Three Eyes For The Journey

Studies of African-derived religious traditions have generally focused on their retention of African elements. This emphasis, says Dianne Stewart, slights the ways in which communities in the African diaspora have created and formed new religious meaning. In this fieldwork-based study Stewart shows that African people have been agents of their own religious, ritual, and theological formation. She examines the African-derived and African-centered traditions in historical and contemporary Jamaica: Myal, Obeah, Native Baptist, Revival/Zion, Kumina, and Rastafari, and draws on them to forge a new womanist liberation theology for the Caribbean.

An estimated two-thirds of Caribbeans live outside their homeland. 'Home Away from Home' identifies the different forms of Caribbean diasporan identity and argues that the faith Caribbean people brought with them into the diaspora plays a central role in their development. The study provides a theological interpretation of the diasporan experience, and outlines the principles of diasporan theology and the distinctiveness of its church. Focusing on the Caribbean diaspora in the US, and analysing aspects of the Caribbean British diaspora, the book forges a Black Atlantic theology. The volume also engages with wider discourse on the Black diaspora to offer an inclusive Caribbean diasporan ecclesiology that overcomes Black African-American/Euro-American binaries.

Religion is one of the most important elements of Afro-Caribbean culture linking its people to their African past, from Haitian Vodou and Cuban Santeria—popular religions that have often been demonized in popular culture—to Rastafari in Jamaica and Orisha-Shango of Trinidad and Tobago. In Afro-Caribbean Religions, Nathaniel Samuel Murrell provides a comprehensive study that respectfully traces the social, historical, and political contexts of these religions. And, because Brazil has the largest African population in the world outside of Africa, and has historic ties to the Caribbean, Murrell includes a section on Candomble, Umbanda, Xango, and Batique. This accessibly written introduction to Afro-Caribbean religions examines the cultural traditions and transformations of all of the African-derived religions of the Caribbean along with their cosmology, beliefs, cultic structures, and ritual practices. Ideal for classroom use, Afro-Caribbean Religions also includes a glossary defining unfamiliar terms and identifying key figures.

Bearing in mind the complex and multiple legacies of slavery and colonialism, particularly as they present themselves in the African Caribbean, Turner addresses what he sees as a fundamental but underexplored phenomenon: Self-Negation. He defines this as the tendency for persons living in the aftermath of slavery and colonialism to “not” like themselves, or to live with a dissonance in their identity. This problem is particularly seen in the relationship between the Church and African indigenous religious heritages within the region. Using the Bahamas as the site for qualitative research and theological reflection, he explores the complex relationship between the Church and Junkanoo, an African Caribbean street festival. Whilst Bahamians eagerly participate in both spheres, it is the common belief that Church is sacred and Junkanoo is secular, and the two should never mix. Turner theorizes that the theological root of the issue is the kinds of colonial hermeneutics that still inform church and cultural practices. Whilst Self-Negation is perpetuated by a hermeneutic of dichotomy, Turner proposes a counter, a hermeneutic of embrace, that takes African indigenous cultural heritages seriously and brings wholeness to the kinds of religious and cultural identities within postcolonial and post-slavery societies.

Written by iconic Egyptian novelist Ihsan Abdel Kouddous, this classic of love, desire, and family breakdown smashed through taboos when first published in Arabic and continues to captivate audiences today It is 1950s Cairo and 16-year-old Amina is engaged to a much older man. Despite all the excitement of the wedding preparations, Amina is not looking forward to her nuptials. And it is not because of the age gap or because of the fact that she does not love, or even really know, her fiancé. No, it is because she is involved with another man. This other man is Dr Hashim Abdel-Latif, and while he is Amina’s first love, she is certainly not his. Also many years her senior, Hashim is well-known in polite circles for his adventures with women. A Nose and Three Eyes tells the story of Amina’s love affair with Hashim, and that of two other young women: Nagwa and Rahhab. A Nose and Three Eyes is a story of female desire and sexual awakening, of love and infatuation, and of exploitation and despair. It quietly critiques the strictures put upon women by conservative social norms and expectations, while a subtle undercurrent of political censure was carefully aimed at the then Nasser regime. As such, it was both deeply controversial and wildly popular when first published in the 1960s. Still a household name, this novel, and its author, have stood the test of time and remain relevant and highly readable today.

Postcolonializing God examines how African Christianity can be truly a postcolonial reality and explores how people who were colonial subjects may practice a spirituality that bears the hallmarks of their authentic cultural heritage, even if that makes them distinctly different from Christians from the colonizing nations.

In Ecowomanism at the Panamá Canal: Black Women, Labor, and Environmental Ethics, Sofia Betancourt constructs a transnational ecowomanist ethic that reclaims inherited environmental cultures across multiple sites of displacement. Betancourt argues that women in the African diaspora have a unique understanding of how a moral refusal to compromise their humanity provides the very understanding needed to survive what was once an inconceivable level of environmental devastation. This work is guided by the experiences of West Indian women, imported to Panamá by the United States from across the Caribbean, whose labor supported the building of the Panamá Canal—the so-called silver men and women who faced mud, mosquitoes, and malaria while building a literal pathway to the American empire.

Named an Honor Book for Nonfiction by the Black Caucus of the American Library Association African American theology has a long and important history. With modern roots in the civil rights movements of the 1960s, African American theology has gone beyond issues of justice and social transformation to participate in broader dialogues of theological inquiry. The Oxford Handbook of African American Theology brings together leading scholars in the field to offer a critical and comprehensive analysis of this theological tradition in its many forms and contexts. Using an interdisciplinary approach, this Oxford Handbook examines the nature, structures, and functions of African American Theology. The volume surveys the field by highlighting its sources, doctrines, internal debates, current challenges, and future prospects in order to present key topics related to the wider palette of Black Religion in a sustained scholarly format. This formative collection presents current scholarship on African American Theology and scripture, eschatology, Christology, womanist theology, sexuality, ontology, the global economy, and much more. The contributors represent a diverse set of faith perspectives, adding to the layered discourses within the volume. These essays further important discussions on the pressing debates and challenges that shape black and womanist theologies.