Three Graces At College

The "Three Graces," Grace Percy, Grace Langford and Grace Houghton, go off together to Ardwell College in Massachusetts at the turn of the century (1900).

Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying curatorial philosophies. Sculptors discussed include Canova, Rodin, Henry Moore, Flaxman and contemporary artists such as Rebecca Horn, Rachel Whiteread, Mark Dion and Olafur Eliasson, with a variety of museums in America, Canada and Europe presented as case studies. Underlying all of these discussions is a concern to chart the critical importance of the acquisition, placement and display of sculpture in museums and to explore the importance of sculptures as a forum for the expression of programmatic statements of power, prestige and the museum's own sense of itself in relation to its audiences and its broader institutional aspirations.

'I took it: - and in an hour, oh! Heavens! what a revulsion! what an upheaving, from its lowest depths, of the inner spirit! what an apocalypse of the world within me!' Thomas De Quincey's Confessions of an English Opium-Eater (1821) launched a fascination with drug use and abuse that has continued from his day to ours. In the Confessions De Quincey invents recreational drug taking, but he also details both the lurid nightmares that beset him in the depths of his addiction as well as his humiliatingly futile attempts to renounce the drug. Suspiria de Profundis centres on the deep afflictions of De Quincey's childhood, and examines the powerful and often paradoxical relationship between drugs and human creativity. In 'The English Mail-Coach', the tragedies of De Quincey's past are played out with horrifying repetitiveness against a backdrop of Britain as a Protestant and an imperial power. This edition presents De Quincey's finest essays in impassioned autobiography, together with three appendices that are highlighted by a wealth of manuscript material related to the three main texts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This anthology chronicles Newnham College from its struggling origins in 1871 to 1971 with vignettes and anecdotes.

NEW ADULT CONTEMORARY COMING SOON! College juniors Jessie, Isabel and Sara are linked in an unlikely friendship by visits to hidden places only they can see. Together on a trip to Hearst Castle in California an earth-shaking encounter with a stunning statue in the gardens binds them to the spirits of the Three Graces; Brilliance, Joy and Bloom. Under the weight of school and family problems, Sara Jessie and Isabel grow to be fast friends as they struggle with who they are and what will become of them. Until the fateful trip where they are gifted three magical pendants. Through these gifts the girls must find a way to unlock a centuries old curse and free the graces from their stone grave. Will Brilliance, Joy and Bloom find freedom through the girls or will they forever be entombed in the statue of The Three Graces? The Three Graces is a deep and beautiful story of discovery, of admitting to truths that have been buried, and of letting go of a past that hinders the present.