Three Generations

Touted as one of Korea’s most important works of fiction, Three Generations (published in 1931 as a serial in Chosun Ilbo) charts the tensions in the Jo family in 1930s Japanese occupied Seoul. Yom’s keenly observant eye reveals family tensions withprofound insight. Delving deeply into each character’s history and beliefs, he illuminates the diverse pressures and impulses driving each. This Korean classic, often compared to Junichiro Tanizaki’s The Makioka Sisters, reveals the country’s situation under Japanese rule, the traditional Korean familial structure, and the battle between the modern and the traditional. The long-awaited publication of this masterpiece is a vital addition to Korean literature in English.

Family Development in Three Generations is an unusual kind of multi-generational gathering--the result of a massive, in-depth research effort. It is based upon Hill's personal interviews conducted with over 300 families during the course of a year. The discussion results from these interviews, from the statistical information that they produced, and from Hill's consultation with five other fellow researchers. This scholarly contribution to the family field thoroughly analyzes the complexities of the modified generational network. As a multi-generational study, it is pervaded by the vigorous spirit that usually characterizes such research. In his preface to Family Development in Three Generations Reuben Hill invites the reader "to drop in on any generational gathering" where "you will hear how much better or worse life was in grandfather's day than today." Such discussions are usually controversial and center upon shared experiences. Such rhetoric, polemic, and energy sustain conversations among generations. Family Development in Three Generations penetrates to the life center of intimate change in American society. It is a wide-ranging volume that presents varied and highly significant insights into many fields. Scholars will find it a vital contribution to their knowledge of the subject and laymen will find it full of valuable information that they can profitably apply to their own families. The work is widely recognized as a classic in longitudinal analysis of family life.

Victims and Perpetrators What form does the dialogue about the family past during the Nazi period take in families of those persecuted by the Nazi regime and in families of Nazi perpetrators and bystanders? What impact does the past of the first generation, and their own way of dealing with it have on the lives of their children and grandchildren? What are the differences between the dialogue about the family past and the Holocaust in families of Nazi perpetrators and in families of Holocaust survivors? This book examines these questions on the basis of selected case studies.

This book offers a sociolinguistic study of the Chinese community in Britain. It focuses on generational changes in language choice and code-switching patterns of Chinese immigrant families. The social network model developed in the study is intended to account for the relationship between community norms of language use and conversational strategies of individual speakers, and for the relation of both to the broader social, economic and political context.

A varied set of essays from some of the scholars whose work has been shaped by Professor Anderson. The topics range from literature to jihad.

Mommieis a remarkable photographic portrait of three generations of women in the family of photographer Arlene Gottfried and an intimate story of the inevitable passage of time and aging. Pictured within, we are introduced to Gottfried's 100 year old immigrant grandmother, fragile mother, and reluctant sister over the breathtaking course of 35 years. An artist turning their eye on their own immediate family is a well explored theme, but Gottfried has achieved the sublime with a multi-decade long commitment to document the intimate lives of her nearest kin. Gottfried succeeds in creating a complete twentieth century portrait of four lives inextricably interwoven through relation, sickness, need, love, and the absence of her father-who passed away while Arlene was still young. Living as many mid-century Jewish New York families did, the Gottfrieds were not wealthy and lacked any trappings of luxury. Close examination of their world on Avenue A in Manhattan's Lower East Side reveals a dimly lit small apartment, cartons of budget saltines and groceries, chipped paint, damaged floor tiles, guarded loose change, and well worn clothes - details natural to the lives of many families of immigrants in New York. Mommieis testament to the passage of time, changes in the generations, losing loved ones and a familial experience at once both similar and unique to all.

The definitive family biography of President Donald Trump. The revealing story of the Trumps mirrors America’s transformation from a land of striving immigrants to a world in which the aura of wealth alone can guarantee a fortune. The Trumps begins with a portrait of President Trump’s immigrant grandfather, who as a young man built hotels for miners in Alaska during the Klondike gold rush. His son, Fred, took advantage of the New Deal, using government subsidies and loopholes to construct hugely successful housing developments in the 1940s and 1950s. The profits from Fred’s enterprises paved the way for President Trump’s roller-coaster ride through the 1980s and 1990s into the new century. With his talent for extravagant exaggeration—he calls it “truthful hyperbole”—President Trump turned the deal-making know-how of his forebears into an art form. By placing this much-publicized life within the context of family, Gwenda Blair adds a new dimension to the larger-than-life figure who ascended to the American Presidency.

In this family memoir told in the voices of three generations, poet Natasha Tarpley sets her own migrations in the context of a long line of African-American stories. Both historical and personal, Girl in the Mirror traces her grandparents' move from Alabama to Chicago, her mother's relocation to Boston after her father's death, and her own trip to Africa and back. Tarpley emerges at the end reflected in the lives, struggles, and loves of those Black people who have traveled the road before her.