Three Essays About Massurrealism English Only Edition

Art essays by James Seehafer, Michael Morris and Philip Kocsis

With its origins in the 1960s hot rod culture and underground comix and rock music posters, Pop Surrealism/Lowbrow Art has evolved and expanded into the most vilified, vital, and exciting movement in contemporary art. Pop Surrealism is the first book to offer a comprehensive survey of this movement featuring twenty-three of today's most important and interesting artists.

This new edition of Invitation to Computer Science follows the breadth-first guidelines recommended by CC2001 to teach computer science topics from the ground up. The authors begin by showing that computer science is the study of algorithms, the central theme of the book, then move up the next five levels of the hierarchy: hardware, virtual machine, software, applications, and ethics. Utilizing rich pedagogy and a consistently engaging writing style, Schneider and Gersting provide students with a solid grounding in theoretical concepts, as well as important applications of computing and information technology. A laboratory manual and accompanying software is available as an optional bundle with this text.

The title as well as the thematic impetus of ESCAPE FROM PHALARIS are derived from the legend of Perilaus and Phalaris as related by the ancient Greek satirist Lucian. Perilaus, a gifted sculptor, created for Phalaris, tyrant of Agrigentum, an ornate bronze bull reputed to be a magnificent work of art, into which was carved a secret chamber in which the tyrant imprisoned hapless victims. And victims, when flames were ignited underneath the statue, inside were roasted to death as their shrieks of agony were transformed into dulcet music through ancillary pipes attached to the beautiful statue. The first victim whom the tyrant, Phalaris, tortured was Perilaus, the artist. ESCAPE FROM PHALARIS comprises a deft and original concept of art and creative impulse, examining (among other eminent themes) the necessity of the solitary artist to transcend minatory environmental inhibitions—to escape, as it were, from Phalaris—that impede or negate his own profound freedom and purpose affirmed in the distant chance of artistic achievement. The book is divided into three parts. Part One comprises twenty sections of varied length including meditations, a dialogue, and analysis, and establishes essential questions and themes addressed and elaborated and fulfilled in the ensuing narrative. (For instance: the dialogue in Section 12 is a complete autonomous statement in itself, but it is also continued and developed in Part Three—Section 7, which is also a complete and autonomous statement in itself.) Themes addressed in Part One include the fundamental—and questionable—validity of critical analysis of art, and evaluations of time, history, authenticity and inauthenticity, science, aesthetic choice and compulsion, elaborated both analytically and among vivid poetic impressions that establish mood and raise questions and ideas and themes which, again, the overall narrative fulfills. Part Two consists of fourteen sections and it comprises a bridge (mostly but not exclusively analytic) that unites Part One and Part Three, although Part Two also is of course an autonomous independent statement of its own unified by themes including evaluations of aesthetic consciousness, intrepid analyses of journalistic and pedagogical criticism of art, a description of the Perilaus-Phalaris story from which the title of the book is derived, and the ardent spiritual and psychological processes out of which a solitary creator devises his art. Part Three comprises seventeen sections of varied length including meditations, a dialogue and analysis, addressing themes and questions and ideas previously approached and now conclusively and altogether fulfilled in the comprehensive pattern of the narrative. The dialogue in Section 7 is a continuation of the dialogue in Section 12 of Part One. Analysis, poetic impressions and dialogue unite to achieve a vigorous and comprehensive portrait and expostulatory vindication of aesthetic passion, struggle, individuality, compulsion and (solitary) aesthetic consciousness. Each section of every part is autonomous and can be read separately from the others but each section of every part is also absorbed by and unified within the comprehensive thematic pattern of the narrative whole. The reader section by section is drawn irresistibly into the narrative web and participates in the solitary agony and exultation of creative endeavor and the pain and peril and the affirmation of aesthetic deliberation and achievement. ESCAPE FROM PHALARIS comprises a provocative argument and ideas, vivid meditations and artistic impressions, two dialogues, and analyses, but it is also a suspenseful experience more thrilling and edifying than any similar tractual or fictive exposition could ever attain to be.

This is the most complete, readable, and explanatory edition of Cicero's "On Duties" available in English. “On Duties” represents the pinnacle of Western moral philosophy. Not only is it an unmatched practical guide to conduct, but it also serves as a profoundly ennobling vision of man. Acknowledged as a supreme moral authority for many centuries, it was the second book (after the Gutenberg Bible) to be printed following the invention of the printing press. This new English translation by Quintus Curtius was specifically designed with the needs of the modern reader in mind. It reproduces the majesty and elegance of the original, while at the same time containing features found in no other edition. Lucid, precise, and accessible, this complete and unabridged edition contains the following special features: 1. An innovative topical organizational scheme that permits easy location of subjects and terms 2. Detailed textual notes for unfamiliar terms and historical references 3. Detailed commentaries and synopses on the text 4. Complete subject and name index 5. Additional explanatory essays Quintus Curtius is an attorney, writer, and former Marine officer. He can be found at www.qcurtius.com.

This new, original translation of Cornelius Nepos's "Lives of the Great Commanders" is the first to appear in many generations. It is also the first completely illustrated and annotated translation of this ageless classic. It contains the following special features that are specifically designed for the general reader or student: 1. Over forty illustrations, including original portrait art and historical illustrations. 2. Over four hundred and forty descriptive footnotes that explain every name, location, and literary point of interest in the text. 3. A fresh, modern English translation that is faithful to the original Latin text. 4. A detailed foreword, descriptive introduction, map, and index for ease of reference. The Roman writer Cornelius Nepos (c. 110 B.C.--c. 25 B.C.) was one of the first biographers in the Western tradition. His "Lives of the Great Commanders" presents memorable and entertaining sketches of some of the most famous military and political leaders of antiquity. Written with a strong moral purpose, his book was taught and studied in schools for many centuries. Through him we learn what character traits made his subjects great, and what shortcomings produced their downfalls. Nepos's instructional biographies have never been more needed or relevant today. His themes--character, moral development, political freedom, and the consequences of corruption--are timeless and universal in their interest. A self-contained unit, this new translation is ideal both for those with no prior background in the subject matter, and also for the serious student.