined to get their old room back, no matter what it takes. Praise for the Bruno & Boots series “Korman has a unique talent for creating genuinely funny, roll-on-the-floor, laugh-out-loud books. All of his many books are bestsellers, a testament to his popularity with kids.” —Quill & Quire “A hilarious series.” —Booklist “Korman’s vibrant dialogue and breakneck action are the highlights of this merry romp . . . Laughs are as plentiful as [Bruno and Boots’s] misadventures.” —Publishers Weekly

Winner of the 2021 Theodor Seuss Geisel Award Move over, Spot. . . . Spoofing classic primers, Max the Dog talks back to the book in a twist that will have fans of funny early readers howling. See Max. Max is not a cat—Max is a dog. But much to Max’s dismay, the book keeps instructing readers to “see the cat.” How can Max get through to the book that he is a DOG? In a trio of stories for beginning readers, author David LaRochelle introduces the excitable Max, who lets the book know in irresistibly emphatic dialogue that the text is not to his liking. Illustrator Mike Wohnoutka hilariously depicts the pup’s reactions to the narrator and to the wacky cast of characters who upend Max’s—and readers’—expectations as the three stories build to an immensely satisfying conclusion. Hooray, Max, hooray!

#1 NEW YORK TIMES BESTSELLER More than ONE MILLION copies sold A TODAY Show Read with Jenna Book Club Pick A New York Times Notable Book, and Chosen by Oprah Daily, Time, NPR, The Washington Post, Bill Gates and Barack Obama as a Best Book of the Year “Wise and wildly entertaining . . . permeated with light, wit, youth.” —The New York Times Book Review “A classic that we will read for years to come.” —Jenna Bush Hager, Read with Jenna book club “Fantastic. Set in 1954, Towles uses the story of two brothers to show that our personal journeys are never as linear or predictable as we might hope.” —Bill Gates “A real joyride . . . elegantly constructed and compulsively readable.” —NPR The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction—to the City of New York. Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes. “Once again, I was wowed by Towles’s writing—especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero’s journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel.” – Bill Gates

This book is an exploration of story and its importance in early childhood. It provides a thorough theoretical foundation, and considers how to practically implement the use of stories to aid children's wellbeing and holistic development. The chapters cover topics including cognitive and emotional development, creativity, play, mathematics, language development, and trauma and healing. It is an ideal resource for early years practitioners, parents, and all those working in early childhood who are looking to encourage creativity, build agency and foster positive communication in children's lives.